Tito Schipa was an Italian tenor, considered the greatest tenore di grazia and one of the most popular tenors of the century.
Eduardo De FilippoOMRI, also known simply as Eduardo, was an Italian actor, director, screenwriter and playwright, best known for his Neapolitan works Filumena Marturano and Napoli Milionaria. Considered one of the most important Italian artists of the 20th century, De Filippo was the author of many theatrical dramas staged and directed by himself first and later awarded and played outside Italy. For his artistic merits and contributions to Italian culture, he was named senatore a vita by the President of the Italian Republic Sandro Pertini.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Assia Noris was a Russian-Italian film actress. She appeared in over 35 films between 1932 and 1965
Life Begins Anew is a 1945 Italian melodrama film directed by Mario Mattoli and starring Alida Valli, Fosco Giachetti and Eduardo De Filippo. It was the third most popular Italian film during 1945-46 after Roberto Rossellini's Rome, Open City and Partenza ore 7, a comedy always directed by Mattoli.
Adriana Benetti was an Italian actress.
Strange Inheritance or The Traveller on All Saints' Day is a 1943 French-Italian mystery film directed by Louis Daquin and starring Assia Noris, Jules Berry, Gabrielle Dorziat and Guillaume de Sax. It is an adaptation of the 1941 novel of the same title by Georges Simenon.
Mario Bonnard was an Italian actor and film director.
Dora Nelson is a 1939 Italian comedy film directed by Mario Soldati and starring Assia Noris, Carlo Ninchi and Luigi Cimara. It is a remake of the 1935 French film of the same title, which was based on a play by Louis Verneuil. The film was shot at Cinecittà in Rome, with several real employees of the studio appearing as themselves. It belongs to the movies of the calligrafismo style.
A Pistol Shot is a 1942 Italian historical drama film directed by Renato Castellani and starring Assia Noris, Fosco Giachetti, and Antonio Centa. The film was shot at the Palatino Studios in Rome with sets designed by the art director Gino Brosio. It belongs to the movies of the calligrafismo style. The film is an adaptation of Alexandr Pushkin's short story The Shot (Pushkin), published in 1831.
Those Two is a 1935 Italian comedy film directed by Gennaro Righelli and starring Eduardo De Filippo, Peppino De Filippo and Assia Noris. A couple of men struggling to find work both fall in love with the same woman. The story is loosely based on two works by Eduardo De Filippo.
To Live is a 1937 Italian musical drama film directed by Guido Brignone and starring Tito Schipa, Caterina Boratto and Nino Besozzi. The film is noted for its title song, composed by Cesare A. Bixio. It was distributed by the Italian subsidiary of MGM.
The Ten Commandments is a 1945 Italian drama film directed by Giorgio Walter Chili. It features an ensemble of Italian actors in episodes based on the Ten Commandments.
The House of Shame is a 1938 Italian "white-telephones" comedy film directed by Max Neufeld and starring Amedeo Nazzari, Assia Noris and Alida Valli.
Backstage is a 1939 Italian comedy film directed by Alessandro Blasetti and starring Filippo Romito, Elisa Cegani and Camillo Pilotto. It is part of the tradition of White Telephone films, popular in Italy during the era.
The Wedding March is a 1934 Italian comedy film directed by Mario Bonnard and starring Tullio Carminati, Cesare Bettarini, and Assia Noris. The film's sets were designed by the art director Gastone Medin. A French-language version titled La marche nuptiale with Madeleine Renaud was also released in 1935.
I Want to Live with Letizia is a 1938 Italian "white-telephones" comedy film directed by Camillo Mastrocinque and starring Assia Noris, Gino Cervi and Umberto Melnati.
Heartbeat is a 1939 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, John Lodge and Rubi D'Alma. It remade in France as Beating Heart in 1940, and then again in Hollywood as a 1946 film of the same title starring Ginger Rogers and Basil Rathbone.
A Romantic Adventure is a 1940 Italian historical drama film directed by Mario Camerini and starring Assia Noris, Gino Cervi and Leonardo Cortese. It is inspired by the 1883 short story The Romantic Adventures Of A Milkmaid by Thomas Hardy. Produced when the two countries were at war, the setting was shifted from the English countryside of the late nineteenth century to Piedmont in the 1830s.
One Hundred Thousand Dollars is a 1940 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, Amedeo Nazzari and Lauro Gazzolo.
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