Through a Glass Window | |
---|---|
Directed by | Maurice Campbell |
Screenplay by | Olga Printzlau |
Starring | May McAvoy Fanny Midgley Burwell Hamrick Raymond McKee F. A. Turner Carrie Clark Ward |
Cinematography | Harold Rosson |
Production company | Realart Pictures Corporation |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 50 minutes |
Country | United States |
Language | Silent (English intertitles) |
Through a Glass Window is a 1922 American drama silent film directed by Maurice Campbell, written by Olga Printzlau, and starring May McAvoy, Fanny Midgley, Burwell Hamrick, Raymond McKee, F. A. Turner, and Carrie Clark Ward. [1] [2] [3] It was released on April 2, 1922, by Paramount Pictures.
As described in a film magazine, [4] Jenny Martin (McAvoy), daughter of an invalid mother (Midgley), makes many friends as a waitress of a doughnut shop on New York City's Lower East Side. Her brother Dan (Hamrick) is arrest for a theft committed to aid his sister and is sent to a reformatory. Jenny keeps the facts from her mother, who has gone blind. Jenny builds up an independent business for her brother to take over when he returns, and postpones until then her marriage to Italian vendor Tomasso Barilio (McKee). Her brother finally returns and the wedding is in prospect as the film ends.
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Carrie Clark Ward was an American actress of the silent era.
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Fanny Midgley was an American film actress of Hollywood's early years, mostly in silent films.
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Shore Acres is a 1920 American drama film directed by Rex Ingram that was based on the stage play of the same name by James A. Herne. It was adapted from the play by Arthur J. Zellner.
Mr. Barnes of New York is a 1922 American silent drama film directed by Victor Schertzinger and starring Tom Moore, Anna Lehr and Naomi Childers. It is an adaptation of the novel of the same name by Archibald Clavering Gunter, which had previously been turned into a 1914 film.
Gimme is a 1923 American comedy silent black and white film directed by Rupert Hughes and starring Helene Chadwick and May Wallace. This film along with Charge It (1921) and Ladies Must Dress (1927) encouraged women to be flappers and to increase their consumerism.
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