"Tiara" is a poem that appears in Bethlehem in Broad Daylight. Published in 1991, it is the second collection of poems by the American poet, Mark Doty, who lived through the HIV/AIDS epidemic. [1] The poem serves as an elegy for the Doty's friend, Peter Holla, a Drag queen, and the first person the poet knew who died of AIDS. [2] The poem wrestles with the the accusation that gay men living through the HIV/AIDS plague years had "asked for it" simply by being homosexual and indulging in sexual practice with other men. According to Doty, "I was filled with rage at that ridiculous notion that we invite our own oppression as a consequence of pleasure" [3]
Mark Doty is an American poet and memoirist best known for his work My Alexandria. He was the winner of the National Book Award for Poetry in 2008.
Human immunodeficiency virus infection and acquired immune deficiency syndrome (HIV/AIDS) is a spectrum of conditions caused by infection with the human immunodeficiency virus (HIV). Following initial infection, a person may not notice any symptoms or may experience a brief period of influenza-like illness. Typically, this is followed by a prolonged period with no symptoms. As the infection progresses, it interferes more with the immune system, increasing the risk of developing common infections such as tuberculosis, as well as other opportunistic infections, and tumors that rarely affect people who have uncompromised immune systems. These late symptoms of infection are referred to as acquired immunodeficiency syndrome (AIDS). This stage is often also associated with unintended weight loss.
Drag queens are performance artists, almost always male, who dress in women's clothing and often act with exaggerated femininity and in feminine gender roles with a primarily entertaining purpose. They often exaggerate make-up such as eyelashes for dramatic, comedic or satirical effect. Drag queens are closely associated with gay men and gay culture, but can be of any sexual orientation or gender identity. They vary widely by class, culture, and dedication, from professionals who star in films to people who try drag very occasionally.
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This poem has 45 lines broken up into 15, 3 line stanzas. This poem is heterometric, with some lines written in iambic pentameter, Iambic tetrameter, Iambic dimeter, trochaic pentameter, and trochaic tetrameter.
Iambic pentameter is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable. "Pentameter" indicates a line of five "feet".
Iambic tetrameter is a meter in poetry. It refers to a line consisting of four iambic feet. The word "tetrameter" simply means that there are four feet in the line; iambic tetrameter is a line comprising four iambs.
Trochaic tetrameter is a meter in poetry. It refers to a line of four trochaic feet. The word "tetrameter" simply means that the poem has four trochees. A trochee is a long syllable, or stressed syllable, followed by a short, or unstressed, one. Stresses on a syllable are detected by simply noting which syllable one puts stress on when saying the word. In many cases, this is the syllable which is pronounced loudest in the word, for example, the word 'purity' will take a stress on the first syllable and an unstress on the others.
The poem begins with the Peter's death in a paper tiara. In the second stanza, the speaker offers a flashback of him and Peter in a hospital room, then transitions to his funeral in the third stanza. Some people make friendly jokes related to Peter's passion for drag, then, "someone said that he asked for it," [1] initiating the theme of gay men welcoming death by HIV/AIDS by having intimate homosexual relations. This statement triggers a series of abstract images where the speaker imagines a heaven with men lying peacefully on the grass while horses walk through orchard. All the while, the speaker muses on the nature of creation and mortal pleasure.
Poetry is a form of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning.
The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter. The rhyme scheme of these lines is ABABBCBCC.
In poetic metre, a trochee, choree, or choreus, is a metrical foot consisting of a stressed syllable followed by an unstressed one, in English, or a heavy syllable followed by a light one in Latin or Greek. In this respect, a trochee is the reverse of an iamb.
Rhyme royal is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer.
Common metre or common measure—abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter and iambic trimeter, with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the syllable count of each line, i.e. 8.6.8.6, 86.86, or 86 86, depending on style, or by its shorthand abbreviation "CM".
Onegin stanza refers to the verse form popularized by the Russian poet Alexander Pushkin through his novel in verse Eugene Onegin. The work was mostly written in verses of iambic tetrameter with the rhyme scheme aBaBccDDeFFeGG, where the lowercase letters represent feminine endings and the uppercase representing masculine ending. For example, here is the first stanza of Onegin as rendered into English by Charles Hepburn Johnston:
The history of Latin poetry can be understood as the adaptation of Greek models. The verse comedies of Plautus are considered the earliest surviving examples of Latin literature and are estimated to have been composed around 205-184 BC.
Accentual-syllabic verse is an extension of accentual verse which fixes both the number of stresses and syllables within a line or stanza. Accentual-syllabic verse is highly regular and therefore easily scannable. Usually, either one metrical foot, or a specific pattern of metrical feet, is used throughout the entire poem; thus we can talk about a poem being in, for example, iambic pentameter. Poets naturally vary the rhythm of their lines, using devices such as inversion, elision, masculine and feminine endings, the caesura, using secondary stress, the addition of extra-metrical syllables, or the omission of syllables, the substitution of one foot for another.
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare. Part of the Fair Youth sequence, the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author. In this sonnet the beloved's beauty is compared to both a man's and a woman's.
The following outline is provided as an overview of and introduction to poetry:
"The Wild Swans at Coole" is a lyric poem by the Irish poet William Butler Yeats (1865–1939). Written between 1916 and early 1917, the poem was first published in the June 1917 issue of the Little Review, and became the title poem in the Yeats's 1917 and 1919 collections The Wild Swans at Coole.
"Strange fits of passion have I known" is a seven-stanza poem ballad by the English Romantic poet William Wordsworth. Composed during a sojourn in Germany in 1798, the poem was first published in the second edition of Lyrical Ballads (1800). The poem describes the poet's trip to his beloved Lucy's cottage, and his thoughts on the way. Each of its seven stanzas is four lines long and has a rhyming scheme of a-b-a-b. The poem is written in iambic tetrameter and iambic trimeter.
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization.
On the Morning of Christ's Nativity is a nativity ode written by John Milton in 1629 and published in his Poems of Mr. John Milton (1645). The poem describes Christ's Incarnation and his overthrow of earthly and pagan powers. The poem also connects the Incarnation with Christ's Crucifixion.
Latin prosody is the study of Latin poetry and its laws of meter. The following article provides an overview of those laws as practised by Latin poets in the late Roman Republic and early Roman Empire, with verses by Catullus, Horace, Virgil and Ovid as models. Except for the early Saturnian poetry, which may have been accentual, Latin poets borrowed all their verse forms from the Greeks, despite significant differences between the two languages.
"One Today" is a poem by Richard Blanco first recited at the second inauguration of Barack Obama, making Blanco the fifth poet to read during a United States presidential inauguration. "One Today" was called "a fine example of public poetry, in keeping with Blanco’s other work: Loose, open lines of mostly conversational verse, a flexible iambic pentameter stanza form," by Ken Tucker in Entertainment Weekly.
Poetic devices are a form of literary device used in poetry. A poem engages our responsiveness as it is created out of poetic devices composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essentially tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.