Tillie | |
---|---|
Directed by | Frank Urson |
Screenplay by | Alice Eyton |
Based on | Tillie, a Mennonite Maid by Helen Reimensnyder Martin |
Starring | Mary Miles Minter Allan Forrest Noah Beery, Sr. |
Cinematography | Allen M. Davey |
Production company | Realart Pictures Corporation |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 5 reels |
Country | United States |
Language | Silent (English intertitles) |
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. [1] Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film. [2]
As described in various film magazine reviews, [3] [4] [5] [6] Tillie Getz (Minter) is a girl living in a community of Mennonites with her harsh father Jacob Getz (Beery), who treats her little better than a slave. Tillie longs for education and for an escape from the drudgery of her life, but only the kindly Doc Weaver (Littlefield) understands her ambitions.
Unbeknownst to Tillie, an elderly relative has willed her a small fortune, but only if she should enter into the Mennonite church by the time she has turned eighteen. Her father pressures her into joining the church, but Tillie resists, just as she resists the efforts of a local lawyer (Cooper) to push her into marriage with the undesirable Absalom (Anderson). The lawyer and Absalom are both aware of the terms of the will, and plot to share Tillie's fortune between them once they have convinced her to wed.
One day, Jack Fairchild (Forrest) comes to the town and finding himself captivated by Tillie, he takes up the position of the local schoolmaster so that he can remain close to her. In this way, the ambitions of Tillie's father, the lawyer and Absalom are all thwarted, and Tillie finds love with Jack and freedom from the Mennonite way of life.
The Trail of the Lonesome Pine is a 1923 American silent Western film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the play and novel of the same name by John Fox Jr. This was the second time that Maigne had directed Minter in an adaptation of a Fox novel, the first being 1920's A Cumberland Romance. This was Minter's final film; her contract with Paramount Pictures was not renewed, and she stated that she was "through" with films. As with many of Minter's features, The Trail of the Lonesome Pine is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players-Lasky and distributed through Realart and Paramount Pictures. As with many of Minter's features, it is thought to be a lost film.
The Cowboy and the Lady is a 1922 American silent Western film directed by Charles Maigne and starring Mary Miles Minter and Tom Moore. It was adapted by Julien Josephson from the 1908 play of the same name by Clyde Fitch, and was shot on location at Jackson Hole in Wyoming. As with many of Minter's features, it is thought to be a lost film.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes. As with many of Minter's features, it is thought to be a lost film.
Social Briars is a 1918 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. The story was by Jeanne Judson, and it was filmed under the working title of "The Greater Call." As with many of Minter's features, it is thought to be a lost film.
Moonlight and Honeysuckle is a 1921 American silent romantic comedy film directed by Joseph Henabery and starring Mary Miles Minter and Monte Blue. It was adapted by Barbara Kent from the 1919 stage play of the same name by George Scarborough. As with many of Minter's features, it is thought to be a lost film.
South of Suva is a 1922 American silent drama film starring Mary Miles Minter and directed by Frank Urson. It was adapted by Fred Myton from a story by Ewart Adamson. As with many of Minter's features, it is thought to be a lost film.
Nurse Marjorie is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. It is based on a 1906 play, Nurse Marjorie, by Israel Zangwill, with a scenario by Julia Crawford Ivers. It is one of approximately a dozen of Minter's films know to survive today, and one of even fewer readily available for the general public to view.
The Heart Specialist is a 1922 American silent romantic comedy film directed by Frank Urson and starring Mary Miles Minter and Allan Forrest. It was adapted by Harvey Thew from a story by Mary Morrison. As with many of Minter's features, it is thought to be a lost film.
Don't Call Me Little Girl is a 1921 American silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. It was adapted by Edith Kennedy from the stage play "Jerry" by Catherine Chisholm Cushing. As with many of Minter's features, it is thought to be a lost film.
Drums of Fate is a 1923 American silent drama film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the novel "Sacrifice" by Stephen French Whitman. It was also referred to as "Drums of Destiny" in some promotional material. As with many of Minter's features, it is thought to be a lost film.
Jenny Be Good is a 1920 American silent romance drama film directed by William Desmond Taylor and starring Mary Miles Minter, based on a novel by Wilbur Finley Fauley and adapted for the screen by Julia Crawford Ivers. It is the last of Minter's films to also feature her older sister Margaret Shelby in a supporting role. As with many of Minter's features, it is believed to be a lost film.
Eyes of the Heart is a 1920 American silent crime film directed by Paul Powell and starring Mary Miles Minter. It was adapted by Clara Genevieve Kennedy from the story "Blindness" by Dana Burnet, published in the Ladies Home Journal. As is the case with many of Minter's features, it is thought to be a lost film.
Sweet Lavender is a 1920 American silent drama film directed by Paul Powell and starring Mary Miles Minter. The scenario was adapted by Beulah Marie Dix from the 1888 play of the same name by Arthur Wing Pinero. Like many of Minter's features, it is thought to be a lost film.
The Little Clown is a 1921 American silent comedy film directed by Thomas N. Heffron and starring Mary Miles Minter, adapted by Eugene B. Lewis from a comedy play by Avery Hopwood. It is one of approximately a dozen of Minter's films which still survive today. A copy of the film was found in the Dawson Film Find in 1978 - although other copies survived in various holdings - and a few brief frames from this copy can be seen in 2016 documentary Dawson City: Frozen Time.
Rosemary Climbs the Heights is a 1918 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, Allan Forrest, and Margaret Shelby. It is the only one of Minter's feature films not listed in the Library of Congress American Silent Feature Film Database, making its survival status difficult to ascertain.
Yvonne from Paris is a 1919 American silent comedy film directed by Emmett J. Flynn and starring Mary Miles Minter, Allan Forrest, and Vera Lewis. It was Minter's last film with the American Film Company; she signed a contract with Realart, part of Famous Players-Lasky, in June 1919.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.