Tim Andrews is an English studio potter making distinctive smoke-fired and raku ceramics exhibited internationally. [1]
Andrews trained as an apprentice to David Leach and studied at Dartington Pottery Training Workshop before setting up his first studio in 1981. [2] He returned to share the workshop at Lowerdown with David 1986-93 and now has a studio at Woodbury in Devon.
He is a fellow of the Craft Potters Association and has published a number of books on the craft of raku.
His work is found both in public and private collections including: Stoke-on-Trent and Liverpool Museums, Ashmolean Museum, St John's College, Oxford, Donna Karan, New York, Lord Chancellor Lord Irving, Imerys and The Royal Bank of Scotland. [3]
Raku ware is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air.
Bernard Howell Leach was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery".
David Andrew Leach OBE was an English studio potter and the elder son of Bernard Leach and Muriel Hoyle Leach, Bernard's first wife.
Kenneth C Eastman is an English ceramic artist, best known for his austere, flat bottomed, slab built ceramic vessels. He exhibits internationally and has won various awards in the field of ceramic arts, including the Italian Premio Faenza in 1995, the ‘Gold Medal’ at the World Ceramic Exposition 2001 Korea and the ‘President De la Generalitat Valencia’at the 5th Biennale International De Ceramica, Manises, Spain. In 1998 he was awarded the Arts Foundation Fellowship in Ceramics. He was elected as a member of the International Academy of Ceramics in 2003.
Robert Brady is an American modernist sculptor who works in ceramics and wood. Born in Reno, Nevada, he has made his home in the San Francisco Bay Area for many decades. Brady is a multi-faceted artist who works in ceramics, wood, painting, and illustration, and is best known for his abstract figurative sculptures. Brady came out of the California Clay movement, and the Bay Area Arts scene of the 1950s and 1960s, which includes artists such as Peter Voulkos, Viola Frey, Stephen de Staebler, and Robert Arneson who was his mentor and teacher in college.
Mary Lillian White later Mary Dening was an English textile designer known for several iconic textile prints of the 1950s. Her designs were very popular and extensively copied in many 1950s homes, as well as in cabins aboard the RMS Queen Mary and at Heathrow Airport. She was also a commercial potter and ceramist, who in the 1960s founded Thanet Pottery, in partnership with her brother David White.
Bruce Chivers is a studio potter described by writer and art critic Peter Davies "as an artist whose work shines with a flowing lyricism in which decoration is intrinsically linked to form but equally linked to natural random processes of image formation of the kind favoured by the American Abstract Expressionist and the European "matter" painters.
Joan Ruth Campbell MBE (1925–1997) was a Victorian born potter/ceramic artist.
Ray Finch MBE, formally Alfred Raymond Finch, was an English studio potter who worked at Winchcombe Pottery for a period spanning seventy-five years.
Walter Gibson Dexter was a Canadian ceramist, potter and teacher.
Philip Rogers was a Welsh studio potter who has been featured in a number of books on studio pottery and worked at Lower Cefnfaes Farm's Marston Pottery from 1984 until his death in December 2020 and previously in Rhayader, Powys, Wales, from 1978 to 1984.
Richard Godfrey was an English studio potter working in Battisborough Cross, Devon England.
Susan Hale Kemenyffy is an American artist who works primarily in drawing and print media. She is known for the innovative raku art she created in collaboration with her husband Steven Kemenyffy.
Bernard Rooke is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Paisley Museum and Art Galleries, Leicester Museum, Buckinghamshire County Museum, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. His work has become sought after at auction houses in the UK and USA.
The Coxwold Pottery was a pottery studio based in the village of Coxwold, North Yorkshire, England, launched by artist potters Peter and Jill Dick in 1965, and in operation until 2012.
Mary Borgstrom was a Canadian potter, ceramist, and artist who specialized in primitive techniques. She was presented with the "Award of Excellence" by the Canadian Guild of Crafts in Quebec.
Catherine Yarrow was an English artist known for printmaking, painting, ceramics and pottery in a surrealist mode. She studied at the Royal Academy of Dramatic Art, graduating in 1925. The art historian Patricia Allmer has described her as 'one of the international figures of surrealism and its developments in the 1940s.'
Neil Macalister Grant is a New Zealand potter.
John Leach was a studio potter, the eldest son of David Leach and the eldest grandson of Bernard Leach. Born in St Ives in 1939, he studied under his grandfather and father at St Ives and under Ray Finch at Winchcombe. Leach left school in 1957 and worked with his father at Lowerdown Pottery Bovey Tracey, Devon and from 1961 to 1962 he was an apprentice at the Leach Pottery St Ives.
John Reeve was a Canadian studio potter.