Tim Ocel is an American theatre and opera director based in St. Louis, Missouri. [1] He has directed productions for organizations ranging from Opera Theatre of Saint Louis to Shakespeare Santa Cruz to Geva Theatre in Rochester, New York to the Georgia Shakespeare Festival. He has been artistic director of the Sacramento Theatre Company, artistic associate of Geva Theatre, and an associate professor of opera at the University of Kansas.
Raised in Minneapolis, Minnesota, Ocel received his bachelor of theater arts degree from the University of Minnesota Duluth in 1981. In Baltimore, Maryland he worked as a stage manager with the Baltimore Opera Company and the Peabody Conservatory of Music. Also stage managing at Central City Opera, Michigan Opera Theatre, Opera Theatre of Saint Louis, Tulsa Opera, Opera/Omaha, and the Idaho Shakespeare Festival Archived June 29, 2006, at the Wayback Machine , he was involved with more than 75 productions before accepting a position as Associate Artistic Director of the Sacramento Theatre Company in 1991. Ocel became Artistic Director of STC's 1995-1996 season before moving to St. Louis, Missouri to freelance and reside with his partner, artist and graphic designer Peter Shank. From 2004 - 2008 he was an Associate Professor of Opera at the University of Kansas in Lawrence KS. Recently, Mr. Ocel was adjunct faculty at the Conservatory of Theatre Arts at Webster University in St. Louis from 2010 - 2019. He continues to freelance as a theater director and considers American Players Theatre his artistic home.
In 2022, Ocel directed the American Players Theatre production of Stones in His Pockets. [2] A review in The Cap Times called it "a remarkable achievement for director Tim Ocel, and for the two young men who embody more than a dozen roles between them." [2]
In American theater, summer stock theater is a theater that presents stage productions only in the summer. The name combines the season with the tradition of staging shows by a resident company, reusing stock scenery and costumes. Summer stock theaters frequently take advantage of seasonal weather by having their productions outdoors, under tents set up temporarily for their use, or in barns.
The St. Louis Municipal Opera Theatre is an amphitheater located in St. Louis, Missouri. The theatre seats 11,000 people with about 1,500 free seats in the last nine rows that are available on a first come, first served basis.
Robert Woodruff is an American theater director.
Louis Colaianni is an American voice, speech, dialect and text coach and director in the professional theatre, with specialisation in Shakespeare performance.
John Conklin is an international theater designer, dramaturg and teaches in the Department of Design for Stage and Film at New York University's Tisch School of the Arts.
Marie Anne Chiment has created sets and costumes for hundreds of productions across the United States for opera, theatre and dance. Chiment’s sets and costumes have been used on the stages of Santa Fe Opera, Chicago Lyric Opera, Kennedy Center, Wolftrap Opera and Broadway’s Minskoff Theatre. She has designed national tours of Grease and Carousel, as well as the GLAMA award winning world premiere of Patience & Sarah for the Lincoln Center Festival.
Lara Teeter is an American dancer, actor, singer, theater director and college professor.
Robert Wierzel is an American lighting designer.
Larry Carpenter is an American theatre and television director and producer. In the theatre, he has worked as an artistic director, associate artistic director, a managing director and general manager in both the New York and Regional arenas. He also works as a theatre director and is known primarily for large projects, working on musicals and classical plays equally. In television, he works as a director for New York daytime dramas. He has served as executive vice president of the Stage Directors and Choreographers Society, the national labor union for professional stage directors and choreographers. He is also a member of the Directors Guild of America PAC.
Michael DeVard Morgan was an American conductor. He was music director of the Oakland East Bay Symphony for 30 years. He was also music director of the Sacramento Philharmonic Orchestra and artistic director of Festival Opera in Walnut Creek, California.
The St. Louis Repertory Theater is a repertory theater, based in Webster Groves, Missouri, a suburb of St. Louis. It is often referred to locally simply as "The Rep". Kate Bergstrom is the Artistic Director and Danny Williams is the Managing Director.
Giles Pollock Havergal CBE is a theatre director and actor, opera stage director, teacher, and adaptor. He was artistic director of Glasgow's Citizens Theatre from 1969 until he stepped down in 2003, one of the triumvirate of directors at the theatre, alongside Philip Prowse and Robert David MacDonald.
Joel G. Fink is an American actor, director, acting coach and theatre administrator. He is Professor Emeritus of Theatre, The Theatre Conservatory of the Chicago College of Performing Arts at Roosevelt University in Chicago, where he also served as Associate Dean and Founding Director of the conservatory. Fink also served as the Casting Director/Artistic Associate of the Colorado Shakespeare Festival from 1988 until 2003. Fink holds a doctorate and an MFA from Tisch School of the Arts at New York University. He holds a BFA from the Goodman School of Drama at the Art Institute of Chicago.
A Shakespeare festival is a theatre organization that stages the works of William Shakespeare continually.
Francis Cullinan is an American stage director of opera, musical theater, dramas, comedies and cabaret shows.
Jonathan Moscone is an American theater director and arts consultant, having most recently served as a Council member then Executive Director of the California Arts Council under Governor Gavin Newsom's administration. Formerly the Chief Producer of Yerba Buena Center for the Arts (YBCA), and artistic director of California Shakespeare Theater in Berkeley and Orinda, California for 16 years, Moscone received the inaugural Zelda Fichandler Award, given by the Stage Directors and Choreographers Foundation for his transformative work in theater in 2009.
Carroll Freeman is an American operatic tenor, opera director, and music educator. He began his career as a prominent boy soprano in the 1960s. From the late 1970s through the mid 1990s he performed widely as a tenor with opera companies and orchestras in the United States. After that he worked as a director of opera productions with opera companies throughout North America. He is the former director of the opera program at the University of Tennessee and currently directs the opera program at Georgia State University. He is also the former Artistic Director of Mississippi Opera, Opera in the Ozarks at Inspiration Point, and opera studios at Knoxville Opera and Des Moines Metro Opera.
Tlaloc Rivas is a Mexican-American writer, producer, and theatre director. He is one of the co-founders of the Latinx Theatre Commons, which works side by side with HowlRound to revolutionize American theater and to highlight and promote the contributions and presence of Latinos in theatre. Central to Rivas' work is the Latino experience, but also exploring the American experience through the lens' of underrepresented voices. Rivas focuses on writing and directing plays that significantly explore Latino identity and history. Additionally, Rivas has also translated and adapted plays from the Spanish language and directed Spanish-language and bilingual plays such as Mariela in the Desert by Karen Zacarias and classical works such as Peribáñez y el Comendador de Ocaña.
Timothy Bond is the Artistic Director of the Oregon Shakespeare Festival as of September 1, 2023. His previous role was as the Head of the Professional Actor Training Program and professor at the University of Washington School of Drama.