| Time Traveller | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | September 1992 | |||
| Genre | Electro | |||
| Length | 50:48 | |||
| Label | Blanc | |||
| Producer | Keith LeBlanc | |||
| Keith LeBlanc chronology | ||||
| ||||
Time Traveller is the fourth album by drummer Keith LeBlanc, released in September 1992 by Blanc Records. [1] [2]
All tracks are written by Keith LeBlanc, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Skin Stretch" | Talvin Singh | 2:23 |
| 2. | "Split the Planet" | 3:08 | |
| 3. | "Major Drum" | 1:50 | |
| 4. | "Ernie" | 1:25 | |
| 5. | "Earshot" ("Get This" remix) | Skip McDonald | 2:13 |
| 6. | "Fight the System" | 1:34 | |
| 7. | "Point Blanc" | 2:02 | |
| 8. | "Howi" | 1:53 | |
| 9. | "Hallelujah" | 3:38 |
| No. | Title | Length |
|---|---|---|
| 1. | "Heaven Only Knows" | 5:34 |
| 2. | "Time Traveller" | 12:44 |
| 3. | "Enjoy" | 4:15 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 13. | "ESP" | Craig Derry, Skip McDonald, Doug Wimbish | 2:49 |
| 14. | "Nine Times Nine" | Skip McDonald, Doug Wimbish | 2:43 |
| 15. | "Duo" | 2:30 |
|
|
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| United Kingdom | 1992 | Blanc | LP | BLC 6 |
| United Kingdom | 1992 | Blanc | CD | BLC 6CD |
Time Traveler(s) or Time Traveller(s) may refer to:
Fred LeBlanc is the lead singer/drummer for the New Orleans-based rock band Cowboy Mouth, and a freelance songwriter, record producer, short story author, and acoustic performer. Known for his "maniacal" performance style, and described as "a short, muscular guy with a heavy brow and piercingly intelligent eyes", LeBlanc has been called "one of the more instantly recognizable figures in contemporary Louisiana music."
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Keith LeBlanc is an American drummer and record producer, and is a member of the bands Little Axe and Tackhead.
Friendly as a Hand Grenade is an album by the American band Tackhead. It was released in 1989 through TVT Records.
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Power Inc. Volume 1 is a compilation album by the American industrial hip-hop group Tackhead. It was released in 1994 on Blanc Records.
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Fats Comet was a British/American industrial hip hop group formed by Adrian Sherwood, Keith LeBlanc, Skip McDonald and Doug Wimbish. The band was known for producing dance tracks that were densely layered in samples and ahead of their time. In a 1987 article in Spin, Scott Burlingham commented that "songs like "Bop Bop" and "Stormy Weather" are three years old and they still don't fit in." The members eventually shifted their focus to another project Tackhead, under which they continue to produce music.
"Rockchester" is a single by the British industrial hip-hop group Fats Comet, released in January 1987 on World Records.
Jungle Funk is a drum and bass group formed by Vinx De'Jon Parrette, Will Calhoun and Doug Wimbish. Beginning in 1996, they performed over one-hundred and fifty shows throughout Europe and Australia. The trio performed a complex hybrid of R&B, drum and bass, dub, funk, and soul music, buttressed by sampling and electronic percussion. In 1998, they released their eponymously titled debut album Jungle Funk, which consisted of a recording of their live performance in Austria.
Major Malfunction is the debut album of American drummer Keith LeBlanc, produced by Fats Comet, and released in 1986 by World Records. The vinyl release plays continuously from beginning to end on sides A and B, while the World and Cleopatra CD releases index each side as a track. This production was ground breaking in 1986 and copied by many.
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Freakatorium is the fifth album by drummer Keith LeBlanc, released on March 9, 1999 by Blanc Records.
Stop the Confusion is a compilation album by drummer Keith LeBlanc, released on July 26, 2005, by Collision: Cause of Chapter 3.
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"No Sell Out" is a hip hop piece composed by American drummer Keith LeBlanc under the moniker Malcolm X, released in November 1983 on Tommy Boy Records. It marked the one of the earliest usages of sample-based composition in popular music as well as being the first hip hop song to use Malcolm X's voice for artistic and political reasons.
