Related Research Articles
A connoisseur is a person who has a great deal of knowledge about the fine arts; who is a keen appreciator of cuisines, fine wines, and other gourmet products; or who is an expert judge in matters of taste. In many areas, the term now has an air of pretension, and may be used in a partly ironic sense. In the art trade, however, expert connoisseurship remains a crucial skill for the identification and attribution to individual artists of works by the style and technique, where documentary evidence of provenance is lacking. The situation in the wine trade is similar, for example in assessing the potential for ageing in a young wine through wine tasting.
Cecil Gordon Lawson was a British landscapist and illustrator.
Henry Holiday was an English Victorian painter of historical genre and landscapes, also a stained-glass designer, illustrator, and sculptor. He was influenced by the Pre-Raphaelite Brotherhood, many of whom he knew.
Pietro Annigoni, OMRI was an Italian artist, portrait painter, fresco painter and medallist, best known for his painted portraits of Queen Elizabeth II. His work was in the Renaissance tradition, contrasting with the modernist style that prevailed in his time.
Wilhelmina Barns-Graham CBE was one of the foremost British abstract artists, a member of the influential Penwith Society of Arts.
George Barret Sr. was an Irish landscape artist known for his oil paintings and watercolours. He left Ireland in 1762 to establish himself as an artist in London and quickly gained recognition to become a leading artist of the period. He exhibited at the Society of Artists of Great Britain and was able to gain patronage from many leading art collectors. Barrett with other leading members left the Society in 1768 to found the Royal Academy, where he continued to exhibit until 1782.
Francis Dennis Ramsay, known as Dennis Ramsay, was a Scottish portrait painter, trained in London and Paris, who worked mainly in Australia in the classical tradition.
Rita Donagh is a British artist, known for her realistic paintings and painstaking draughtsmanship.
Classical Realism is an artistic movement in the late-20th and early 21st century in which drawing and painting place a high value upon skill and beauty, combining elements of 19th-century neoclassicism and realism.
Zsuzsi Roboz was a London-based Hungarian painter known for her portraiture paintings and paintings of the arts. Her work is in public galleries including the Tate Britain and The National Portrait Gallery.
Richard Christian Wynne Fremantle was an American art historian. The focus of most of his work is the early Florentine Renaissance, and in particular, the painter Masaccio.
Sara Leighton is an English society portrait painter, author, actress and personality, also noted for her beauty.
Rose Mary Barton was an Anglo-Irish artist; a watercolourist who painted landscape, street scenes, gardens, child portraiture and illustrations of the townscape of Britain and Ireland. Barton exhibited with a number of different painting societies, most notably the Watercolour Society of Ireland (WCSI), the Royal Academy (RA), the Royal Hibernian Academy (RHA), the Society of Women Artists and the Royal Watercolour Society (RWS). She became a full member of the RWS in 1911. Her paintings are in public collections of Irish painting in both Ireland and Britain, including the National Gallery of Ireland and Dublin City Gallery The Hugh Lane in Dublin, and the Ulster Museum in Belfast.
D. Jeffrey Mims is a painter, educator, lecturer, and muralist working as a classical realist.
Sir Richard Brinsley Ford was a British art historian, scholar, and collector. He inherited a large collection of art from his family and was himself an avid collector. A drawing that he purchased in 1936 was sold by his estate for $12 million in 2000. Ford was the director of the Burlington Magazine, president of Walpole Society and chaired the National Art Collections Fund. During World War II he was a Troop Sergeant-Major in the Royal Artillery and then served in the military intelligence organisation, MI9.
The Pheasantry, 152 King's Road, Chelsea, London, is a Grade II listed building that was home to a number of important figures in 1960s London and a small music venue in the 1970s where a number of bands were able to play their first gigs.
“La Signorina” Nerina (Nera) Simi was an Italian artist and a teacher of painting and drawing. She was the daughter of the Italian painter Filadelfo (Philadelphus) Simi (1849–1923), himself a student of the French academician Jean-Léon Gérôme (1824–1904).
Pietro Annigoni completed a number of portraits of Queen Elizabeth II between 1954 and 1972. In 1955, he painted her for the Worshipful Company of Fishmongers and in 1969 for the National Portrait Gallery. The two portraits were united for the National Portrait Gallery's exhibition; The Queen: Art and Image, held to mark the Diamond Jubilee of Queen Elizabeth II in 2012. In 1972, Annigoni completed a circular drawing of the Queen and Prince Philip, Duke of Edinburgh to mark their silver wedding anniversary.
Queen Elizabeth II is a 2016 painting of the British monarch by British-Canadian artist Henry Ward. Its full title is Her Majesty Queen Elizabeth II with the Founder of the British Red Cross Henri Dunant. Painted in secret in Canada, it was unveiled by the Queen at Windsor Castle that October and commemorated the Queen's 60-year role as the patron of the British Red Cross.
Conversation Piece at the Royal Lodge, Windsor is an oil-on-canvas painting by Herbert James Gunn. It is part of the collection of the National Portrait Gallery (NPG) in London. The painting depicts King George VI and Queen Elizabeth and their daughters, Princesses Elizabeth and Margaret, taking tea in the Royal Lodge in Windsor Great Park. It was commissioned by the NPG in 1950.
References
- ↑ 1 artwork by or after Timothy Whidborne , Art UK . Retrieved 13 August 2014.
- ↑ Melly, George. (2006). Owning Up: The Trilogy. London: Penguin Books. p. 642. ISBN 978-0-14-193830-1.
- ↑ Whidborne, Timothy (2019). Aspects of Art and Ancestry. Tolworth, U.K.: Grosvenor House. ISBN 9781786234735.
- ↑ Gibson, Wilfrid (1961). Paintings and Drawings by Pietro Annigoni and Some of His Past and Present Students - Exhibition catalogue 25th April to 3rd June 1961. Federation of British Artists.
- ↑ "The Royal Academy", Stephen Bone, The Manchester Guardian , 1 May 1954, p. 3.
- ↑ The Connoisseur, Vol. 161, 1966, pp. 64-65.
- ↑ Muir, Douglas. (2007). A Timeless Classic: The Evolution of Machin's Icon. London: The British Postal Museum & Archive, pp. 209–215. ISBN 9780955356919
| International | |
|---|---|
| National | |
| Artists | |
 | This article about an artist, architect or photographer from England is a stub. You can help Wikipedia by expanding it. |