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Aegean civilization is a general term for the Bronze Age civilizations of Greece around the Aegean Sea. There are three distinct but communicating and interacting geographic regions covered by this term: Crete, the Cyclades and the Greek mainland. Crete is associated with the Minoan civilization from the Early Bronze Age. The Cycladic civilization converges with the mainland during the Early Helladic ("Minyan") period and with Crete in the Middle Minoan period. From c. 1450 BC, the Greek Mycenaean civilization spreads to Crete, probably by military conquest.
In Greek mythology, the Minyans or Minyae were a group of legendary people who were the inhabitants of the city Orchomenus in Boeotia, and who were also associated with Thessaly. They were named after their eponymous ancestor, Minyas.
Mycenaean Greece was the last phase of the Bronze Age in Ancient Greece, spanning the period from approximately 1750 to 1050 BC. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system. The Mycenaeans were mainland Greek peoples who were likely stimulated by their contact with insular Minoan Crete and other Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The most prominent site was Mycenae, after which the culture of this era is named. Other centers of power that emerged included Pylos, Tiryns, and Midea in the Peloponnese, Orchomenos, Thebes, and Athens in Central Greece, and Iolcos in Thessaly. Mycenaean settlements also appeared in Epirus, Macedonia, on islands in the Aegean Sea, on the south-west coast of Asia Minor, and on Cyprus, while Mycenaean-influenced settlements appeared in the Levant and Italy.
In classical Greece, Lerna was a region of springs and a former lake near the east coast of the Peloponnesus, south of Argos. Even though much of the area is marshy, Lerna is located on a geographically narrow point between mountains and the sea, along an ancient route from the Argolid to the southern Peloponnese; this location may have resulted in the importance of the settlement.
Helladic chronology is a relative dating system used in archaeology and art history. It complements the Minoan chronology scheme devised by Sir Arthur Evans for the categorisation of Bronze Age artefacts from the Minoan civilization within a historical framework. Whereas Minoan chronology is specific to Crete, the cultural and geographical scope of Helladic chronology is confined to mainland Greece during the same timespan. Similarly, a Cycladic chronology system is used for artifacts found in the Aegean islands. Archaeological evidence has shown that, broadly, civilisation developed concurrently across the whole region and so the three schemes complement each other chronologically. They are grouped together as "Aegean" in terms such as Aegean art and, rather more controversially, Aegean civilization.
Aegean art is art that was created in the lands surrounding, and the islands within, the Aegean Sea during the Bronze Age, that is, until the 11th century BC, before Ancient Greek art. Because is it mostly found in the territory of modern Greece, it is sometimes called Greek Bronze Age art, though it includes not just the art of the Mycenaean Greeks, but also that of the non-Greek Cycladic and Minoan cultures, which converged over time.
The National Archaeological Museum in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university.
Minoan pottery has been used as a tool for dating the mute Minoan civilization. Its restless sequence of quirky maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the strata of their sites. Pots that contained oils and ointments, exported from 18th century BC Crete, have been found at sites through the Aegean islands and mainland Greece, on Cyprus, along coastal Syria and in Egypt, showing the wide trading contacts of the Minoans.
In the archaeology of Southwest Asia, the Late Neolithic, also known as the Ceramic Neolithic or Pottery Neolithic, is the final part of the Neolithic period, following on from the Pre-Pottery Neolithic and preceding the Chalcolithic. It is sometimes further divided into Pottery Neolithic A (PNA) and Pottery Neolithic B (PNB) phases.
The Archaeological Museum of Nafplio is a museum in the town of Nafplio of the Argolis region in Greece. It has exhibits of the Neolithic, Chalcolithic, Helladic, Mycenaean, Classical, Hellenistic and Roman periods from all over southern Argolis. The museum is situated in the central square of Nafplion. It is housed in two floors of the old Venetian barracks.
Minyan ware is a broad archaeological term describing varieties of a particular style of Aegean burnished pottery associated with the Middle Helladic period. The term was coined in the 19th century by German archaeologist Heinrich Schliemann after discovering the pottery in Orchomenos, Greece. Excavations conducted during the 1960s confirmed that Minyan ware evolved from the burnished pottery developed by the Tiryns culture of the Early Helladic III period.
Mycenaean pottery is the pottery tradition associated with the Mycenaean period in Ancient Greece. It encompassed a variety of styles and forms including the stirrup jar. The term "Mycenaean" comes from the site Mycenae, and was first applied by Heinrich Schliemann.
The Archaeological Museum of Lamia is a museum within the archaeological site of Lamia Castle in Lamia, Greece. The museum is housed in a refurbished barracks built in 1830 by King Otto of Greece. It presents prehistoric and Classical antiquities, covering the Neolithic era, Helladic period, Early Iron Age, Archaic, Classical and Hellenistic periods.
Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art, and in later periods came for a time to have a dominant influence over Cycladic art. Since wood and textiles have decomposed, the best-preserved surviving examples of Minoan art are its pottery, palace architecture, small sculptures in various materials, jewellery, metal vessels, and intricately-carved seals.
The Middle Bronze Age Migrations are postulated waves of migration during the Middle Bronze Age. This proposal was advanced in the mid-20th century by scholars such as Mellaart, who argued for a connection between the spread of the Indo-European languages and archaeologically attested destructions and cultural changes around the 20th century BC. However, more recent research has disfavored the notion of Indo-European invasions, interpreting the evidence as favoring a more gradual process of assimilation.
The pottery of ancient Cyprus starts during the Neolithic period. Throughout the ages, Cypriot ceramics demonstrate many connections with cultures from around the Mediterranean. During the Early and Middle Bronze Ages, it is especially imaginative in shape and decoration. There are also many early terracotta figurines that were produced depicting female figures.
Kapilavastu Museum is a cultural and religious museum in Tilaurakot, Nepal. Kapilavastu is the ancient city of the Sakyas, Sakyamuni Buddha son of Suddhodhan. There are more than 136 archaeological sites in the territory of ancient Kapilavastu. Tilaurākoṭ, Niglihawa, Gotihawa, Arorakot, Sisahaniyakot, Chhetradehi, Sagrahawa, Pipari etc. are enriched with ancient art remains and monuments. Archaeological findings of Tilaurākoṭ and of other sites are kept in Kapilavastu museum.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
The Korakou culture or Early Helladic II was an early phase of Bronze Age Greece, in the Early Helladic period, lasting from around 2650 to c.2200 BC. In the Helladic chronology it was preceded by the Eutresis culture of c. 3200 – c. 2650 BC and followed by the Tiryns culture or Early Helladic III. In some parts of Greece a Lefkandi culture, or Early Helladic IIB, follows the Korakou; elsewhere the Korakou transitions directly into the Tiryns.
References
- 1 2 3 4 5 "The "Lefkandi I" and Tiryns cultures of the Early Helladic IIB and Early Helladic III periods".
{{cite web}}: CS1 maint: url-status (link) - ↑ "Tiryns". Ministry of Culture and Sports . Athens, Greece. 2012.
- 1 2 "Tiryns, ancient city, Greece". Britannica.
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