Tocapu (Tocapo or Tokapu) was a decorative artwork with discrete geometrical motifs. It was associated with Andean textiles, especially for the use of the Royals' clothing. Tocapu was also painted on wooden boards.
Tocapu (Tocapo or Tokapu) was a decorative artwork with discrete geometrical motifs. It was associated with Andean textiles, especially for the use of the Royals' clothing. Tocapu was also painted on wooden boards.
Tocapu was an integral part of the various textiles used in the Inca Empire. The designs were woven into the fabrics. In Tocapu, a nearly square frame inside a field is divided and subdivided into various geometric shapes. [1]
A repeat of the designs was combined following the suitability, for example, of repeating the single design unit or forming a group of units, such as a band (for example, a band on the bottom of uncu) or sometimes Tocapu motifs were given in a scattered way also (without any arrangement). [1]
Tocapu used by Incas always remained a subject of research for assuming the existence of pictographic or ideographic writing. [2] [3]
The Tocapu is evaluated more than decorative values.
Santacruz Pachacuti Yamqui himself explained
each town was referred to by a sign system well recognized in the Andes, the pacarina. Manco Capac is credited with originating this custom whereby each province and each town chose an object to symbolize its origin.
Signs, songs, and memory in the Andes : translating Quechua language and culture [4]
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
Ica is a department and region of Peru. It borders the Pacific Ocean on the west; the Lima Region on the north; the Huancavelica and Ayacucho regions on the east; and the Arequipa Region on the south. Its capital is the city of Ica.
In "Southern Andean Iconographic Series" the Staff God pose is a religious icon and a standardized pose reminiscent in its way of the standardized poses in Byzantine art. The pose shows a front-facing human or human-like figure with vertical attributes, one in each hand. There is no uniform representation of a "Staff God". Dozens of variations of "Staff Gods" exist. Some scholars think that some of these personages are possible depictions of Viracocha or Thunupa. However, there is little evidence to support the idea that these front-facing figures do represent deities. Some researchers point to their attributes and spatial organization which seem to indicate that they are ritual practitioners. Some attributes in their hands were identified as Qirus, Snuff trays and Spear-throwers. The "rays" radiating or sprouting out of the faces of Tiwanaku front-facing figures appear to have approximately the value of an aureole. They may represent flows and distribution of energy. At the Wari site of Conchopata a vessel was found which shows a Staff God in which the "rays" can be interpreted as a Anadenanthera colubrina tree sprouting from its head whereas the circular elements do represent its seed pods.
The Wari were a Middle Horizon civilization that flourished in the south-central Andes and coastal area of modern-day Peru, from about 500 to 1000 AD.
The Nazca culture was the archaeological culture that flourished from c. 100 BC to 800 AD beside the arid, southern coast of Peru in the river valleys of the Rio Grande de Nazca drainage and the Ica Valley. Strongly influenced by the preceding Paracas culture, which was known for extremely complex textiles, the Nazca produced an array of crafts and technologies such as ceramics, textiles, and geoglyphs.
A qiru is an ancient Andean drinking vessel used to drink liquids like alcohol, or more specifically, chicha. They can be made from wood, ceramics, silver, or gold. They were traditionally used in Andean feasts.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The Pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Many types of perishable artifacts that were once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
The Paracas culture was an Andean society existing between approximately 800 BCE and 100 BCE, with an extensive knowledge of irrigation and water management and that made significant contributions in the textile arts. It was located in what today is the Ica Region of Peru. Most information about the lives of the Paracas people comes from excavations at the large seaside Paracas site on the Paracas Peninsula, first formally investigated in the 1920s by Peruvian archaeologist Julio Tello.
The Chakana is a stepped cross motif used by the Inca and pre-incan Andean societies. The most commonly used variation of this symbol today is made up of an equal-armed cross indicating the cardinal points of the compass and a superimposed square. Chakana means 'bridge', and means 'to cross over' in Quechua. The Andean cross motif appears in pre-contact artifacts such as textiles and ceramics from such cultures as the Chavín, Wari, Chancay, and Tiwanaku, but with no particular emphasis and no key or guide to a means of interpretation. The anthropologist Alan Kolata calls the Andean cross "one of the most ubiquitous, if least understood elements in Tiwanaku iconography". The Andean cross symbol has a long cultural tradition spanning 4,000 years up to the Inca Empire.
Peruvian art has its origin in the Andean civilizations. These civilizations rose in the territory of modern Peru before the arrival of the Spanish.
The Andean textile tradition once spanned from the Pre-Columbian to the Colonial era throughout the western coast of South America, but was mainly concentrated in Peru. The arid desert conditions along the coast of Peru have allowed for the preservation of these dyed textiles, which can date to 6000 years old. Many of the surviving textile samples were from funerary bundles, however, these textiles also encompassed a variety of functions. These functions included the use of woven textiles for ceremonial clothing or cloth armor as well as knotted fibers for record-keeping. The textile arts were instrumental in political negotiations, and were used as diplomatic tools that were exchanged between groups. Textiles were also used to communicate wealth, social status, and regional affiliation with others. The cultural emphasis on the textile arts was often based on the believed spiritual and metaphysical qualities of the origins of materials used, as well as cosmological and symbolic messages within the visual appearance of the textiles. Traditionally, the thread used for textiles was spun from indigenous cotton plants, as well as alpaca and llama wool.
The Lima culture was an indigenous civilization which existed in modern-day Lima, Peru during the Early Intermediate Period, extending from roughly 100 to 650. This pre-Incan culture, which overlaps with surrounding Paracas, Moche, and Nasca civilizations, was located in the desert coastal strip of Peru in the Chillon, Rimac and Lurin River valleys. It can be difficult to differentiate the Lima culture from surrounding cultures due to both its physical proximity to other, and better documented cultures, in Coastal Peru, and because it is chronologically very close, if not over lapped, by these other cultures as well. These factors all help contribute to the obscurity of the Lima culture, of which much information is still left to be learned.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
The Andean civilizations were South American complex societies of many indigenous people. They stretched down the spine of the Andes for 4,000 km (2,500 mi) from southern Colombia, to Ecuador and Peru, including the deserts of coastal Peru, to north Chile and northwest Argentina. Archaeologists believe that Andean civilizations first developed on the narrow coastal plain of the Pacific Ocean. The Caral or Norte Chico civilization of coastal Peru is the oldest known civilization in the Americas, dating back to 3500 BCE. Andean civilization is one of the six "pristine" civilizations of the world, created independently and without influence by other civilizations.
The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas.
The Chancay were a pre-Hispanic archeological civilization that developed between the valleys of Fortaleza, Pativilca, Supe, Huaura, Chancay, Chillón, Rimac and Lurín, on the central coast of Peru, from about 1000 to 1470 CE.
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Uncu (Unku) was a men's garment of the Inca Empire. It was an upper-body garment of knee-length; Royals wore it with a mantle cloth called ''yacolla.'' Women wore a long dress known as an anaku.
Anaku was a skirt-type garment of indigenous women in the Inca Empire. It was a long drape dress straight in shape, falling to ankle length.
Yacolla was an outer garment in the Inca men's clothing that was similar to a mantle worn over the Uncu.