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Tom LaDuke (born 1964) is an American painter and sculptor whose work explores themes of nature, science fiction, and memory, and utilizes a wide range of image depiction and surface techniques.
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Tom LaDuke (born 1964) is an American painter and sculptor whose work explores themes of nature, science fiction, and memory, and utilizes a wide range of image depiction and surface techniques.
LaDuke was born in Holyoke, Massachusetts. He grew up in Los Angeles, California, where he continues to live and work today. In 1991, he earned his Bachelor of Fine Arts from California State University, Fullerton. Three years later in 1994, he completed his Master of Fine Arts at The School of the Art Institute of Chicago, Illinois. [1]
LaDuke's paintings are often multi-layered surfaces that employ both precise image-rendering as well as odd gestural marks and sculptural accumulations of paint. [2] The subject matter of his work is varied, including deceptions of nature alongside science-fiction elements and abstract mark-making. [3] He is primarily a painter, but he occasionally exhibits sculptures which explore similar themes of the body, nature, and artificiality.
He has exhibited his work regularly since 2001, in solo shows at the Angeles Gallery in Santa Monica, the CRG gallery in New York and most recently at the Kohn Gallery in Los Angeles. [4] In 2010, his traveling exhibition, "Run Generator", was shown at the Pennsylvania Academy of the Fine Arts, Philadelphia and traveled to the Weatherspoon Museum in Greensboro, North Carolina.
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
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Andrew Spence is an American artist known for abstract paintings that combine a minimalist vocabulary with playful references to the observed world. In the 1970s and 1980s, he gained recognition as one of a number of younger artists who were re-examining geometric modernism through a contemporary lens that invited humor and reference to everyday objects and life experience into the tradition. Spence's method of distilling visual phenomena into simple, emblematic images has been compared to Ellsworth Kelly, but his work has differed in its more even balance between abstraction and recognition, intuitive approach, and varied, expressive paint surfaces. Art in America critic Ken Johnson wrote that his work maintains "an ironic tension between lofty purism of modernist geometry and earth-bound ordinariness of the vernacular sources." In later paintings, Spence has increasingly obscured the original inspirations of his abstractions, in both form and titling. His work belongs to the permanent collections of the Metropolitan Museum of Art, Museum of Modern Art, and Whitney Museum of American Art, among others. He has received a Guggenheim Fellowship and awards from the American Academy of Arts and Letters and National Endowment for the Arts.
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