Tom Stern | |
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Born | Thomas Evans Stern December 16, 1946 Palo Alto, California, U.S. |
Occupation | Cinematographer |
Thomas Evans Stern, ASC , AFC (born December 16, 1946) is an American cinematographer. He is best known for his work on films directed by Clint Eastwood, having been his primary cinematographer since Blood Work in 2002. Stern began work as a gaffer in 1977, and for his work in Changeling (2008) was nominated for an Academy Award for Best Cinematography. [1]
† | Denotes films that have not yet been released |
Cinematographer
Director
Year | Title | Notes |
---|---|---|
2022 | The Almond and the Seahorse | Co-directed with Celyn Jones |
Year | Title | Award/Nomination |
---|---|---|
2003 | Mystic River | Cannes Vulcan Award Nominated – Satellite Award for Best Cinematography |
2006 | Flags of Our Fathers | Satellite Award for Best Cinematography Nominated – Los Angeles Film Critics Association Award for Best Cinematography Nominated – St. Louis Gateway Film Critics Association Award for Best Cinematography |
Letters from Iwo Jima | Nominated – Chicago Film Critics Association Award for Best Cinematography Nominated – Los Angeles Film Critics Association Award for Best Cinematography Nominated – St. Louis Gateway Film Critics Association Award for Best Cinematography | |
2008 | Changeling | Nominated – Academy Award for Best Cinematography Nominated – BAFTA Award for Best Cinematography Nominated – Satellite Award for Best Cinematography |
Paris 36 | Nominated – César Award for Best Cinematography | |
The cinematographer or director of photography is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as cinematography.
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Shelly Johnson.
Vittorio Storaro, A.S.C., A.I.C., is an Italian cinematographer widely recognized as one of the best and most influential in cinema history, for his work on numerous classic films including The Conformist (1970), Apocalypse Now (1979), and The Last Emperor (1987). In the course of over fifty years, he has collaborated with directors such as Bernardo Bertolucci, Francis Ford Coppola, Warren Beatty, Woody Allen and Carlos Saura.
Richard Howard KlineASC was an American cinematographer, known for his collaborations with directors Richard Fleischer and Michael Winner. He was a second-generation filmmaker, being the son of cinematographer Benjamin H. Kline and the nephew of ASC co-founder Phil Rosen. He was nominated twice for an Academy Award for Best Cinematography, for Camelot (1968) and King Kong (1976).
Michael Crawford Chapman, American Society of Cinematographers was an American cinematographer and film director well known for his work on many films of the American New Wave of the 1970s and in the 1980s with directors such as Martin Scorsese and Ivan Reitman. He shot more than forty feature films, over half of those with only three different directors.
Frederick James Koenekamp, A.S.C. was an American cinematographer. He was the son of cinematographer Hans F. Koenekamp.
Michael Ballhaus, A.S.C. was a German cinematographer who collaborated with directors such as Rainer Werner Fassbinder, Martin Scorsese, Mike Nichols, James L. Brooks, and Wolfgang Petersen. He was a member of both the Academy of Arts, Berlin, and the American Society of Cinematographers.
Darius KhondjiAFC, ASC is an Iranian-French cinematographer. Khondji has worked with a number of high-profile directors, including David Fincher, Woody Allen, Jean-Pierre Jeunet, Gus Van Sant, Roman Polanski, Wong Kar-wai, Michael Haneke, Danny Boyle, Stephen Frears, Philippe Parreno, Bong Joon-ho, Nicolas Winding Refn, Paul Thomas Anderson, Wes Anderson, Jonathan Glazer, Pablo Larraín, the Safdie brothers, Alejandro G. Iñárritu and James Gray. He has been nominated for two Academy Awards, a BAFTA Award and three César Awards.
The following is a list of cinematographers who have won and been nominated for the American Society of Cinematographers Award for Outstanding Achievement in Theatrical Releases, which is given annually by the American Society of Cinematographers.
Cinematographer Style is a 2006 American documentary film directed by Jon Fauer, ASC, about the art of cinematography. In the film, Fauer interviews 110 leading cinematographers from around the world, asking them about their influences and the origins of the style of their films.
Dean Semler ACS ASC is an Australian cinematographer and film director. Over his career, he has worked as a cinematographer, camera operator, director, second unit director, and assistant director. He is a three-time recipient of the AACTA Award for Best Cinematography and an Academy Award winner. He is a member of both the Australian Cinematographers Society (ACS) and the American Society of Cinematographers (ASC). In 2002 he was appointed a Member of the Order of Australia (AM).
The British Society of Cinematographers is an organisation formed in 1949 by Bert Easey, the then head of the Denham and Pinewood studio camera departments, to represent British cinematographers in the British film industry.
M. David Mullen, A.S.C. is an American cinematographer known for his work on Twin Falls Idaho, Northfork, Akeelah and the Bee, The Astronaut Farmer, Jennifer's Body, and The Love Witch, as well as for his contributions to numerous television series, including The Marvelous Mrs. Maisel, for which he won an Emmy Award. He frequently collaborates with The Polish brothers.
Mark Irwin is a Canadian cinematographer.
Phedon Papamichael, ASC is a Greek cinematographer and film director, known for his collaborations with directors James Mangold, Alexander Payne and Wim Wenders. He has twice been nominated for the Academy Award for Best Cinematography and the BAFTA Award for Best Cinematography. He has been a member of the American Society of Cinematographers since 2000.
Philippe Rousselot, AFC, ASC is a French cinematographer and film director best known for his wide range of work in both European and mainstream American cinema, ranging in genres from drama, to fantasy, to blockbusters. He has collaborated with directors such as Robert Redford, Neil Jordan, Stephen Frears, Tim Burton, David Yates, and Guy Ritchie. He is the recipient of three César Awards, a BAFTA, an Oscar, and is a nominee for the Palme d'Or.
Newton Thomas Sigel, ASC is an American cinematographer best known for his collaborations with director Bryan Singer on films like The Usual Suspects, Valkyrie, and the X-Men film franchise. He has also worked with filmmakers like Haskell Wexler, Mike Newell, David O. Russell, Terry Gilliam, Alan Ball, Robert Redford, and Nicolas Winding Refn. He is a BAFTA Award, Independent Spirit Award, Critics' Choice Award, and Satellite Award nominee.
Thomas Richmond was an American cinematographer who worked in the film industry since the mid-1980s. His first major feature film as cinematographer was Stand and Deliver (1988), and by the time he shot for A Midnight Clear (1992), he had settled into working with different directors with ease. Richmond described his experience, "All my films look different because they're not my visions; they're my reflections of the directors' visions." In 1998, he said he was most proud of his work on Little Odessa (1994), for which he was nominated an Independent Spirit Award for Best Cinematography. For Right at Your Door (2006), he won the Excellence in Cinematography Award (Dramatic) at the 2006 Sundance Film Festival.
The 28th American Society of Cinematographers Awards were held on February 1, 2014, at the Hollywood & Highland Ray Dolby Ballroom, honoring the best cinematographers of film and television in 2013.
The Pierre Angénieux ExcelLens in Cinematography is an annual award that pays tribute to a prominent international director of photography at the Cannes Film Festival. The award originated in 2013.