Tom Uttech (born 1942) is an American landscape painter and photographer. His inspiration has come from travels to northern Minnesota and the Quetico Provincial Park in Ontario.
Born in Merrill, Wisconsin, Uttech received a BA from Layton School of Art in Milwaukee in 1965 and an MFA from the University of Cincinnati in 1976. [1] Uttech's primary painting teacher was Guido Brink.[ citation needed ] After completing his studies, Uttech was a professor of art at the University of Wisconsin-Milwaukee until 1998. [2] He resides in Saukville, Wisconsin.[ citation needed ]
Uttech is known for his moody depictions of North American woodlands and animals that inhabit them. [3] [4] Uttech's painting Neiab Nin Nasikodadimin, Bejigwan (Chippewa for "we reunite") in the collection of the Honolulu Museum of Art is typical of the artist's moody, but slightly stylized, landscapes. Museums in Georgia, Arkansas, Hawaii, Wisconsin, Wyoming, Louisiana, Oklahoma, Pennsylvania, and Arizona hold works by Uttech. [5] [6] His gallery exhibition at Alexandre Gallery in New York in 2023 showcased his latest paintings and raised awareness about the decline in wilderness. [7]
Frederic Edwin Church was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.
Charles Munch is an American artist.
The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. Early on, the paintings typically depicted the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and White Mountains.
Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural landscapes. They are usually escapist, framing the New World as a natural eden contrasting with the smog-filled cityscapes of Industrial Revolution-era Britain, in which he grew up. His works, often seen as conservative, criticize the contemporary trends of industrialism, urbanism, and westward expansion.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds, as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
John Wilde was a painter, draughtsman and printmaker of fantastic imagery. Born near Milwaukee, Wilde lived most of his life in Wisconsin, save for service in the U.S. Army during World War II. He received bachelor and master degrees in art from the University of Wisconsin–Madison, where he taught for some 35 years. Wilde was associated with the Magic Realism movement and Surrealism in the United States. His darkly humorous figurative imagery often included self-portraits through which he interacted with the people, animals and surreal objects that populate his fantasy world.
The Layton School of Art was a post-secondary school located in Milwaukee, Wisconsin. Originally affiliated with the Layton Art Gallery, it was established by Charlotte Partridge and Miriam Frink in September 1920 in the basement of the building. It closed as a result of financial insolvency in 1974. At its closure, the school was regarded as one of the top five art schools in the United States and enjoyed a historical reputation for innovative methods in art education.
Henry Golden Dearth was a distinguished American painter who studied in Paris and continued to spend his summers in France painting in the Normandy region. He would return to New York in winter, and became known for his moody paintings of the Long Island area. Around 1912, Dearth changed his artistic style, and began to include portrait and still life pieces as well as his paintings of rock pools created mainly in Brittany. A winner of several career medals and the Webb prize in 1893, Dearth died suddenly in 1918 aged 53 and was survived by a wife and daughter.
David Lenz is an American portrait painter.
Deflected Jets is a public artwork by American artist Guido Peter Brink located on the Fire Engine Company #29 grounds, which is at 3529 South 84th Street in Milwaukee, Wisconsin, in the United States. Commissioned in 1987 and installed the following year, the work consists of a stainless steel abstract form atop a red brick base, to which a placard is affixed. The total size of the piece is approximately 136 by 35 by 35 inches.
Eric Aho is an American painter living in Vermont. DC Moore Gallery in New York City represents his work.
John Geldersma is known for his wooden sculptures of what he calls "contemporary tribalism".
Gregory Amenoff is an American painter. He is located in the tradition of the early American Modernist painters Georgia O'Keeffe, Charles Burchfield, Milton Avery, Arthur Dove and Marsden Hartley. In the early 80s his work was often associated with a style of painting called organic abstraction and exhibited alongside artists Bill Jensen, Katherine Porter and Terry Winters.
Jan Serr is an American visual artist who produces a wide range of art including oil paintings, drawings, photographs and prints such as monotypes, lithographs, and etchings.
Beth Lipman is a contemporary artist working in glass. She is best known for her glass still-life compositions which reference the work of 16th- and 17th-century European painters.
Emily Parker Groom (1876–1975) was an American artist born in Wayland, Massachusetts. She remained an active painter until the age of 97, spending nearly her entire career in Wisconsin, and died in Milwaukee, Wisconsin.
Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole. Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School.
Martha Nessler Hayden is an American artist, known for Modernist landscape painting and artist books. Hayden lives and works in Sharon, Wisconsin, in a historic Victorian home.
William Nichols is an American artist known for highly detailed, tactile landscape paintings that combine physical scale with intimacy. His work depicts unassuming gardens, forests, ponds, and streams rather than grand vistas, in dense, close-up screens of foliage, thicket or water that immerse viewers within the experience rather outside it. Nichols developed his mature style in the 1970s, combining painterly traditions going back to Impressionism with reemerging movements such as Realism and Photorealism; critic John Perreault called his approach, "Photo-Impressionism." He has exhibited throughout the United States and abroad, including at OK Harris Gallery in New York (1979–2013), the San Francisco Museum of Modern Art, Milwaukee Museum of Art, Butler Institute of American Art, Kaohsiung Museum of Fine Arts (Taiwan), and Gulbenkian Museum (Lisbon); his work belongs to many private and public museum collections. In addition to reviews in national publications, Nichols's work appears in several art historical surveys of Realism and landscape painting, including The Artist and the American Landscape and Contemporary American Realism Since 1960, among others. Critic Mac McCloud observed that Nichols's "meticulous craft and precise observation of shape, edge, color and light" rendered his work "almost beyond reality […] alive with growth and transformation, teeming with insects and sweltering weather and yet, in the eternal aesthetic paradox it is motionless." Gallerist Ivan Karp wrote, "the vital pulse" of Nichols's paintings defies "the conviction that 400 years of depictions of the natural world nullify the ability of living artists to produce landscapes of high consequence."
Fred Berman, born Fred Jean Berman, was a Jewish American abstract artist.