Tommaso Puccini (5 April 1749 - 14 March 1811) was an Italian gallery director, heading the Gallerie fiorentine and the Accademia di Belle Arti in Florence as well as acting as Superintendent of Fine Arts. He was a prolific writer on art history and art theory.
Born in Pistoia, he first studied at the town's Collegio Forteguerri before moving on to the University of Pisa, where he studied jurisprudence under professor Giuseppe Paribeni, also from Pistoia. He proved more suited to studying classic Italian literature, principally Dante, and fine arts. [1] After graduating he went to Rome, where he studied paintings, sculptures, prints and monuments and talked with artists. [1]
Ferdinand III, Grand Duke of Tuscany summoned him to Florence to head the Gallerie fiorentine. He took office in the 1770s and added captions with the artist, title and date to each work in the Uffizi. [1] He was an extraordinary functionary of the grand-ducal court, acting as director of the Uffizi, secretary to the Accademia di Belle Arti and display consultant to the Medici's palazzi and villas. [2] He also befriended Antonio Canova, Raffaello Sanzio Morghen, Francesco Bartolozzi, Vittorio Alfieri, Domenico Monti, Giovanni Fantoni, Ugo Foscolo and Giovanni Battista Zannoni. [1]
During the French occupation of Florence in 1799 he became a major figure in saving the museum's artworks from seizure by the occupiers, ensuring the Uffizi lost no major works other than the Medici Venus. Between June and October 1800, fearing French troops would return to Florence, he decided to move the Uffizi artworks to safety. [1] On 14 October 1800, after the defeat of the "Royal Grand Ducal Regency", Puccini set off from Livorno for Palermo with 75 crates containing the best statues and paintings from the Uffizi and Palazzo Pitti collection. [3] In 1803, after the end of the second French occupation and Charles Louis Bourbon's arrival in Tuscany to be the first ruler of the new Kingdom of Etruria, the artworks were returned to Florence and Puccini resumed his role as director.
He also began to write essays, his first being ”Esame critico dell'opera sulla pittura di Daniele Webb” ("Critical examination of work about painting by Daniel Webb"). He also wrote on literature, his best work in that area being his translation of Catullus. [1] He died in Florence - Giovanni Battista Zannoni wrote a funerary elegy, a solemn funeral for him was arranged by the Accademia Pistoiese (to which Puccini had presented his “Sullo Stato delle belle arti in Toscana”) and Tommaso's nephew Niccolò Puccini had a memorial erected to him in the gardens of Villa Puccini di Scornio with an inscription by Pietro Contrucci. [1]
Filippo Baldinucci was an Italian art historian and biographer.
Pistoia is a city and comune in the Italian region of Tuscany, the capital of a province of the same name, located about 30 kilometres (19 mi) west and north of Florence and is crossed by the Ombrone Pistoiese, a tributary of the River Arno. It is a typical Italian medieval city, and it attracts many tourists, especially in the summer. The city is famous throughout Europe for its plant nurseries.
The Accademia di Belle Arti di Firenze is an instructional art academy in Florence, in Tuscany, in central Italy.
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Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Jacopo Ligozzi (1547–1627) was an Italian painter, illustrator, designer, and miniaturist. His art can be categorized as late-Renaissance and Mannerist styles.
Giovanni Battista Paggi was an Italian painter, sculptor, and writer. His style spans the Late-Renaissance and early-Baroque.
The Accademia di Belle Arti di Venezia is a public tertiary academy of art in Venice, Italy.
Anton Domenico Gabbiani was an Italian painter and active in a late Baroque style.
Ignazio Hugford, or Ignatius Heckford (1703–1778), was an Italian painter active mostly in Tuscany in an early Neoclassic style.
Tommaso Minardi was an Italian painter and author on art theory, active in Faenza, Rome, Perugia, and other towns. He painted in styles that transitioned from Neoclassicism to Romanticism.
Accademia often refers to:
Teodoro Matteini was an Italian painter, mainly of historical and religious subjects in a Neoclassical style.
Alessandro Pieroni was an Italian architect and painter. He was active mainly in a Mannerist style, working for the courts of Grandukes Francesco I and Ferdinando I de' Medici, Grand Duke of Tuscany.
Agostino Melissi was an Italian painter of the Baroque period; active mainly in Florence.
Niccolò di Tommaso was an Italian painter active in Florence, Naples and Pistoia.
The following is a timeline of the history of the city of Pistoia in the Tuscany region of Italy.
The Madonna and Child with Two Musician Angels is an oil-on-panel painting by the Italian Renaissance painter Correggio, now in the Uffizi in Florence. Some date it to 1514–15 but it is more commonly dated to 1515–16.
Madonna and Child with Saint Catherine of Alexandria is a c.1550 oil on panel painting by the studio of Titian, now in the Galleria degli Uffizi. It was restored around the end of the 18th century, when the present carved and gilded frame was probably added.
Judith is an oil on panel painting, attributed to Palma Vecchio, and created in 1525-1528. It is held in the Uffizi, in Florence. The attribution to Palma Vecchio was questioned in the past but is now usually accepted. Art historians Giovanni Battista Cavalcaselle and Joseph Archer Crowe have attributed it to Palma Vecchio, also identifying damage from heavy-handed cleaning, especially on the head of Holofernes. This attribution has been confirmed by György Gombosi and Giovanni Mariacher, who identified it as a mature work of that artist.