Tortured Soul | |
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Directed by | Mario Caserini |
Starring | |
Production company | Tiber-film |
Distributed by | Tiber-film |
Release date |
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Country | Italy |
Languages |
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Tortured Soul (Italian:Anima tormentata) is a 1919 Italian silent film directed by Mario Caserini and starring Maria Jacobini, Andrea Habay and Alberto Collo. Alessandro Blasetti, a leading Italian director of the Fascist era, had his first contact with filmmaking by appearing as an extra. [1]
Alessandro Blasetti was an Italian film director and screenwriter who influenced Italian neorealism with the film Quattro passi fra le nuvole. Blasetti was one of the leading figures in Italian cinema during the Fascist era. He is sometimes known as the "father of Italian cinema" because of his role in reviving the struggling industry in the late 1920s.
Bellissima is a 1951 Italian drama film directed by Luchino Visconti and starring Anna Magnani, Walter Chiari and Tecla Scarano. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Clara Calamai was an Italian actress.
The Iron Crown is a 1941 Italian adventure film written and directed by Alessandro Blasetti, starring Massimo Girotti and Gino Cervi. The narrative revolves a sacred iron crown and a king who is prophesied to lose his kingdom to his nephew. It blends motifs from several European myths, legends and modern works of popular fiction. The film won a Coppa Mussolini award, which is the ancestor to the Golden Lion.
A Slice of Life is a 1954 Italian comedy film directed by Alessandro Blasetti and Paul Paviot.
Me, Me, Me... and the Others is a 1966 Italian comedy film directed by Alessandro Blasetti. For this film Blasetti won the David di Donatello for best director.
In Olden Days is a 1952 Italian comedy drama anthology film directed by Alessandro Blasetti and featuring an ensemble cast that included Gina Lollobrigida, Amedeo Nazzari, Vittorio De Sica, Elisa Cegani, Barbara Florian, Aldo Fabrizi, Andrea Checchi and Alba Arnova. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Dario Cecchi and Veniero Colasanti. It is also known as Times Gone By and Infidelity.
Maria Jacobini was an Italian film actress. She was married to the film director Gennaro Righelli and appeared in many of his silent films for the Vesuvio Film Company. She worked in the German film industry in the mid-1920s. She was the older sister of actress Diomira Jacobini.
The Virtuous Bigamist is a 1956 French-Italian comedy drama film directed by Mario Soldati. It is a remake of the Italian film Four Steps in the Clouds, and like the original is co-written by Alessandro Blasetti. The other co-writers are Giuseppe Amato, Aldo De Benedetti, Piero Tellini and Cesare Zavattini.
Sun is a 1929 Italian silent drama film directed by Alessandro Blasetti and starring Marcello Spada, Vasco Creti and Dria Paola. The film was set around the planned draining of the Pontine Marshes by Benito Mussolini's Fascist government. It was shot partly on location, which added a sense of realism. Mussolini was impressed by the result and described it as "the dawn of the Fascist film".
Dria Paola (1909–1993) was an Italian stage and film actress. She played the female lead in Alessandro Blasetti's late silent Sun (1929). In 1930 she starred in the first Italian sound film The Song of Love.
The Old Guard is a 1934 Italian drama film directed by Alessandro Blasetti and starring Gianfranco Giachetti, Mino Doro, and Franco Brambilla. It was one of several pro-Fascist films made by Blasetti during the era. The film is set in a small Italian town in 1922, where a local group of Fascist blackshirts battle against rival socialists who have called a strike at the hospital. Mario, the young son of Doctor Cardini, is killed in the fighting. The film ends with the March on Rome that brought Benito Mussolini to power.
Andrea Habay (1883–1941) was a French film actor. Habay appeared in more forty films during the silent era, mostly in Italy. He also directed three films during the early 1920s. He played the role of Petronius in the 1924 epic Quo Vadis, one of his final films.
Maciste in the Lion's Cage, also known as The Hero of the Circus, is a 1926 Italian silent adventure film directed by Guido Brignone and starring Bartolomeo Pagano, Elena Sangro, and Luigi Serventi. It was part of the popular Maciste series of films. It was the penultimate film of the silent series, followed by The Giant of the Dolomites (1927).
Alfredo Varelli was an Italian film actor whose career spanned more than six decades. Varelli was born Alfredo Ciavarella and debuted in Alessandro Blasetti's 1934 film Vecchia guardia. He emerged during the Fascist era, but most of his work was post-Second World War. He played a leading role in the 1942 historical drama The Jester's Supper. Varelli is also known for playing "Lucan" in Quo Vadis (1951). His last role was in the film Roseanna's Grave, released posthumously in 1997.
Mother Earth is a 1931 Italian drama film directed by Alessandro Blasetti and starring Leda Gloria, Sandro Salvini and Isa Pola. It was made at the Cines Studios in Rome. Along with Blasetti's other early films, it shows a strong influence of Soviet-style realism. A country landowner decides to sell up and move to the city, but later has a change of heart. It was part of Fascist Italy's promotion of rural over urban values.
Alberto Collo was an Italian actor who appeared in more than a hundred and thirty films during his career, mostly during the silent era. During the 1910s he starred in several films directed by Baldassarre Negroni.
Maciste's American Nephew is a 1924 Italian silent adventure film directed by Eleuterio Rodolfi and starring Bartolomeo Pagano, Diomira Jacobini and Alberto Collo. It was part of the long-running Maciste series of films.
The Carnival of Venice is a 1928 Italian silent drama film directed by Mario Almirante and starring Maria Jacobini, Malcolm Tod and Bonaventura Ibáñez. The film's sets were designed by the art director Giulio Lombardozzi.