Formation | 1997 |
---|---|
Founder | Catherine Chappell MNZM |
Purpose | Professional arts and inclusive education organisation whose work is disability-led. |
Headquarters | Tamaki-Makaurau Auckland, New Zealand |
Leader | GM/Kaiwhakahaere Matua: Jon Tamihere-Kemeys, Artistic Direction Panel: Rodney Bell, Dr Suzanne Cowan and Lusi Faiva (appointed 2021) |
Website | https://www.touchcompass.org.nz/ |
Touch Compass is a professional disability-led arts and inclusive education organisation in New Zealand established in 1997 as a disability-integrated dance company. [1] [2] [3] [4] They have been at the forefront of inclusive arts, dance and theatre in New Zealand and have 'paved the way for many dancers and performers and companies across the country.' [1] They create contemporary dance, theatre and digital performances, an inclusive education programme and have run workshops, weekly community classes and education for schools. [5]
Touch Compass was established in 1997 and has been a registered charity under the name The Touch Compass Dance Trust Board since 2008. [5] They are based in Auckland. [5]
Their mission statement includes:
Our mission is to explore the intersection of disability, Māori and Pasifika culture as our unique contribution to the arts. Our performances reflect disability aesthetics and practices that are culturally informed. They are interdisciplinary but rooted in movement practice and choreographic forms. We explore cultural diversity through authentic and multi-dimensional performance. [6]
Touch Compass recognise principles of Te Tiriti O Waitangi and in 2019 the organisation after a review made an agreement to 'move to a disability-led business model, in which artists with disabilities hold leadership positions'. [7]
Founder of Touch Compass and director for over 20 years is Catherine Chappell MNZM. [8] Chappell brought with her a background in contact improvisation and from the first performance the company created work that involved aerial techniques, with performers suspended above the stage. During her directorship many new works were brought to New Zealand and international stages. [9]
Chappell left at the end of 2019 and Pelenakeke Brown was appointed as interim director. Brown had been in the company when she was young from 1997 to 2000. [10] [11] [7] Brown is an interdisciplinary artist with a disability who had been based in New York for six years. Brown is of Samoan and Pākehā heritage. [7] Following Brown, in 2021 Rodney Bell, Suzanne Cowan and Lusi Faiva were appointed to the Artistic Direction Panel. [12] Rodney Bell was introduced to dance by Chappell. He was another dancer that left and came back as he was also a founding dancer. After several years with Touch Compass in 2007 he went to California and joined AXIS Dance Company where he created acclaimed work. [13] Lusi Faiva was also a founding dancer of Touch Compass, and has featured in and developed lots of work with the company included her solo Lusi's Eden. [8]
The first work programmed by Bell, Cowan and Faiva on the new Artistic Development Panel was the 25th Anniversary performing arts festival hybrid-event that took place on 15 February 2022 called /rītaha/. [14] People the company has collaborated with include BodyCartography Project's Olive Bieringa and Otto Ramstad, composer Claire Cowen, [15] choreographers Carol Brown and Sarah Foster Sproull. [16] [17]
Touch Compass dancers over time have included Alex Smithson, Duncan Armstrong, Tess Connell, Rodney Bell, Suzanne Cowan, Lusi Faiva, Daniel King, Eden Mulholland and Julia Milsom. [15] [16] [18] [19] The dancer Jesse Johnstone-Steele won the Arts Access PAK’nSAVE Artistic Achievement Award at the Te Putanga Toi Arts Access Awards in 2018. He has been 17 Touch Compass seasons. [20]
Lusi’s Eden [21] first performed 2001, remount 2002 and for Touch Compass’ tenth birthday celebrations 2007 [22]
Lighthouse [21]
DanceBox - short film series [21]
Triple Bill [23]
Acquisitions (2015) - multi-media contemporary dance [15]
Somatechnics (2017) - with dancers Lusi Faiva, Rodney Bell, Alisha McLennan Marler, Julie Van Renen and Duncan Armstrong. [24]
I’mPaired (2019) - with a programme of work including Clasp!, (co-creators Alisha McLennan Marler & Georgie Goater, performers, Alisha McLennan Marler, Julie Van Renen), Drift (film), (choreographer Sarah Foster Sproull, performers Julie van Renen, Rodney Bell), The Language of Colour, (by dancer Julie van Renen and artist Yung Chen), Rhythms of Sameness, (performers Duncan Armstrong and Mabingo Alfdaniels), and duets by Touch Compass's hip hop crew Integr8. [17]
AIGA (2024) - Lusi Faiva's groundbreaking Disability-led and Pasifika-led devised theatre performance work conceived and created over three-years featuring Lusi Faiva alongside Maori and Pasifika performers Forest V Kapo, Iana Grace and Fiona Collins. The work was directed by Moana Ete and held its world premiere as part of Te Ahurei Toi o Tamaki Auckland Arts Festival in March 2024 to rave reviews for its artistry and accessibility. Artistic contributors to the work included Jake Arona and Alex Medland.[url=https://dramatic-pause.ghost.io/aiga-is-accessibility-and-excellence-in-action/ Aiga is accessibility and excellence in action - Sam Brooks Dramatic Pause]
Lisa Irene Chappell is a New Zealand actress and musician. She is known for her roles as Chelsea Redfern in Gloss (1987–1990), and as Claire McLeod in McLeod's Daughters (2001–2003), a performance which earned her two Logie Awards, for Most Popular New Female Talent and Most Popular Actress.
Leigh is a small coastal community in the north of the Auckland Region of New Zealand. It lies on the west side of Omaha Cove, a small inlet within Ōmaha Bay to the south of Cape Rodney. It is 13 km from Matakana, 21 km from Warkworth and approximately 92 km north of Auckland City.
AXIS Dance Company is a professional physically integrated contemporary dance company and dance education organization founded in 1987 and based in Oakland, California. It is one of the first contemporary dance companies in the world to consciously develop choreography that integrates dancers with and without physical disabilities. Their work has received nine Isadora Duncan Dance Awards and nine additional nominations for both their artistry and production values.
Rodney Ward is a local government area in the northernmost part of New Zealand's Auckland Region, created along with the Auckland Council in 2010. The area was previously part of Rodney District; it does not include the Hibiscus Coast, which was also part of Rodney District but is now in Albany ward. The Rodney Local Board area has the same boundaries as Rodney Ward.
The physically integrated dance movement is part of the disability culture movement, which recognizes and celebrates the first-person experience of disability, not as a medical model construct but as a social phenomenon, through artistic, literary, and other creative means.
Rodney Bell is a male dancer born in Te Kūiti, North Island, New Zealand.
The Arts Pasifika Awards celebrate excellence in Pacific arts in New Zealand. The annual awards are administered by Creative New Zealand and are the only national awards for Pasifika artists across all artforms.
Nina Nawalowalo is a New Zealand theatre director and co-founder of the contemporary Pacific theatre company The Conch. She is known for directing the stage plays Vula and The White Guitar. The first film she directed A Boy Called Piano - The Story of Fa'amoana John Luafutu (2021) won 2022 Montreal Independent Film Festival Best Feature Documentary.
Arts Access Aotearoa was established as a charitable trust in 1995 with funding from Creative New Zealand. It was created primarily to meet a key objective of the Arts Council of New Zealand Toi Aotearoa Act 1994: that is, to support "the availability of projects of merit to communities or sections of the population that would otherwise not have access to them". Arts Access Aotearoa’s main areas of focus are supporting disabled people to create and participate in art of all kinds; encouraging performing arts companies, venues, producers and artists to increase their accessibility; and facilitating arts-based rehabilitative projects and programmes in prisons. It receives core funding from Creative New Zealand and has a major contract with the Department of Corrections. It also has support and sponsorship from local government, philanthropic trusts and businesses around New Zealand.
Performing arts in New Zealand include amateur and professional presentations of theatre, circus, dance and music where it accompanies live performance. Aotearoa New Zealand has an active contemporary performing arts culture; many people participate in performing arts activities and most people live near an arts centre or theatre building.
The Te Putanga Toi Arts Access Awards, formerly called the Big 'A' Awards, are New Zealand arts awards, presented annually by Arts Access Aotearoa.
Tupe Lualua is a New Zealand–Samoan choreographer, director, founder of the dance company Le Moana. She is the artistic director and producer for the Measina Festival, and has worked with choreographer Tupua Tigafua. In 2019, Lualua was the Creative New Zealand Samoa artist-in-residence.
Tempo Dance Festival is an annual pan-genre professional dance festival held in Auckland, New Zealand and is the 'longest standing annual dance event' of New Zealand, founded in 2003.
FAFSWAG is an arts collective of Māori and Pacific LGBTQI+ artists and activists founded in Auckland, New Zealand in 2013. They explore and celebrate the unique identity of gender fluid Pacific people and LGBTQI+ communities in multi-disciplinary art forms. In 2020 FAFSWAG was awarded an Arts Laureate from the New Zealand Arts Foundation, and they also represented New Zealand at the Biennale of Sydney.
Lusi Faiva is a New Zealand-Samoan stage performer and dancer and a founding member of Touch Compass. She was recognised for her work with a 2020 Pacific Toa Artist Award at the Arts Pasifika Awards and in 2021 received an Artistic Achievement Award from Te Putanga Toi Arts Access Awards.
Pelenakeke Brown is a multi-disciplinary New Zealand artist. In 2019 she was awarded the Disability Dance Artistry Award by Dance/NYC, and was recognised for her work through Creative NZ's Arts Pasifika Awards with the Pacific Toa award in 2020.
Misa Emma Kesha is a Samoan master weaver based in Dunedin, New Zealand, who has received awards for her contribution to the arts, Pacific communities and weaving in New Zealand.
Amanaki Lelei Prescott-Faletau is an actor, writer, dancer, choreographer, producer and director of Tongan descent, living in New Zealand. As a playwright, she became the first fakaleitī to have her work published in New Zealand with Inky Pinky Ponky. This play was awarded Best Teenage Script (2015) by New Zealand Playmarket. As an actor, she was awarded best performance at the 2015 Auckland Fringe Festival for Victor Rodger's Girl on the Corner. Her acting credits include The Breaker Upperers (2018), SIS (2020), The Panthers (2021), The Pact (2021) and Sui Generis (2022), in which she is also a writer for the TV series. Faletau competed as a dancer in the World Hip Hop Dance Championships in 2011 and has been a judge at the National Hip Hop Championships in New Zealand over several years.
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