Touch Compass

Last updated

Touch Compass
Formation1997
FounderCatherine Chappell MNZM
PurposeProfessional arts and inclusive education organisation whose work is disability-led.
HeadquartersTamaki-Makaurau Auckland, New Zealand
LeaderGM/Kaiwhakahaere Matua: Jon Tamihere-Kemeys, Artistic Direction Panel: Rodney Bell, Dr Suzanne Cowan and Lusi Faiva (appointed 2021)
Website https://www.touchcompass.org.nz/

Touch Compass is a professional disability-led arts and inclusive education organisation in New Zealand established in 1997 as a disability-integrated dance company. [1] [2] [3] [4] They have been at the forefront of inclusive arts, dance and theatre in New Zealand and have 'paved the way for many dancers and performers and companies across the country.' [1] They create contemporary dance, theatre and digital performances, an inclusive education programme and have run workshops, weekly community classes and education for schools. [5]

Contents

Organisation

Touch Compass was established in 1997 and has been a registered charity under the name The Touch Compass Dance Trust Board since 2008. [5] They are based in Auckland. [5]

Their mission statement includes:

Our mission is to explore the intersection of disability, Māori and Pasifika culture as our unique contribution to the arts. Our performances reflect disability aesthetics and practices that are culturally informed. They are interdisciplinary but rooted in movement practice and choreographic forms. We explore cultural diversity through authentic and multi-dimensional performance. [6]

Touch Compass recognise principles of Te Tiriti O Waitangi and in 2019 the organisation after a review made an agreement to 'move to a disability-led business model, in which artists with disabilities hold leadership positions'. [7]

People

Founder of Touch Compass and director for over 20 years is Catherine Chappell MNZM. [8] Chappell brought with her a background in contact improvisation and from the first performance the company created work that involved aerial techniques, with performers suspended above the stage. During her directorship many new works were brought to New Zealand and international stages. [9]

Rodney Bell & Sonsheree Giles performing with AXIS Dance Company AXIS Dance Company.jpg
Rodney Bell & Sonsherée Giles performing with AXIS Dance Company

Chappell left at the end of 2019 and Pelenakeke Brown was appointed as interim director. Brown had been in the company when she was young from 1997 to 2000. [10] [11] [7] Brown is an interdisciplinary artist with a disability who had been based in New York for six years. Brown is of Samoan and Pākehā heritage. [7] Following Brown, in 2021 Rodney Bell, Suzanne Cowan and Lusi Faiva were appointed to the Artistic Direction Panel. [12] Rodney Bell was introduced to dance by Chappell. He was another dancer that left and came back as he was also a founding dancer. After several years with Touch Compass in 2007 he went to California and joined AXIS Dance Company where he created acclaimed work. [13] Lusi Faiva was also a founding dancer of Touch Compass, and has featured in and developed lots of work with the company included her solo Lusi's Eden. [8]

The first work programmed by Bell, Cowan and Faiva on the new Artistic Development Panel was the 25th Anniversary performing arts festival hybrid-event that took place on 15 February 2022 called /rītaha/. [14] People the company has collaborated with include BodyCartography Project's Olive Bieringa and Otto Ramstad, composer Claire Cowen, [15] choreographers Carol Brown and Sarah Foster Sproull. [16] [17]

Touch Compass dancers over time have included Alex Smithson, Duncan Armstrong, Tess Connell, Rodney Bell, Suzanne Cowan, Lusi Faiva, Daniel King and Julia Milsom. [15] [16] [18] The dancer Jesse Johnstone-Steele won the Arts Access PAK’nSAVE Artistic Achievement Award at the Te Putanga Toi Arts Access Awards in 2018. He has been 17 Touch Compass seasons. [19]

Works include

Lusi’s Eden [20] first performed 2001, remount 2002 and for Touch Compass’ tenth birthday celebrations 2007 [21]

Lighthouse [20]

DanceBox - short film series [20]

Triple Bill [22]

Acquisitions (2015) - multi-media contemporary dance [15]

Somatechnics (2017) - with dancers Lusi Faiva, Rodney Bell, Alisha McLennan Marler, Julie Van Renen and Duncan Armstrong. [23]

I’mPaired (2019) - with a programme of work including Clasp!, (co-creators Alisha McLennan Marler & Georgie Goater, performers, Alisha McLennan Marler, Julie Van Renen), Drift (film), (choreographer Sarah Foster Sproull, performers Julie van Renen, Rodney Bell), The Language of Colour, (by dancer Julie van Renen and artist Yung Chen), Rhythms of Sameness, (performers Duncan Armstrong and Mabingo Alfdaniels), and duets by Touch Compass's hip hop crew Integr8. [17]

AIGA (2024) - Lusi Faiva's groundbreaking Disability-led and Pasifika-led devised theatre performance work conceived and created over three-years featuring Lusi Faiva alongside Maori and Pasifika performers Forest V Kapo, Iana Grace and Fiona Collins. The work was directed by Moana Ete and held its world premiere as part of Te Ahurei Toi o Tamaki Auckland Arts Festival in March 2024 to rave reviews for its artistry and accessibility. Artistic contributors to the work included Jake Arona and Alex Medland.[url=https://dramatic-pause.ghost.io/aiga-is-accessibility-and-excellence-in-action/ Aiga is accessibility and excellence in action - Sam Brooks Dramatic Pause]

Related Research Articles

Lisa Irene Chappell is a New Zealand actress and musician. She is known for her roles as Chelsea Redfern in Gloss (1987–1990), and as Claire McLeod in McLeod's Daughters (2001–2003), a performance which earned her two Logie Awards, for Most Popular New Female Talent and Most Popular Actress.

Tagata Pasifika is an English language New Zealand programme which screens on TVNZ's TV ONE and on Māori Television, first broadcast in 1987. This programme is made to specifically meet the niche market of New Zealand's Pacific Islander (Pasifika) population.

<span class="mw-page-title-main">AXIS Dance Company</span>

AXIS Dance Company is a professional physically integrated contemporary dance company and dance education organization founded in 1987 and based in Oakland, California. It is one of the first contemporary dance companies in the world to consciously develop choreography that integrates dancers with and without physical disabilities. Their work has received nine Isadora Duncan Dance Awards and nine additional nominations for both their artistry and production values.

The physically integrated dance movement is part of the disability culture movement, which recognizes and celebrates the first-person experience of disability, not as a medical model construct but as a social phenomenon, through artistic, literary, and other creative means.

Atamira Dance Company is a Māori contemporary dance company in Aotearoa based at the Corban Estate Arts Centre in Auckland.

<span class="mw-page-title-main">Rodney Bell</span> New Zealand dancer

Rodney Bell is a male dancer born in Te Kūiti, North Island, New Zealand.

The Arts Pasifika Awards celebrate excellence in Pacific arts in New Zealand. The annual awards are administered by Creative New Zealand and are the only national awards for Pasifika artists across all artforms.

<span class="mw-page-title-main">Nina Nawalowalo</span> New Zealand theatre director

Nina Nawalowalo is a New Zealand theatre director and co-founder of the contemporary Pacific theatre company The Conch. She is known for directing the stage plays Vula and The White Guitar. The first film she directed A Boy Called Piano - The Story of Fa'amoana John Luafutu (2021) won 2022 Montreal Independent Film Festival Best Feature Documentary.

Arts Access Aotearoa was established as a charitable trust in 1995 with funding from Creative New Zealand. It was created primarily to meet a key objective of the Arts Council of New Zealand Toi Aotearoa Act 1994: that is, to support "the availability of projects of merit to communities or sections of the population that would otherwise not have access to them". Arts Access Aotearoa’s main areas of focus are supporting disabled people to create and participate in art of all kinds; encouraging performing arts companies, venues, producers and artists to increase their accessibility; and facilitating arts-based rehabilitative projects and programmes in prisons. It receives core funding from Creative New Zealand and has a major contract with the Department of Corrections. It also has support and sponsorship from local government, philanthropic trusts and businesses around New Zealand.

<span class="mw-page-title-main">Performing arts in New Zealand</span>

Performing arts in New Zealand include amateur and professional presentations of theatre, circus, dance and music where it accompanies live performance. Aotearoa New Zealand has an active contemporary performing arts culture; many people participate in performing arts activities and most people live near an arts centre or theatre building.

The Te Putanga Toi Arts Access Awards, formerly called the Big 'A' Awards, are New Zealand arts awards, presented annually by Arts Access Aotearoa.

<span class="mw-page-title-main">Tupe Lualua</span> New Zealand-Samoan choreographer

Tupe Lualua is a New Zealand–Samoan choreographer, director, founder of the dance company Le Moana. She is the artistic director and producer for the Measina Festival, and has worked with choreographer Tupua Tigafua. In 2019, Lualua was the Creative New Zealand Samoa artist-in-residence.

Tempo Dance Festival is an annual pan-genre professional dance festival held in Auckland, New Zealand and is the 'longest standing annual dance event' of New Zealand, founded in 2003.

<span class="mw-page-title-main">FAFSWAG</span> Arts collective

FAFSWAG is an arts collective of Māori and Pacific LGBTQI+ artists and activists founded in Auckland, New Zealand in 2013. They explore and celebrate the unique identity of gender fluid Pacific people and LGBTQI+ communities in multi-disciplinary art forms. In 2020 FAFSWAG was awarded an Arts Laureate from the New Zealand Arts Foundation, and they also represented New Zealand at the Biennale of Sydney.

<span class="mw-page-title-main">Lusi Faiva</span> Samoan stage performer and dancer

Lusi Faiva is a New Zealand-Samoan stage performer and dancer and a founding member of Touch Compass. She was recognised for her work with a 2020 Pacific Toa Artist Award at the Arts Pasifika Awards and in 2021 received an Artistic Achievement Award from Te Putanga Toi Arts Access Awards.

Pelenakeke Brown is a multi-disciplinary New Zealand artist. In 2019 she was awarded the Disability Dance Artistry Award by Dance/NYC, and was recognised for her work through Creative NZ's Arts Pasifika Awards with the Pacific Toa award in 2020.

<span class="mw-page-title-main">Emma Kesha</span>

Misa Emma Kesha is a Samoan master weaver based in Dunedin, New Zealand, who has received awards for her contribution to the arts, Pacific communities and weaving in New Zealand.

<span class="mw-page-title-main">Amanaki Prescott-Faletau</span> Tongan-New Zealand performer and director

Amanaki Lelei Prescott-Faletau is an actor, writer, dancer, choreographer, producer and director of Tongan descent, living in New Zealand. As a playwright, she became the first fakaleitī to have her work published in New Zealand with Inky Pinky Ponky. This play was awarded Best Teenage Script (2015) by New Zealand Playmarket. As an actor, she was awarded best performance at the 2015 Auckland Fringe Festival for Victor Rodger's Girl on the Corner. Her acting credits include The Breaker Upperers (2018), SIS (2020), The Panthers (2021), The Pact (2021) and Sui Generis (2022), in which she is also a writer for the TV series. Faletau competed as a dancer in the World Hip Hop Dance Championships in 2011 and has been a judge at the National Hip Hop Championships in New Zealand over several years.

<span class="mw-page-title-main">Pasifika New Zealanders</span> Ethnic group in New Zealand

Pasifika New Zealanders are a pan-ethnic group of New Zealanders associated with, and descended from, the indigenous peoples of the Pacific Islands outside of New Zealand itself. They form the fourth-largest ethnic grouping in the country, after European descendants, indigenous Māori, and Asian New Zealanders. Over 380,000 people identify as being of Pacific origin, representing 8% of the country's population, with the majority residing in Auckland.

The FAME Trust Awards are annual awards for New Zealand theatre and music practitioners.

References

  1. 1 2 "Touch Compass farewells Catherine Chappell". DANZ. Retrieved 3 March 2022.
  2. Moger, Laine (4 August 2016). "Touch Compass, Auckland's inclusive dance company, reaches new heights with free show for kids". Stuff. Retrieved 3 March 2022.
  3. "Touch Compass". Touch Compass. Retrieved 3 March 2022.
  4. "Touch Compass Dance Trust". Disability Arts Online. Retrieved 3 March 2022.
  5. 1 2 3 "The Touch Compass Dance Trust Board". Charities Services. Retrieved 3 March 2022.
  6. "Touch Compass". The Big Idea. Retrieved 3 March 2022.
  7. 1 2 3 "Touch Compass appoints performance artist as interim Artistic Director". Arts Access Aotearoa. Retrieved 3 March 2022.
  8. 1 2 "Flying High with Touch Compass". RNZ. 25 August 2016. Retrieved 3 March 2022.
  9. "Catherine Chappell awarded Creative New Zealand Choreographic Fellowship". Creative New Zealand. Retrieved 3 March 2022.
  10. "Get To Know Interdisciplinary Artist Pelenakeke Brown". Viva Magazine. Retrieved 3 March 2022.
  11. Watlington, Emily (9 March 2021). "Cripping Choreography". ARTnews.com. Retrieved 3 March 2022.
  12. "25 years of the ground-breaking dance company Touch Compass". RNZ. 13 February 2022. Retrieved 3 March 2022.
  13. Howard, Rachel (9 November 2008). "Axis Dance Company takes a daring new turn". SFGATE. Retrieved 3 March 2022.
  14. "/rītaha/ - Touch Compass's 25th Anniversary Celebration, Hosted in-person and online, 15th of February | Humanitix". events.humanitix.com. Retrieved 3 March 2022.
  15. 1 2 3 Redmond, Adele (23 August 2015). "Touch Compass - doing things differently in dance". Stuff. Retrieved 3 March 2022.
  16. 1 2 Schultz, Marianne. "Contemporary dance - New companies and international work, 1990s to 2000s". Te Ara - the Encyclopedia of New Zealand. Retrieved 3 March 2022.
  17. 1 2 "Duets celebrate diversity and dance". Arts Access Aotearoa. Retrieved 3 March 2022.
  18. "Returning to dance with Touch Compass". Arts Access Aotearoa. Retrieved 3 March 2022.
  19. "Changing perceptions about who can dance". Arts Access Aotearoa. Retrieved 3 March 2022.
  20. 1 2 3 "Touch Compass farewells Catherine Chappell". Touch Compass. Retrieved 3 March 2022.
  21. "Dancer smashes perceptions around disability". Arts Access Aotearoa. Retrieved 10 March 2022.
  22. "TBI Q&A: Catherine Chappell". The Big Idea. 12 August 2010. Retrieved 3 March 2022.
  23. "Touch Compass responds to a changing world". Arts Access Aotearoa. Retrieved 3 March 2022.