Towards the Last Spike | |
---|---|
by E.J. Pratt | |
First published in | 1952 |
Country | Canada |
Language | English |
Publisher | Macmillan of Canada |
Towards the Last Spike was written in 1952 by Canadian poet E. J. Pratt. It is a long narrative poem in blank verse about the construction of the first transcontinental railroad line in Canada, that of the Canadian Pacific Railway (CPR), from 1871 through 1885.
The poem won Pratt the Governor General's Award, Canada's top literary honor, for poetry in 1952. [1]
It is written in an epic style, where characters engage in both verbal and physical struggle. The poem also has a political context, illuminated by the debates between Prime Minister John A. Macdonald (for the railway) versus Edward Blake (against). The physical tests throughout the poem are a battle between the forces of nature (the Canadian Shield is personified as a prehistoric monster) versus the combined might of the construction team headed by William Van Horne.
In his introduction to Pratt's 1968 Selected Poems, literary critic Peter Buitenhuis says of the piece:
The poem ends with the famous driving home of the last spike at Craigellachie:
When Towards the Last Spike appeared, Canadian literary critic Northrop Frye wrote that
"There would be much more to say about the poem if I had the space," Frye added. "There is the contrast between the desperate, quixotic, east-west reach from sea to sea which is the vision of Macdonald ... and the practical, short-sighted vision of Blake, which sees the country realistically, as a divided series of northern extensions of the United States.... There is the portrait of Strathcona as a Canadian culture-hero, a combination of Paul Bunyan and Sam Slick.... Above all, Pratt is a poet unusually aware of the traditional connection between poetry and oratory." He concluded: "The faults of the poem are obvious and commonplace; its virtues are subtle and remarkable." [5]
Frye later wrote that Pratt had "expressed in Towards the Last Spike the central comic theme ... of the Canadian imagination." [6]
Three years after its publication, fellow Canadian poet, F.R. Scott, critiqued Pratt for overlooking the thousands of indentured Chinese labourers who actually built the railway in his poem "All the Spikes but the Last." [7]
Herman Northrop Frye was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century.
Patricia Kathleen Page, was a British-born Canadian poet, though the citation as she was inducted as a Fellow of the Royal Society of Canada reads "poet, novelist, script writer, playwright, essayist, journalist, librettist, teacher and artist." She was the author of more than 30 published books that include poetry, fiction, travel diaries, essays, children's books, and an autobiography.
Edwin John Dove Pratt, who published as E. J. Pratt, was a Canadian poet. Originally from Newfoundland, Pratt lived most of his life in Toronto, Ontario. A three-time winner of the country's Governor General's Award for poetry, he has been called "the foremost Canadian poet of the first half of the century."
Earle Alfred Birney was a Canadian poet and novelist, who twice won the Governor General's Award, Canada's top literary honour, for his poetry.
The New Canadian Library is a publishing imprint of the Canadian company McClelland and Stewart. The series aims to present classic works of Canadian literature in paperback. Each work published in the series includes a short essay by another notable Canadian writer, discussing the historical context and significance of the work. These essays were originally forewords, but after McClelland and Stewart's 1985 sale to Avie Bennett, the prefatory material was abandoned and replaced by afterwords.
Dorothy Kathleen May Livesay, was a Canadian poet who twice won the Governor General's Award in the 1940s, and was "senior woman writer in Canada" during the 1970s and 1980s.
Arthur James Marshall Smith was a Canadian poet and anthologist. He "was a prominent member of a group of Montreal poets" – the Montreal Group, which included Leon Edel, Leo Kennedy, A. M. Klein, and F. R. Scott — "who distinguished themselves by their modernism in a culture still rigidly rooted in Victorianism."
Jean Jay Macpherson was a Canadian lyric poet and scholar. The Encyclopædia Britannica calls her "a member of 'the mythopoeic school of poetry,' who expressed serious religious and philosophical themes in symbolic verse that was often lyrical or comic."
Isabella Valancy Crawford was an Irish-born Canadian writer and poet. She was one of the first Canadians to make a living as a freelance writer.
Survival: A Thematic Guide to Canadian Literature is a survey of Canadian literature by Margaret Atwood, one of the best-known Canadian authors. It was first published by House of Anansi in 1972.
Nationality words link to articles with information on the nation's poetry or literature.
Bruce William Powe, commonly known as B. W. Powe, is a Canadian poet, novelist, essayist, philosopher, and teacher.
Confederation Poets is the name given to a group of Canadian poets born in the decade of Canada's Confederation who rose to prominence in Canada in the late 1880s and 1890s. The term was coined by Canadian professor and literary critic Malcolm Ross, who applied it to four poets – Charles G.D. Roberts (1860–1943), Bliss Carman (1861–1929), Archibald Lampman (1861–1899), and Duncan Campbell Scott (1862–1947) – in the Introduction to his 1960 anthology, Poets of the Confederation. He wrote, "It is fair enough, I think, to call Roberts, Carman, Lampman, and Scott our 'Confederation poets.'"
Charles Heavysege was a Canadian poet and dramatist. He was one of the earliest poets to publish in Canada. He is known for his critically acclaimed play Saul.
Anne Cochran Wilkinson was a Canadian poet and writer. She was part of the modernist movement in Canadian poetry in the 1940s and 1950s, one of only a few prominent women poets of the time, along with Dorothy Livesay and P. K. Page.
The Bush Garden: Essays on the Canadian Imagination is a collection of essays by Canadian literary critic Northrop Frye (1912–1991). The collection was originally published in 1971; it was republished, with an introduction by Canadian postmodern theorist Linda Hutcheon, in 1995. The Bush Garden features analyses of Canadian poetry, prose fiction and painting. According to Frye's introduction, the essays were selected to provide a composite view of the Canadian imagination, an understanding of the human imagination's reaction to and development in response to the Canadian environment.
Wilfred Watson was professor emeritus of English at Canada's University of Alberta for many years. He was also an experimental Canadian poet and dramatist, whose innovative plays had a considerable influence in the 1960s. The Dictionary of Literary Biography (DLB) says that "Watson ushered in an avant-garde in Canadian theater years before the rear guard had fully emerged."
George Benson Johnston was a Canadian poet, translator, and academic "best known for lyric poetry that delineates with good-humoured wisdom the pleasures and pains of suburban family life." He also had an international reputation as a scholar and translator of the Icelandic Sagas.
Edward Killoran Brown, who wrote as E. K. Brown, was a Canadian professor and literary critic. He "influenced Canadian literature primarily through his award-winning book On Canadian Poetry (1943)," which "established the standards of excellence and many of the subsequent directions of Canadian criticism." Northrop Frye called him "the first critic to bring Canadian literature into its proper context".
Oscar Pelham Edgar was a Canadian teacher. He was a full professor and head of the Department of English at the Victoria College, Toronto from 1910 to 1938. He wrote many articles and several monographs on English literature. He had a talent for identifying and encouraging promising new authors. He was an active member of various literary societies, and was the force behind the establishment of the Canadian Writers’ Foundation to help needy authors.