Tracy Denean Sharpley-Whiting | |
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Nationality | American |
Alma mater | |
Occupation(s) | Gertrude Conaway Vanderbilt Distinguished Professor of French in the Department of French and Italian at the Vanderbilt University College of Arts and Science Associate Provost for Academic Advancement |
Known for | Feminist scholar |
Tracy Denean Sharpley-Whiting is a feminist scholar and Gertrude Conaway Vanderbilt Distinguished Professor of French in the Department of French and Italian at Vanderbilt University [1] where she serves as Vice Provost of Arts and Libraries [2] as well as Director of the Callie House Research Center for the Study of Global Black Cultures and Politics. She served as Associate Provost for Academic Advancement from October 2021-June 2022. She was also the Chair of African American and Diaspora Studies until August 2022. She is editor of The Speech: Race and Barack Obama's "A More Perfect Union", and editor of the academic journal Palimpsest: A Journal on Women, Gender, and the Black International . [3] She is also series co-editor of "Philosophy and Race" (SUNY Press) with philosopher Robert Bernasconi.
Sharpley-Whiting received the PhD in French Studies from Brown in 1994.
She served as Director of the William T. Bandy Center for Baudelaire and Modern French Studies from 2006-2012. [4]
In September 2007, Sharpley-Whiting testified before Congress at the hearing, From Imus to Industry: The Business of Stereotypes and Degrading Images. [5] She served on the Executive Council of the Modern Language Association from 2014-2018. She also served as chair/president of the Executive Advisory Committee for the Association of Departments of Foreign Languages and Literatures. Sharpley-Whiting is a former Camargo Foundation Fellow (Cassis, France); [6] a George and Eliza Howard Foundation Fellow; [7] and a Rockefeller Foundation Fellow at the Bellagio Study Center (Bellagio, Italy). [8]
In 2020, Sharpley-Whiting won the SEC (SouthEastern Conference) Faculty Achievement Award for Vanderbilt University for her research and teaching. [9] Sharpley-Whiting was named one of the top 100 young leaders of the African American community by The Root, an online magazine founded by scholar Henry Louis Gates Jr. [10] She received the 2006 Horace Mann Medal from Brown University. [11] The award is given annually by the Brown Graduate School to an alumnus or alumna who has made significant contributions in his or her field, inside or outside of academia. Her book, Pimps Up, Ho's Down: Hip Hop's Hold on Young Black Women, [12] received the Emily Toth Award for the Best Single Work by One or More Authors in Women's Issues in Popular and American Culture in a specific year from the Popular Culture Association/American Culture Association. [13] Her book, Bricktop's Paris: African American Women in Jazz-Age Paris and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets was a 2015 Choice Outstanding Academic Title and The American Library in Paris 2015 Book Award Long List Nominee. [14]
Frantz Omar Fanon was a French Afro-Caribbean psychiatrist, political philosopher, and Marxist from the French colony of Martinique. His works have become influential in the fields of post-colonial studies, critical theory, and Marxism. As well as being an intellectual, Fanon was a political radical, Pan-Africanist, and Marxist humanist concerned with the psychopathology of colonization and the human, social, and cultural consequences of decolonization.
Négritude is a framework of critique and literary theory, mainly developed by francophone intellectuals, writers, and politicians in the African diaspora during the 1930s, aimed at raising and cultivating "black consciousness" across Africa and its diaspora. Négritude gathers writers such as sisters Paulette and Jeanne Nardal, Martinican poet Aimé Césaire, Abdoulaye Sadji, Léopold Sédar Senghor, and Léon Damas of French Guiana. Négritude intellectuals disavowed colonialism, racism and Eurocentrism. They promoted African culture within a framework of persistent Franco-African ties. The intellectuals employed Marxist political philosophy, in the black radical tradition. The writers drew heavily on a surrealist literary style, and some say they were also influenced somewhat by the Surrealist stylistics, and in their work often explored the experience of diasporic being, asserting one's self and identity, and ideas of home, home-going and belonging.
A video vixen is a woman who models and appears in hip hop-oriented music videos. From the 1990s to the early 2010s, the video vixen image was a staple in popular music, particularly within the genre of hip hop. The video vixen first came around in the late 1980s when the hip-hop culture began to emerge into its own lifestyle, although was most popular in American popular culture during the 1990s and 2000s. Many video vixens are aspiring actors, singers, dancers, or professional models. Artists and vixens have been criticized for allegedly contributing to the social degradation of black women and Latinas.
Metro Academic and Classical High School is a magnet public high school in St. Louis, Missouri, United States, that is part of the St. Louis Public Schools school district.
Louis A. Mitchell was an American jazz drummer and bandleader.
Manthia Diawara is a Malian writer, filmmaker, cultural theorist, scholar, and art historian. He holds the title of University Professor at New York University (NYU), where he is Director of the Institute of Afro-American Affairs.
The Speech: Race and Barack Obama's "A More Perfect Union" is a 2009 non-fiction book edited by T. Denean Sharpley-Whiting, author of several books on race and director of Vanderbilt University's African American and Diaspora Studies, concerning the "A More Perfect Union" speech of then-Senator Barack Obama.
The word negrophilia is derived from the French négrophilie that means "love of the Negro". It was a term that avant-garde artists used among themselves to describe their fetishization of Black culture. Its origins were concurrent with art movements such as surrealism and Dadaism in the late 19th century. Sources of inspiration were inanimate African art objects such as masks and wooden carvings that found their way into Paris's flea markets and galleries alike as a result of colonial looting of Africa, and which inspired artworks such as Picasso's Les Demoiselles d'Avignon, as well as live performances by Black people, many of whom were ex-soldiers remaining in European cities after World War I, who entertained as a source of low income. Equally of interest to avant-garde creators were live arts such as dance, music and theatrical performances by Black artists, as evidenced by the popularity of comic artist Chocolat and the musical review Les Heureux Nègres (1902).
Maurice Satineau was a politician from Guadeloupe who served in the Senate from 1948-1958 and the French Chamber of Deputies from 1936 to 1942.
Sharpley may refer to:
Palimpsest: A Journal on Women, Gender, and the Black International is a biannual peer-reviewed academic journal covering work by and about women of the African diaspora and their communities in the Atlantic and Indian Ocean worlds. It was established in 2012 and is published by State University of New York Press. The editors-in-chief are Tracy Denean Sharpley-Whiting and Tiffany Ruby Patterson-Myers.
Jeanne "Jane" Nardal was a French writer, philosopher, teacher, and political commentator from Martinique. She and her sister, Paulette Nardal, are considered to have laid the theoretical and philosophical groundwork of the Négritude movement, a cultural, political, and literary movement, which first emerged in 1930s, Paris and sought to unite Black intellectuals in the current and former French colonies. The term "Négritude" itself was coined by Martiniquan writer-activist Aimé Césaire, one of the three individuals formally recognized as the "fathers" of the cultural movement, along with Senegalese poet Léopold Senghor and French Guianese writer Léon Damas. It was not until relatively recently, however, that the women involved in the Négritude movement, including Jane and Paulette Nardal, began to receive the recognition they were due.
Joan Morgan is a Jamaican-American author and journalist. She was born in Jamaica and raised in the South Bronx. Morgan coined the term "hip hop feminist".
Évelyne Trouillot is a Haitian author, writing in French and Creole.
Paulette Nardal was a French writer from Martinique, a journalist, and one of the drivers of the development of black literary consciousness. She was one of the authors involved in the creation of the Négritude genre and introduced French intellectuals to the works of members of the Harlem Renaissance through her translations.
Suzanne Césaire, born in Martinique, an overseas department of France, was a French writer, teacher, scholar, anti-colonial and feminist activist, and Surrealist. Her husband until 1963 was the poet and politician Aimé Césaire.
Florence Emery "Embry" Jones was an American jazz singer and dancer, notable for her work in Paris during the 1920s. She was known for her elusive persona and for performing at Le Grand Duc and later at Chez Florence in Montmartre.
Bonnie Zimmerman is an American literary critic and women's studies scholar. She is the author of books and articles exploring lesbian history and writings, women's literature, women's roles, and feminist theory. She has received numerous prestigious awards.
Tropiques was a quarterly literary magazine published in Martinique from 1941 to 1945. It was founded by Aimé Césaire, Suzanne Césaire, and other Martinican intellectuals of the era, who contributed poetry, essays, and fiction to the magazine. While resisting the Vichy-supported government that ruled Martinique at the time, the writers commented on colonialism, surrealism, and other topics. André Breton, the French leader of surrealism, contributed to the magazine and helped turn it into a leading voice of surrealism in the Caribbean.
Cora Green was an American actress, singer, and dancer, billed as "The Famous Creole Singer".