Tracy Grant Lord | |
---|---|
Citizenship | New Zealand |
Occupation(s) | Scenographer, costume designer |
Tracy Grant Lord is a leading New Zealand scenographer and costume designer of ballet, theatre and opera. [1] [2] She has worked with numerous Australasian performance companies including the Royal New Zealand Ballet, New Zealand Opera, Australian Ballet, Opera Australia, Queensland Ballet as well as the Auckland, Sydney, Melbourne and Queensland Theatre Companies. [3] [4]
Grant Lord graduated with a degree in Spatial Design from Auckland University of Technology in 1996. [2] She was 23 when she designed my first opera. [5]
In 2011 she was nominated for Best Costume Design for the 11th Helpmann Awards and in 2012 she was nominated in the same category for the 12th Helpmann Awards. [3]
In 2014 Grant Lord created the costumes for the Singapore Dance Theatre production of Sleeping Beauty. [6] Grant Lord has created designs for several productions for the Royal New Zealand Ballet (RNZB) including their positively reviewed 50th Anniversary production Romeo and Juliet (2003), [7] this production contrasted a set pieces reminiscent of Verona and costumes with a modernist feel. It toured throughout New Zealand being presented at St James Theatre, Wellington (Wellington), Municipal Theatre (Napier), Aotea Centre (Auckland), Founders Theatre (Hamilton), Regent on Broadway (Palmerston North), Regent Theatre (Dunedin), and the Theatre Royal (Christchurch), where it opened the Christchurch Arts Festival. [8] The RNZB production of Romeo and Shortly toured to the United Kingdom and received a nomination for best new dance production at the Laurence Olivier Awards. [9] Other production for RNZB include Ihi FrENZy (2001), [10] The Wedding (2006) a love story written by Witi Ihimaera with choreography by Mark Baldwin and music by Gareth Farr, Cinderella (2007) [2] and The Firebird (2020) with choreographer Loughlan Prior. [11]
Opera Lord Grant has designed includes the production design in 2014 of Lucia di Lammermoor directed by Raymond Hawthorne produced by Auckland Chamber Orchestra and Auckland Opera Studio. William Dart's review states:
Working with designer Tracy Grant Lord, Hawthorne's 18th century Scotland was grim and foreboding under the lights of Jennifer Lal. An effectively austere set was built around various cross motifs; costumes were rigorously dark-toned, apart from a white wedding dress for Lucia and a brilliant red gown for her final swansong.
Other work with director Raymond Hawthorne includes set and costumes for the musical Guys and Dolls for Auckland Theatre Company in 2015 with lighting by Andrew Potvin. [2]
Grant Lord collaborated regularly with lighting designer Kendall Smith and choreographer Liam Scarlett to create works such as A Midsummer Night’s Dream and Dangerous Liaisons for Queensland Ballet. [12] [13]
Sir Robert Murray Helpmann CBE was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the Vic-Wells Ballet under its creator, Ninette de Valois. He became one of the company's leading men, partnering Alicia Markova and later Margot Fonteyn. When Frederick Ashton, the company's chief choreographer, was called up for military service in the Second World War Helpmann took over from him while continuing as a principal dancer.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
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Western Australian Mark Howett is a director for theatre, dance, opera and film, having started his career initially as a lighting designer. He studied Theatre Design, specialising in Lighting Design at the School of Drama 1981, Yale University. Since 1979, Mark Howett has worked with many international theatre, film, dance, and opera companies. He was a senior creative on productions such as: Sweeney Todd, Royal Opera at Covent Garden, Cabaret at Savoy Theatre West End, Evita at Dominion Theatre West End, A Country Girl at Apollo Theatre West End, Rites Bangarra and Australian Ballet at Paris Opera House, Cloudstreet Co B Belvoir at Brooklyn Academy of Music, and Secret River Sydney Theatre Co to name a few.
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Choreographer Sir Kenneth MacMillan's Royal Ballet production of Sergei Prokofiev's Romeo and Juliet premiered at the Royal Opera House, Covent Garden on 9 February 1965.
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Pop-up Globe was a New Zealand theatre production company, based in Auckland, New Zealand. It produced Jacobean theatre, particularly the works of Shakespeare, in specially-built temporary replicas of the second Globe, the theatre Shakespeare and his company built and used. The company’s theatre is the world's first full-scale reconstruction of the Second Globe Theatre (1614–44).
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