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"Transistor Radio" | ||||
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Single by Benny Hill | ||||
Released | 1961 | |||
Genre | Pop | |||
Length | 3:01 | |||
Label | Pye | |||
Songwriter(s) | Benny Hill, Tony Hatch, | |||
Producer(s) | Tony Hatch | |||
Benny Hill singles chronology | ||||
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"Transistor Radio" is a comic song written by Benny Hill and Mark Anthony (a pseudonym of producer Tony Hatch), and performed by Hill. The song revolves around the story of a man whose attempts at intimacy with his girlfriend are constantly thwarted by music played from the girl's transistor radio. The song spoofs the Chipmunks, Elvis Presley's "Wooden Heart", the BBC Shipping Forecast and Jimmy Jones' "Handy Man".
"Transistor Radio" finished with the now-married couple alone in bed, with the expectant wife disappointed when her husband asks "'Ere, where's the radio?" Released as a single in 1961, the song reached the #24 in the UK Singles Chart. [1]
In 1972, Hill performed a radically revamped version of this song, now called "Portable TV Set," on his television show, on which he offered impersonations of Ironside , Clement Freud, Stars on Sunday host Jess Yates and Maggie Stredder of the Ladybirds. The role of his television-obsessed girlfriend was played by Jenny Lee-Wright.
Alfred Hawthorne "Benny" Hill was an English comedian. He is remembered for his television programme, The Benny Hill Show, an amalgam of slapstick, burlesque and double entendre in a format that included live comedy and filmed segments, with Hill at the focus of almost every segment.
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"TVC 15" is a song by the English musician David Bowie, released on his 1976 album Station to Station. RCA Records later released it as the second single from the album on 30 April 1976. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on backing vocals. The upbeat song is mostly art rock performed in a style reminiscent of the 1950s. Lyrically, the song concerns a character's girlfriend being eaten by a television set. It was inspired by a dream of Iggy Pop's and Bowie's role in The Man Who Fell to Earth (1976). Some lyrics are also influenced by the Yardbirds and Kraftwerk.
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