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Trash was a popular London indie and electro nightclub run by Erol Alkan.
The club was held weekly on Monday night. The first night was in January 1997, [1] while the last was 10 years later in January 2007. [2] It first existed at the original Plastic People in Soho, then at neighbouring venue The Annexe on Dean Street, before finally finding a home at The End off New Oxford Street in the West End of London.
It was influential in terms of pioneering and popularising new genres of music, such as the garage rock revival and electroclash, with early performances from bands such as the Yeah Yeah Yeahs, LCD Soundsystem, Bloc Party, and Klaxons.
In its formative years at Plastic People and The Annexe, Trash's DJs were Erol Alkan and James. When the club moved and expanded to The End they were initially joined by Rory Phillips and in the years that followed, Mavs and The Lovely Jonjo.
For the latter 5 years of the club, the last two tracks played were always the same. "There Is a Light That Never Goes Out" by The Smiths and then "Rock 'n' Roll Suicide" by David Bowie. Erol Alkan believed "they are the two songs that best reflect club culture, its people and places, highs and lows and bring people together".[ citation needed ]
The last ever track played was "Dancing Queen" by ABBA.
New York Dolls were an American rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although the band never achieved much commercial success and their original line-up fell apart quickly, the band's first two albums—New York Dolls (1973) and Too Much Too Soon (1974)—became among the most popular cult records in rock. The line-up at this time consisted of vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, they donned an androgynous wardrobe, wearing high heels, eccentric hats, satin, makeup, spandex, and dresses. Nolan described the group in 1974 as "the Dead End Kids of today".
Fuji Rock Festival is an annual rock festival held in Naeba Ski Resort, in Niigata Prefecture, Japan. The three-day event, organized by Smash Japan, features more than 200 Japanese and international musicians, making it the largest outdoor music event in Japan. In 2005, more than 100,000 people attended the festival.
The End was a nightclub in the West End of London, England. Started in December 1995 by DJs Layo Paskin and Mr C, it was also responsible for the label End Recordings.
Silent Alarm Remixed is the remix album to Silent Alarm, the debut album by British indie rock band Bloc Party. It was released on 29 August 2005 in the British Isles on Wichita Recordings, the band's primary label, and on 13 September 2005 in the United States through Vice Records to coincide with Bloc Party's worldwide touring schedule. The record peaked at number 54 on the UK Albums Chart. In the US, it achieved a peak of number four on the Billboard Top Electronic Albums.
Post-punk revival is a genre or movement of indie rock that emerged in the early 2000s as musicians started to play a stripped down and back-to-basics version of guitar rock inspired by the original sounds and aesthetics of post-punk, new wave and garage rock. It is closely associated with new wave revival and garage rock revival.
Popscene was a UK "indie dance" club of the 1990 Brit Pop movement..
Erol Alkan is an English DJ and producer of Turkish Cypriot descent. He grew up in Archway in North London.
Jockey Slut was a British music magazine which ran between 1993 and 2004, focusing mainly on dance music and club culture. It started as a self-published bi-monthly fanzine in 1993, and became a monthly by 1999, following a buy-out by Swinstead Publishing. By 2004, it was published quarterly, with more content on its website, a change which only lasted three and a half months before closure in late May that year.
Richard Norris is a London-based record producer, songwriter, sound engineer, musician, DJ and author. He is best known as a member of electronic dance band The Grid. Richard has also worked as a producer and engineer since the 80s with artists such as: Bryan Ferry, Genesis Breyer P-Orridge, Marc Almond, Joe Strummer and the Pet Shop Boys.
"Gravity's Rainbow" is a song by British band Klaxons, from their debut album Myths of the Near Future. It is named after Thomas Pynchon's novel. The song was first released on Angular Records as a double A-side with "The Bouncer" in March 2006 and was limited to 500 copies on 7" vinyl only. In September 2006, it was released on 12" vinyl with three remixes of the track. It reached a peak position of number 35 on the UK Singles Chart. A re-recorded version of the track was re-released in 2007, with a remix from Soulwax, a new Erol Alkan-produced track "Electrickery" and a live version of the track. For the re-release of "Gravity's Rainbow", the band reshot the music video.
"Lazy Sunday" is a song by the English band Small Faces, which reached number two on the UK Singles Chart in 1968. It was written by the Small Faces songwriting duo Steve Marriott and Ronnie Lane, and appeared on the band's 1968 concept album Ogdens' Nut Gone Flake. Against the band's wishes, it preceded the album as a single release.
"Mammoth" is a song by the American rock band Interpol. It was released on September 3, 2007 as the second and final single from the band's third studio album, Our Love to Admire (2007). The track was released only as a single in Europe and the UK. It reached number 44 on the UK Singles Chart. The song is the band's last release by the Capitol Records label as Interpol had returned to its previous label, Matador Records.
Blow Up is a club night that was founded in the early 1990s by promoter and DJ Paul Tunkin at a North London pub called "The Laurel Tree". The night quickly became the centre of the emerging Britpop scene in Camden attracting long queues of people eager to gain entry to the tiny venue. Early regulars included members of Blur, Pulp, Elastica, Suede, The Buzzcocks, Huggy Bear and The Jesus and Mary Chain, leading to the club being referred to as the place where "Britpop was born".
Modular Presents: Leave Them All Behind 2 is the 2007 double-disc follow-up to Modular Recordings' 2005 dance-rock compilation Modular Presents: Leave Them All Behind. Similar to that compilation, Disc 1 is mixed while Disc 2 is unmixed.
Late of the Pier was an English four-piece dance-punk band from Castle Donington, signed to Parlophone. Their debut album Fantasy Black Channel, produced by Erol Alkan, was released in 2008 by Parlophone.
Pillowface and His Airplane Chronicles is the debut mixtape by American DJ and record producer Steve Aoki.
Fantasy Black Channel is the only studio album by British dance-punk band Late of the Pier. It was released on 30 July 2008 in Japan through Toshiba EMI and on 4 August 2008 in the British Isles on Parlophone, the band's primary label. Five tracks had already been released as singles in the United Kingdom: "Bathroom Gurgle", "The Bears Are Coming", "Space and the Woods" and "Focker" as a double A-side, and "Heartbeat". The record peaked at number 28 on the UK Albums Chart, but failed to chart in the United States.
"Zero" is a song by American indie rock band Yeah Yeah Yeahs, released as the lead single from their third studio album, It's Blitz! (2009). The song received critical acclaim from music critics for its production, and was named the best track of 2009 by both NME and Spin magazines.
Ministry of Sound Sessions Six is a dance music compilation album and the sixth installment of the Ministry of Sound Australia "sessions" series. The album consists of 61 tracks spread across three discs, and was the first of the Sessions compilations to contain three discs. By contrast, the previous album in the series had two discs.
The Seven Dials Jazz Club opened its doors in 1980 as a venue for live music in Covent Garden, London. It hosted a range of artists and styles of jazz and began to attract a regular audience. Starting in 1983, a series of saxophone festivals was held on the premises each year.