Related Research Articles
The Violin Concerto in D minor, Op. 47 of Jean Sibelius, originally composed in 1904 and revised in 1905, is the only concerto by Sibelius. It is symphonic in scope and included an extended cadenza for the soloist that takes on the role of the development section in the first movement.
Felix Mendelssohn's Violin Concerto in E minor, Op. 64, MWV O 14, is his last concerto. Well received at its premiere, it has remained among the most prominent and highly-regarded violin concertos. It holds a central place in the violin repertoire and has developed a reputation as an essential concerto for all aspiring concert violinists to master, and usually one of the first Romantic era concertos they learn. A typical performance lasts just under half an hour.
The Trio for Violin, Cello, and Piano is a work by the American composer Charles Ives. According to his wife, the three movements of the piano trio are a reflection of Ives’ college days at Yale. He started writing the piece in 1904, six years after graduation, and completed it in 1911. It was written c.1909–10 and significantly revised in 1914–15.
Ludwig van Beethoven's Piano Concerto No. 1 in C major, Op. 15, was written in 1795, then revised in 1800. It was possibly first performed by Beethoven at his first public concert in Vienna on 29 March 1795. It was first published in 1801 in Vienna with dedication to his pupil Princess Anna Louise Barbara Odescalchi, known to her friends as "Babette".
Violin Concerto No. 2 in D minor, Op. 22, by the Polish violin virtuoso, Henryk Wieniawski, may have been started in 1856, but the first performance did not take place until November 27, 1862, when he played it in St. Petersburg with Anton Rubinstein conducting. It was published in 1879, inscribed to his dear friend Pablo de Sarasate.
Barry Emmanuel Tuckwell, was an Australian French horn player who spent most of his professional life in the UK and the United States. He is generally considered to have been one of the world's leading horn players.
The Trio No. 1 in B-flat major for piano, violin, and cello, D. 898, was written by Franz Schubert in 1827. The composer finished the work in 1828, in the last year of his life. It was published in 1836 as Opus 99, eight years after the composer's death. Like the E-flat major trio, it is an unusually large scale work for piano trio, taking around 40 minutes in total to perform.
Ralph Vaughan Williams's Symphony No. 3, published as A Pastoral Symphony and not numbered until later, was completed in 1922. Vaughan Williams's inspiration to write this symphony came during World War I after hearing a bugler practising and accidentally playing an interval of a seventh instead of an octave; this ultimately led to the trumpet cadenza in the second movement.
Louise-Marie Simon, pen name Claude Arrieu, was a prolific French composer. She wrote hundreds of works in varying formats, including stage works, concert works, and movie scores. She was also a teacher, and worked as a producer and assistant head of sound effects at French Radio.
Donald Oscar Banks was an Australian composer of concert, jazz, and commercial music.
The Quintet in E♭ major for Piano and Winds, K. 452, was composed by Wolfgang Amadeus Mozart, who entered it in his thematic catalogue of his works on March 30, 1784. It was premiered two days later at the Imperial and Royal National Court Theater in Vienna. Shortly after the premiere, Mozart wrote to his father that "I myself consider it to be the best thing I have written in my life." It is scored for piano, oboe, clarinet, horn and bassoon. Sarah Adams notes that "The four dissimilar wind timbres pitted against the piano in this extraordinary work must have posed Mozart with a compositional challenge. He contended with the instrumental balance by constructing themes easily divisible into small motifs and by changing textural groupings every few bars for a kaleidoscopic array of tone colours."
The Horn Trio in E♭ major, Op. 40, by Johannes Brahms is a chamber piece in four movements written for natural horn, violin, and piano. Composed in 1865, the work commemorates the death of Brahms's mother, Christiane, earlier that year. However, it draws on a theme which Brahms had composed twelve years previously but did not publish at the time.
The Piano Quartet No. 1 in G minor, Op. 25, was composed by Johannes Brahms between 1856 and 1861. It was premiered in 1861 in Hamburg, with Clara Schumann at the piano. It was also played in Vienna on 16 November 1862, with Brahms himself at the piano supported by members of the Hellmesberger Quartet. Like most piano quartets, it is scored for piano, violin, viola, and cello.
Henri Frédien Tomasi was a French classical composer and conductor. He was noted for compositions such as In Praise of Folly, Nuclear Era and The Silence of the Sea.
The Sonatine (Sonatina) for violin and piano is a chamber music composition by Karlheinz Stockhausen, written while he was still a student in 1951. It carries the work-number ⅛ in his catalogue of works.
The Trio for horn, violin, and piano, Op. 44, is a chamber music work by the English composer Lennox Berkeley. It was composed in the early 1950s and was premiered in March 1954 in London. A performance takes about 15 minutes.
Maureen Jones is an Australian classical pianist.
The Violin Sonata No. 2 in E♭ major, Op. 102, was written by Camille Saint-Saëns from February to March 1896, and premiered on 2 June 1896 in Paris.
The Piano Sonata, originally entitled Sonata for the Piano, is the only piano sonata by American composer Leonard Bernstein. An early work by the composer, it was finished in 1938.
References
Cited sources
- Covell, Roger. 1967. Australia's Music: Themes for a New Society. Melbourne: Sun Books.
- Hill, Douglas. 2001. Collected Thoughts on Teaching and Learning, Creativity, and Horn Performance. Miami: Warner Bros. Publications. ISBN 978-0-75790-685-5 (cloth); ISBN 0-75790-159-X (pbk).
- Sitsky, Larry. 2011. Australian Chamber Music with Piano. Canberra: ANU E Press. ISBN 978-1921862403 (pbk); ISBN 9781921862410 (ebook).
- Żuk, Zbigniew. 1997. "Dedicated to the Brilliant Horn-Soloist Barry Tuckwell". Liner notes to Horn Trios. Zbigniew Żuk, horn; Jan Stanienda, violin; Piotr Folkert, piano. Recorded 18–20 March 1997 in Bydgoszcz Philharmonia Hall. CD recording, 1 disc: 12 cm, digital, stereo. Żuk Records CD 310Bremerhaven: Żuk Records.