Larry Sitsky | |
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Born | Lazar Sitsky 10 September 1934 |
Alma mater | New South Wales Conservatorium of Music |
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Lazar "Larry" Sitsky AO , FAHA (born 10 September 1934) is an Australian composer, pianist, and music educator and scholar. His long term legacy is still to be assessed, but through his work to date he has made a significant contribution to the Australian music tradition. [1]
Sitsky was the first Australian to be invited to the USSR on a cultural exchange visit, organised by the Australian Department of Foreign Affairs in 1977. He has received many awards for his compositions: the Albert H. Maggs Composition Award in 1968, and again in 1981; the Alfred Hill Memorial Prize for his String Quartet in 1968; a China Fellowship in 1983; a Fulbright Award in 1988–89, and an Advance Australia Award for achievement in music (1989). He has also been awarded the inaugural prize from the Fellowship of Composers (1989), the first National Critics' Award, and the inaugural Australian Composers' Fellowship presented by the Music Board of the Australia Council, which gave him the opportunity to write a large number of compositions (including concerti for violin, guitar, and orchestra), to revise his book Busoni and the Piano, and to commence work as a pianist on the Anthology of Australian Piano Music.
Larry Sitsky was born in Tianjin (formerly Tientsin), China, of Russian-Jewish émigré parents. He demonstrated perfect pitch at an early age, by identifying notes or chords played in a different room. [2] He studied piano from an early age, gave his first public concert at the age of nine, and started writing music soon thereafter. [2] His family was forced to leave China during Mao's rule. They came to Australia in 1951 and settled in Sydney. [3] He had sat for Cambridge University Overseas Matriculation before leaving China. [2] His first studies at university were in engineering, at his parents' insistence. This was not successful and "he convinced his parents to allow him to pursue his passion, music". [3] He obtained a scholarship to the New South Wales Conservatorium of Music, where he studied piano, briefly with Alexander Sverjensky [4] but mainly with Winifred Burston (a student of Ferruccio Busoni and Egon Petri), and composition, graduating in 1955. In 1959, he won a scholarship to the San Francisco Conservatory, where he studied with Egon Petri for two years. Returning to Australia, he joined the staff of the Queensland Conservatorium of Music, after being accepted sight unseen based on a recommendation from Petri. [2] His Australian studies and his subsequent studies in the United States, "combined with the Russian heritage from his early studies in China, [make] him a unique repository of piano techniques and tradition which is acknowledged internationally". [3]
A grant from the Myer Foundation in 1965 enabled him to conduct research into the music of Ferruccio Busoni, on whom he has written extensively. In 1966 he was appointed Head of Keyboard Studies at the Canberra School of Music, was later Head of Musicology and was Head of Composition Studies. He is currently Emeritus Professor of the Australian National University in Canberra.
Sitsky has always performed as well as composed, and as a student won performance awards. He believes that composers should perform, believing that "without this communion with a live audience, music-making all too easily becomes over-intellectualised, sterile and arid". [3] As a performer, he champions twentieth-century repertoire.
In terms of composition, Sitsky has regularly changed his musical language to "express himself in ways that are not familiar and 'easy'". [3]
Larry Sitsky attracted attention when he, among others, criticised the Keating government for giving successive artistic fellowships to the pianist Geoffrey Tozer. He explained that his criticism was not personal against Tozer, who was a friend of his, but that it was a matter of principle. [2]
A biography of Sitsky was published in the USA in 1997. Listen to the interview with an Australian composer, pianist, and music educator and scholar Larry Sitsky on SBS Radio, Australia in Russian (Presented by Tina Vassiliev)Russian | Pусский
The New Zealand composer and writer, William Green, compiled a brief biographical and musical overview of Sitsky in a radio program on Radio New Zealand Concert. [5]
Sitsky has published the two-volume The Classical Reproducing Piano Roll and Music of the Repressed Russian Avant-Garde, 1900–1929, and has recorded a number of CDs of Australian piano music, including the complete sonatas of Roy Agnew.
He has had works commissioned by many leading Australian and international bodies, such as the ABC, Musica Viva Australia, the International Clarinet Society, the Sydney International Piano Competition, Flederman and the International Flute Convention. His collection of teaching pieces, Century, has been published by Currency Press, and he also has an open contract to publish anything he wishes with his New York publisher, Seesaw Music Corporation.
In August 2011, Sitsky announced plans to write a series of operas based on the stories of Enid Blyton. The works were premiered by the ANU School of Music. [6]
He is married to the Czech-born Magda Sitsky.
In 1997 the Australian National University awarded him its first Higher Doctorate in Fine Arts. In 1998, he was elected Fellow of the Australian Academy of the Humanities. [9] He is currently a Distinguished Visiting Fellow, as well as Emeritus Professor at the Australian National University. [10]
In 2000 he was appointed a Member of the Order of Australia (AM) for service to music as a composer, musicologist, pianist and educator; and in the same year he received the Centenary Medal for service to Australian society through music. In 2017 Sitsky was appointed an Officer of the Order of Australia for distinguished service to the arts as a composer and concert pianist, to music education as a researcher and mentor, and through musical contributions to Australia's contemporary culture. [11]
The ARIA Music Awards are a set of annual ceremonies presented by Australian Recording Industry Association (ARIA), which recognise excellence, innovation, and achievement across all genres of the music of Australia. They commenced in 1987.
Year | Nominee / work | Award | Result | Ref. |
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1989 | Contemporary Australian Piano | Best Independent Release | Nominated | [12] |
The Don Banks Music Award was established in 1984 to publicly honour a senior artist of high distinction who has made an outstanding and sustained contribution to music in Australia. [13] It was founded by the Australia Council in honour of Don Banks, Australian composer, performer and the first chair of its music board.
Year | Nominee / work | Award | Result |
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1984 | Larry Sitsky | Don Banks Music Award | awarded |
Ferruccio Busoni was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition.
Egon Petri was a Dutch-American pianist.
The Fantasy on Themes from Mozart's Figaro and Don Giovanni, S.697, is an operatic paraphrase for solo piano by Franz Liszt, based on themes from two different Mozart's operas: The Marriage of Figaro, K.492 and Don Giovanni, K.527.
Fantasia contrappuntistica(BV 256) is a solo piano piece composed by Ferruccio Busoni in 1910. Busoni created a number of versions of the work, including several for solo piano and one for two pianos. It has been arranged for organ and for orchestra under the composer's supervision.
Donald Oscar Banks was an Australian composer of concert, jazz, and commercial music.
The Piano Concerto in C major, Op. 39 (BV 247), by Ferruccio Busoni, is one of the largest works ever written in this genre. Completed and premiered in 1904, it is about 70 minutes long and laid out in five movements played without a break; in the final movement an invisible men's chorus sings words from the verse-drama Aladdin by Adam Oehlenschläger.
Gunnar Johansen was a Danish-born pianist and composer. He was one of the chief proponents of the music of Ferruccio Busoni, whose mature keyboard works he recorded in their entirety, as well as the complete keyboard works of Johann Sebastian Bach.
Roy Ewing "Robert" Agnew was an Australian composer, pianist, teacher, and radio announcer. He was described as "the most outstanding of the early twentieth-century Australian composers" by Morris Hinson.
Winifred Charlotte Hillier Crosse Burston was an Australian pianist and teacher.
Max Olding AM and Pamela Page were a distinguished Australian husband and wife team of duo-pianists. They performed separately in recitals and as concerto soloists, chamber music performers and accompanists both nationally and internationally, but were best known as a piano duo.
Michael Kieran Harvey is an Australian pianist and composer whose career has been notable for its diversity and wide repertoire. He is renowned for commissioning, performing and composing new music. He has especially promoted the works of Australian composers and is also particularly associated with the piano music of Olivier Messiaen.
Elegies, BV 249, by the Italian composer Ferruccio Busoni is a set of solo piano pieces which can be played as a cycle or separately. Initially published in 1908 with six pieces, it was subsequently expanded to seven by the addition of the Berceuse. The set of seven takes just over 40 minutes to play.
The Bach-Busoni Editions are a series of publications by the Italian pianist-composer Ferruccio Busoni (1866–1924) containing primarily piano transcriptions of keyboard music by Johann Sebastian Bach. They also include performance suggestions, practice exercises, musical analysis, an essay on the art of transcribing Bach's organ music for piano, an analysis of the fugue from Beethoven's 'Hammerklavier' sonata, and other related material. The later editions also include free adaptations and original compositions by Busoni which are based on the music of Bach.
Clive James Cotter is an Australian composer currently based in Canberra, Australia. His career has largely been in music for theater, film, and radio. Cotter began his career as Music Director and resident composer for the Canberra Repertory Theatre and has collaborated extensively with Australian playwright Dorothy Hewett, most notably writing the music for the musical theater piece The Man From Mukinupin and for the children's play Golden Valley. Cotter also wrote the music for Merlinda Bobis' radio play "Rita's Lullaby", which won the Prix Italia in 1998.
Rex Hobcroft AM was an Australian pianist, conductor, composer, teacher, competition juror and music administrator. He was the first Australian pianist to play the complete cycle of Beethoven's piano sonatas in public; he directed both the Tasmanian and New South Wales State Conservatoria of Music; and he co-founded the Sydney International Piano Competition.
Theodor Szántó, also seen as Tivadar Szántó was a Hungarian Jewish pianist and composer.
Wilhelm Mayer was an Austro-Bohemian composer who published his works under the name W. A. Rémy. He was also a noted teacher, whose pupils included Ferruccio Busoni and Felix Weingartner. His name sometimes appears as Wilhelm Mayer-Rémy.
Ferruccio Busoni composed his Concerto for Piano and String Quartet in D minor, Op. 17, BV 80, in 1878, at the age of twelve. The original title was Concerto per piano-forte con accompagnamento di quartetto ad arco, Op. 17. Conceived for string quartet, the piano can also be accompanied by a string orchestra as Concerto for Piano and Strings, the title under which it was published in 1987.