The Tristia ("Sad things" or "Sorrows") is a collection of poems written in elegiac couplets by the Augustan poet Ovid during the first three years following his banishment from Rome to Tomis on the Black Sea in AD 8. Despite five books in which he bewails his fate copiously, the immediate cause of Augustus' banishment of the most acclaimed living Latin poet to Pontus remains a mystery. In addition to the Tristia, Ovid wrote another collection of elegiac epistles on his exile, the Epistulae ex Ponto , as well as a 642-line curse poem called Ibis , directed against the unnamed enemy who had apparently caused his downfall. He spent several years in the outpost of Tomis and died in AD 17 or 18 without ever returning to Rome.
The Tristia was once viewed unfavorably in Ovid's oeuvre but has become the subject of scholarly interest in recent years. [1]
The first of the five books was written during Ovid's journey into exile. It addresses his grieving wife, his friends — both the faithful and the false — and his past works, especially the Metamorphoses . Ovid describes his arduous travel to the furthest edge of the empire, giving him a chance to draw parallels with the exiles of Aeneas and Odysseus (Ulysses) and excuse his work's failings. The introductory poem, which cautions the departing book against the dangers of its destination, was probably written last.
The second book consists of a single 578-line poem. It takes the form of a plea to Augustus to end the unhappy exile brought about by his carmen et error [3] (poem and error). The poem which had angered the Emperor was apparently Ovid's Ars Amatoria , a light-hearted instruction manual on how to pick up women; the nature of the "error" is never made clear, although some speculate it may have had something to do with Ovid's overhearing (or rather discovery) of the adulterous nature of Augustus' daughter, Julia. He defends his work and his life with equal vigor, appealing to the many poets who had written on the same themes as he—among them Anacreon, Sappho, Catullus and even Homer.
The plea was unsuccessful; Ovid would live out the remainder of his years in exile among the Thracian Getae. The last three books of the Tristia grow grimmer as their author ages, heavy with the knowledge that he will never return to his home. At one point he even composes his epitaph:
I who lie here, sweet Ovid, poet of tender passions,
fell victim to my own sharp wit.
Passer-by, if you've ever been in love, don't grudge me
the traditional prayer: 'May Ovid's bones lie soft!' [4]
The last poem of book 5 addresses Ovid's wife, praising her loyalty throughout his years of exile and wishing that she be remembered for as long as his books are read.
The number of poems in Tristia differs slightly in different editions. For example, in Hall's 1995 Teubner edition, poems 1.5, 1.9, 3.4, 4.4, 5.2 and 5.7 are each split into two separate poems, which in most manuscripts each appear to be a single poem. [5] Taking this division into account, book 1 has 13 poems, book 3 has 15, book 4 has 11, book 5 has 16. Book 2, as noted above, is one single poem.
Peter Green wrote in a translation of Ovid's exile poems that the Tristia "[has] not, on the whole, had a good press from posterity." [6] Gordon Williams referred to the work as "mostly a pale reflection of the genius that he had been." [7] However, Ralph J. Hexter wrote in 1995 that literary critics were then "beginning to give the exile elegies a fresh look." [8] A number of scholars have since viewed the collection favorably. It is listed among Ovid's major works by author David Malouf [9] and scholar Matthew Woodcock. [10] In Matthew Bunson's Encyclopedia of the Roman Empire , it is called "a powerful plea for justice." [11]
The elegiac couplet is a poetic form used by Greek lyric poets for a variety of themes usually of smaller scale than the epic. Roman poets, particularly Catullus, Propertius, Tibullus, and Ovid, adopted the same form in Latin many years later. As with the English heroic couplet, each pair of lines usually makes sense on its own, while forming part of a larger work.
Publius Ovidius Naso, known in English as Ovid, was a Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus exiled him to Tomis, the capital of the newly-organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a "poem and a mistake", but his reluctance to disclose specifics has resulted in much speculation among scholars.
Albius Tibullus was a Latin poet and writer of elegies. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins.
Sextus Propertius was a Latin elegiac poet of the Augustan age. He was born around 50–45 BC in Assisium and died shortly after 15 BC.
Marcus Valerius Messalla Messallinus was a Roman senator who was elected consul for 3 BC.
The Ars amatoria is an instructional elegy series in three books by the ancient Roman poet Ovid. It was written in 2 AD.
Gaius Cornelius Gallus was a Roman poet, orator, politician and military commander, at one time appointed by the Emperor Augustus as prefect of Egypt. Although only nine lines of his poetry are extant today, he was considered by Ovid as one of the major Latin poets of the 1st century BC.
Amores is Ovid's first completed book of poetry, written in elegiac couplets. It was first published in 16 BC in five books, but Ovid, by his own account, later edited it down into the three-book edition that survives today. The book follows the popular model of the erotic elegy, as made famous by figures such as Tibullus or Propertius, but is often subversive and humorous with these tropes, exaggerating common motifs and devices to the point of absurdity.
Ibis is a curse poem by the Roman poet Ovid, written during his years in exile at the port of Tomis on the Black Sea. It is "a stream of violent but extremely learned abuse", modeled on a lost poem of the same title by the Greek Alexandrian poet Callimachus.
Epistulae ex Ponto is a work of Ovid, in four books. It is a collection of letters describing Ovid's exile in Tomis written in elegiac couplets and addressed to his wife and friends. The first three books were composed between 12 and 13 AD, according to the general academic consensus: "none of these elegies contains references to events falling outside that time span". The fourth book is believed to have been published posthumously.
Aemilius Macer of Verona was a Roman didactic poet. He authored two poems, one on birds (Ornithogonia), a translation of a work by Boios, and the other on the antidotes against the poison of serpents (Theriaca), which he imitated from the Greek poet Nicander of Colophon. According to Jerome, he died in 16 BC. It is possible that he wrote also a botanical work. The extant hexameter poem known as Floridus or De viribus herbarum, traditionally ascribed to Macer, is actually a medieval production by Odo Magdunensis, a French physician.
The poetry of Gaius Valerius Catullus was written towards the end of the Roman Republic in the period between 62 and 54 BC.
The Fasti, sometimes translated as The Book of Days or On the Roman Calendar, is a six-book Latin poem written by the Roman poet Ovid and published in AD 8. Ovid is believed to have left the Fasti incomplete when he was exiled to Tomis by the emperor Augustus in 8 AD. Written in elegiac couplets and drawing on conventions of Greek and Latin didactic poetry, the Fasti is structured as a series of eye-witness reports and interviews by the first-person vates with Roman deities, who explain the origins of Roman holidays and associated customs—often with multiple aetiologies. The poem is a significant, and in some cases unique, source of fact in studies of religion in ancient Rome; and the influential anthropologist and ritualist J.G. Frazer translated and annotated the work for the Loeb Classical Library series. Each book covers one month, January through June, of the Roman calendar, and was written several years after Julius Caesar replaced the old system of Roman time-keeping with what would come to be known as the Julian calendar.
Sabinus was a Latin poet and friend of Ovid. He is known only from two passages of Ovid's works.
Ovid Among the Scythians is the title of two oil paintings by the French artist Eugène Delacroix, executed in 1859 and 1862. The less famous second version was painted to integrate the figures and landscape and rectified the problems of scale of the first version, which had an unusual composition and strange scale of the characters, provoking negative criticism, even among Delacroix's admirers such as Charles Baudelaire and Théophile Gautier, although artists such as Edgar Degas were deeply impressed.
Augustan literature is a period of Latin literature written during the reign of Augustus, the first Roman emperor. In literary histories of the first part of the 20th century and earlier, Augustan literature was regarded along with that of the Late Republic as constituting the Golden Age of Latin literature, a period of stylistic classicism.
Ovid, the Latin poet of the Roman Empire, was banished in 8 AD from Rome to Tomis by decree of the emperor Augustus. The reasons for his banishment are uncertain. Ovid's exile is related by the poet himself, and also in brief references to the event by Pliny the Elder and Statius. At the time, Tomis was a remote town on the edge of the civilized world; it was loosely under the authority of the Kingdom of Thrace, and was superficially Hellenized. According to Ovid, none of its citizens spoke Latin, which as an educated Roman, he found trying. Ovid wrote that the cause of his exile was carmen et error, probably the Ars Amatoria and a personal indiscretion or mistake. The council of the city of Rome revoked his exile in December 2017, 2,009 years after his banishment.
Pegasides were nymphs of Greek mythology connected with wells and springs, specifically those that the mythical horse Pegasus created by striking the ground with his hooves.
Jennifer Ingleheart is a British classical scholar, who is known for her work on Ovid, Classical reception, and the influence of Rome on the modern understanding of homosexuality. She is Professor of Latin at the University of Durham.