Unknown Sender is a 1950 West German comedy film directed by Ákos Ráthonyi and starring Henny Porten, Bruni Löbel and Cornell Borchers. It was shot at the Wandsbek Studios in Hamburg. The film's sets were designed by the art director Mathias Matthies.
The Big Game is a 1942 German sports film directed by Robert A. Stemmle and starring René Deltgen, Gustav Knuth and Heinz Engelmann. It featured famous German footballers of the era. National coach Sepp Herberger arranged for many German international footballers to be recalled from fighting in the Second World War, ostensibly to improve the quality of the film, but actually to try to protect them from the horrors of war.
Fräulein Veronika is a 1936 Austrian-Swiss comedy film directed by Veit Harlan and starring Thekla Ahrens, Carl Esmond and Hans Moser. It is based on the play Veronika by Fritz Peter Buch. The film is sometimes known by the alternative title Alles für Veronika. It was shot at the Hunnia Studios in Budapest. It premiered in Vienna in August 1936, then opened in Munich in December, and Berlin in February 1937.
Lotte is a 1928 German silent film directed by Carl Froelich and starring Henny Porten, Walter Jankuhn and Hermann Vallentin. Lotte, a young woman from an aristocratic background, masquerades as a poor person. Art direction was by Franz Schroedter.
The Violet of Potsdamer Platz is a 1936 German drama film directed by Johann Alexander Hübler-Kahla and starring Rotraut Richter, Margarete Kupfer and Else Elster. It was shot at the Marienfelde Studios in Berlin. The film's sets were designed by the art directors Gustav A. Knauer and Alexander Mügge.
Mother and Child is a 1934 German drama film directed by Hans Steinhoff and starring Henny Porten, Peter Voß, and Elisabeth Wendt. It is a sound remake of the 1924 silent film Mother and Child which had been a major hit for Porten. Franz Schroedter worked as art director on the film.
Trouble Backstairs is a 1949 West German comedy film directed by Erich Kobler and starring Paul Dahlke, Fita Benkhoff and Ursula Herking. It was based on a play of the same title by Maximilian Böttcher, which had previously been turned into the 1935 film Trouble Backstairs.
The Buchholz Family is a 1944 German drama film directed by Carl Froelich and starring Henny Porten, Paul Westermeier, and Käthe Dyckhoff. It is a family chronicle set in late nineteenth century Berlin. It is based on an 1884 novel by Julius Stinde. It was followed by a second part Marriage of Affection, released the same year. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Walter Haag.
Hilde Sessak was a German actress who appeared in more than ninety film and television series during her career. She appeared in a number of films during the Nazi era including Quax the Crash Pilot (1941).
Peter, Paul and Nanette is a 1935 German comedy film directed by Erich Engels and starring Hermann Thimig, Hans Junkermann and Hilde Krüger.
Don't Lose Heart, Suzanne! is a 1935 German drama film directed by Arzén von Cserépy, and starring Jessie Vihrog, Veit Harlan, and Willi Schur.
A Mother's Love is a 1929 German silent drama film directed by Georg Jacoby and starring Henny Porten, Gustav Diessl, and Paul Henckels. It was shot at the Staaken Studios in Berlin and on location in Pomerania. The film's sets were designed by Gustav A. Knauer and Willy Schiller.
The Woman Everyone Loves Is You is a 1929 German silent film directed by Carl Froelich and starring Henny Porten, Fritz Kampers and Paul Hörbiger.
Marriage of Affection is a 1944 German historical drama film directed by Carl Froelich and starring Henny Porten, Elisabeth Flickenschildt and Käthe Dyckhoff. It was released as a direct sequel to The Buchholz Family.
Three Men in the Snow is a 1974 German comedy film directed by Alfred Vohrer and starring Klaus Schwarzkopf, Roberto Blanco and Thomas Fritsch. It is an adaptation of the novel of the same title by Erich Kästner.
The Guilt of Doctor Homma is a 1951 West German crime film directed by Paul Verhoeven and starring Werner Hinz, Ilse Steppat and Viktoria von Ballasko. It was shot at Göttingen Studios and on location around Hanover. The film's sets were designed by the art director Erich Grave.
A Drive into the Blue is a 1919 German silent comedy film directed by Rudolf Biebrach and starring Henny Porten, Georg Alexander, and Jakob Tiedtke.
Every Day Isn't Sunday is a 1935 German comedy film directed by Walter Janssen and starring Adele Sandrock, Wolfgang Liebeneiner and Carola Höhn. It shares its name with an unrelated 1959 film of the same title. Both films feature the popular song of the same name by Carl Clewing. It was shot at the EFA Studios in Berlin. The film's sets were designed by the art director Heinrich Richter.
Before God and Man is a 1955 West German drama film directed by Erich Engel and starring Viktor de Kowa, Antje Weisgerber and Hans Söhnker. It was shot at the Tempelhof Studios in West Berlin. The film's sets were designed by the art directors Emil Hasler and Walter Kutz.
