True as a Turtle | |
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Directed by | Wendy Toye |
Written by |
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Produced by | Peter De Sarigny |
Starring | |
Cinematography | Reginald H. Wyer |
Edited by | Manuel del Campo |
Music by | Robert Farnon |
Production company | |
Distributed by | J. Arthur Rank Film Distributors (UK) |
Release date |
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Running time | 96 minutes |
Country | United Kingdom |
Language | English |
True as a Turtle is a 1957 British comedy film directed by Wendy Toye and starring John Gregson, Cecil Parker, June Thorburn and Keith Michell. [1] The screenplay was by John Coates, Jack Davies and Nicholas Phipps, based on the 1957 novel of the same title by Coates.
A young couple embark on a voyage on a ketch named Turtle. [2]
The England maritime location for shooting was mainly the River Hamble; the yacht club shown is the Royal Lymington Yacht Club.[ citation needed ]
The Monthly Film Bulletin wrote: "With yachts taking the place of veteran cars, this slight comedy is somewhat reminiscent of Genevieve . However, it sadly lacks the wit and pace of the earlier film, being conventionally scripted and slackly handled. The cast work conscientiously through some well-tried farcical situations but can make little lasting impression." [3]
Harold Thomas Gregson, known professionally as John Gregson, was an English actor of stage, television and film, with 40 credited film roles. He was best known for his crime drama and comedy roles.
Cecil Parker was an English actor with a distinctively husky voice, who usually played supporting roles, often characters with a supercilious demeanour, in his 91 films made between 1928 and 1969.
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Touch and Go is a 1955 British comedy film directed by Michael Truman, and starring Jack Hawkins, Margaret Johnston, and June Thorburn.
Rooney is a 1958 British comedy film directed by George Pollock and starring John Gregson, Muriel Pavlow and Barry Fitzgerald. It was based on the 1957 novel of the same name by Catherine Cookson.
Dear Mr. Prohack is a 1949 British comedy film directed by Thornton Freeland and starring Cecil Parker, Glynis Johns and Dirk Bogarde. It is a modern-day version of Arnold Bennett's 1922 novel Mr Prohack, as adapted in the play by Edward Knoblock.
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