Reverb is a weekly HBO music television series spotlighting emerging talent that ran for four seasons (1997–2001). Reverb captured the energy and spontaneity of live music by taking viewers on stage, backstage, and into the audience at some of the premier venues in the United States. Joining artists on tour, without special staging or second takes, Reverb created an unfiltered, authentic and intimate experience where the viewer became part of the live show dynamic between artist and fan. During its run, the show became the highest-rated, regularly scheduled music program on television. A joint effort of HBO and Warner Music Group, Reverb featured a wide variety of artists from major and independent record labels. Vanity Fair magazine called the show "a brilliant showcase of underground favorites."
George Emanuel Lewis is an American composer, performer, and scholar of experimental music. He has been a member of the Association for the Advancement of Creative Musicians (AACM) since 1971, when he joined the organization at the age of 19. He is renowned for his work as an improvising trombonist and considered a pioneer of computer music, which he began pursuing in the late 1970s; in the 1980s he created Voyager, an improvising software he has used in interactive performances. Lewis's many honors include a MacArthur Fellowship and a Guggenheim Fellowship, and his book A Power Stronger Than Itself: The AACM and American Experimental Music received the American Book Award. Lewis is the Edwin H. Case Professor of American Music, Composition & Historical Musicology at Columbia University.
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. As the organization undergoes a multi-year renovation it is currently sited at a satellite loft space in the West Village located at 163B Bank Street, where exhibitions and performances are regularly held. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location.
Bang on a Can is a multi-faceted contemporary classical music organization based in New York City. It was founded in 1987 by three American composers who remain its artistic directors: Julia Wolfe, David Lang, and Michael Gordon. Called "the country's most important vehicle for contemporary music" by the San Francisco Chronicle, the organization focuses on the presentation of new concert music, and has presented hundreds of musical events worldwide.
Musical collective is a phrase used to describe a group of musicians in which membership is flexible and creative control is shared. The concept is distinct from that of a traditional band in that musical collectives allow for flexibility in their rosters, and members are free to rotate in and out of the line-up. Collectives may exist in almost any genre of music, although they have been especially prominent in indie rock and hip hop.
Gamelan Sekar Jaya is a Balinese gamelan ensemble located in the San Francisco Bay Area. It has been called "the finest Balinese gamelan ensemble outside of Indonesia" by Indonesia's Tempo Magazine. It performs the music and dance of Bali in many different genres of Balinese gamelan, mainly gamelan gong kebyar, gamelan angklung, gender wayang, and gamelan jegog. Past performances have also featured ensembles playing in other styles as well, including gamelan joged bumbung, gamelan semar pegulingan, kecak, gender batel, gamelan gambuh, genggong, and beleganjur. GSJ has also performed contemporary pieces featuring instruments from the Western tradition.
Byzar is an American experimental electronic music ensemble, considered one of the founders of the Illbient genre, along with DJ Spooky, Sub Dub, We, and the Soundlab collective, active in the New York experimental dance/electronic music scene during the 1990s.
Pamela Z is an American composer, performer, and media artist best known for her solo works for voice with electronic processing. In performance, she combines various vocal sounds including operatic bel canto, experimental extended techniques and spoken word, with samples and sounds generated by manipulating found objects. Z's musical aesthetic is one of sonic accretion, and she typically processes her voice in real time through the software program Max on a MacBook Pro as a means of layering, looping, and altering her live vocal sound. Her performance work often includes video projections and special controllers with sensors that allow her to use physical gestures to manipulate the sound and projected media.
Hans Fjellestad is an American pianist, music composer and documentary filmmaker based in Los Angeles.
Joseph Martin Waters(born 1952) is an American classical composer. He also mounts experimental electronic music festivals attempting to bridge the gap between contemporary popular genres and the avant-garde Western classical tradition.
The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) is a multi-venue arts center at Rensselaer Polytechnic Institute in Troy, New York, which opened on October 3, 2008. The building is named after Curtis Priem, co-founder of NVIDIA and graduate of the RPI Class of 1982, who donated $40 million to the Institute in 2004.
Prashant Bhargava was an Indian-American filmmaker and designer. He died of a heart attack from a history of heart trouble. Bhargava's short film Sangam, described by Greg Tate of the Village Voice as "an elegant and poetic evocation of immigrant angst, memory and haunted spirituality", premiered at the Sundance Film Festival, and PBS. His other directorial efforts include the documentary portrait of his grandmother Ammaji, experimental Super 8 short Backwaters and the poignant and meditative Kashmir, an audiovisual performance with band Dawn of Midi
Merriweather Post Pavilion is the eighth studio album by American experimental pop group Animal Collective, released on January 6, 2009, through Domino Records. The group recorded the album as a trio featuring members Panda Bear, Avey Tare and Geologist, with co-production by Ben H. Allen. It is titled after the Maryland venue of the same name, where Portner and Weitz attended concerts in their youth.
Jason Robinson is an American composer, saxophonist, flutist, scholar, and educator. His music is rooted in the jazz tradition but draws on wide ranging influences and approaches.
Animal Collective is an American experimental pop band formed in Baltimore, Maryland. Its members consist of Avey Tare, Panda Bear, Geologist, and Deakin. The band's work is characterized by an eclectic exploration of styles, including psychedelia, freak folk, noise, and electronica, with the use of elements such as loops, drones, sampling, vocal harmonies, and sound collage. AllMusic's Fred Thomas suggests that the group "defined the face of independent experimental rock during the 2000s and 2010s."
Contraband, a collection of artists led by director/choreographer Sara Shelton Mann, was a dance-based, live performance ensemble, working together from 1985 to the mid 1990s. Based mainly in San Francisco, the group became known for its lively, electrifying performances, often politically charged and community-engaging. By utilizing dance, music, set, text/spoken word, and site-specific work, Contraband came to develop a cross-disciplinary performance aesthetic, as well as approach to dance and dance training, that would have a profound influence on Bay Area dance, performance art, and culture, as well as performance practice abroad.
The Goat Farm Arts Center is a visual and performing arts center located in West Midtown, Atlanta, Georgia. The center is housed in a 19th-century complex of industrial buildings and contains the studio space of over 300 artists. Goat Farm hosts music concerts, traditional and experimental theatrical performances, film screenings, contemporary dance performances, art exhibitions, artist residency programs, and professional ballet and contemporary dance classes. It is also home to resident performance companies gloATL, Saiah Theater, and The Collective Project.
Z Space is a regional theater and performing arts company located in the Mission District of San Francisco, California. Z Space is one of the leading laboratories for developing new voices, new works, and new opportunities in the American theater. In addition to commissioning and producing its own works, Z Space also presents productions created by other organizations.
Degenerate Art Ensemble is a Seattle-based multi-art performance company whose work is inspired by punk, comics, cinema, nightmares and fairy tales driven by live music and visceral movement theater and dance. The group was founded and is co-directed by dancer/performer/director Haruko Nishimura and composer/conductor/performer Joshua Kohl. Degenerate Art Ensemble is both a multi-discipline performance company and a band, having performed major dance and live music works, orchestral concerts, rock shows and site-specific street spectacles.
Fernanda Aoki Navarro is a composer, multimedia artist and educator. Her music has been performed by major ensembles and soloist, her instrumental music, electronic works, and installations had been performed and exhibited in the United States, Latin-America, and Europe. Her works have been performed across the globe by many renowned ensembles including the New York Philharmonic and the International Contemporary Ensemble.
