A Tudor money box (or Tudor money pot) is a glazed earthenware container used in late Medieval Britain as a small, portable bank for collecting and saving money. The typical money box was a round, sealed, green-glazed pot with a vertical coin slot. These sturdy, small pots were commonly used by Elizabethan theatres to collect ticket earnings. Money would be retrieved from the full money box by breaking it open and destroying the pot.
The small ceramic money box was typically spherical in shape. By the 16th century, the form included a tapering, bell-shaped, knobbed top. The container was completely sealed with a narrow coin slot on the side. [1] The glazed, ceramic pots were produced in Surrey and near the Surrey-Hampshire borders. [2] Individual pots were made by white-firing earthenware and then decorating each item with a coloured glaze, known as "Tudor Green". The distinctive colour was created by adding powdered copper to a clear, lead glaze. The glazed pot would range in colour from dark green to yellow-green, depending upon the colour of the clay and thickness of the glaze. [3]
Tudor money boxes were used as small, inexpensive collecting and savings banks in Britain from the 1300s to the 1600s. [4] They were in service during the Elizabethan era by London and surrounding area theatres to collect ticket money from customers. When the money pot was full, it was destroyed to retrieve the coins. In 1988 and in 2010, the Museum of London Archaeology (MOLA) uncovered many Tudor money box fragments during excavation at the site of the Elizabethan period Rose Theatre in London. Original, unbroken money boxes are quite rare. [1] [5]
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a potter is also called a pottery. The definition of pottery, used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Clay as a part of the materials used is required by some definitions of pottery, but this is dubious.
Piggy bank is the traditional name of a coin container normally used by children. The piggy bank is known to collectors as a "still bank" as opposed to the "mechanical banks" popular in the early 20th century. These items are also often used by companies for promotional purposes. The use of the name 'piggy bank' gave rise to its widely recognized 'pig' shape, and many financial service companies use piggy banks as logos for their savings products.
Celadon is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware" ), and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains. Celadon originated in China, though the term is purely European, and notable kilns such as the Longquan kiln in Zhejiang province are renowned for their celadon glazes. Celadon production later spread to other parts of East Asia, such as Japan and Korea as well as Southeast Asian countries such as Thailand. Eventually, European potteries produced some pieces, but it was never a major element there. Finer pieces are in porcelain, but both the color and the glaze can be produced in stoneware and earthenware. Most of the earlier Longquan celadon is on the border of stoneware and porcelain, meeting the Chinese but not the European definitions of porcelain.
The Curtain Theatre was an Elizabethan playhouse located in Hewett Street, Shoreditch, just outside the City of London. It opened in 1577, and continued staging plays until 1624.
Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. Sodium from the salt reacts with silica in the clay body to form a glassy coating of sodium silicate. The glaze may be colourless or may be coloured various shades of brown, blue, or purple.
Creamware is a cream-coloured refined earthenware with a lead glaze over a pale body, known in France as faïence fine, in the Netherlands as Engels porselein, and in Italy as terraglia inglese. It was created about 1750 by the potters of Staffordshire, England, who refined the materials and techniques of salt-glazed earthenware towards a finer, thinner, whiter body with a brilliant glassy lead glaze, which proved so ideal for domestic ware that it supplanted white salt-glaze wares by about 1780. It was popular until the 1840s.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long period of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it's decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. A lot of talented Korean potters were captured to Japan after the porcelain war in 1592–1598. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. Pottery decorated using the technique is known as transferware or transfer ware.
The Van Tilburg Collection is an art collection at the University of Pretoria that comprises 17th and 18th century furniture, paintings, Delft ceramics and other works of art, and includes the largest South African collection of Chinese ceramic objects. The oriental ceramic collection comprises 1699 pieces of earthenware, stoneware and porcelain dating from about 2000 BC until the early twentieth century.
Chinese ceramics show a continuous development since pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the Palaeolithic era. Chinese ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage.
Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted.
Mechanical banks are small containers with a decorative mechanical action, used to store coins. They were originally intended to promote saving money among children in the mid-19th century. Frequently made of cast iron, mechanical banks were often creatively designed, depicting historical, legendary or everyday events to increase their appeal. Each bank performed a stunt or an action when a coin was dropped into a slot and a lever was pulled. The banks quickly became popular with children and adults alike and soon became a sought-after collector's item.
This is a list of pottery and ceramic terms.
Sancai is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown, green, and a creamy off-white. It is particularly associated with the Tang Dynasty (618–907) and its tomb figures, appearing around 700. Therefore, it is commonly referred to as Chinese: 唐三彩 Tang Sancai in Chinese. Tang sancai wares were sometimes referred in China and the West as egg-and-spinach by dealers, for their use of green, yellow, and white, especially when combined with a streaked effect.
Piti is an Azerbaijani soup in the cuisines of the South Caucasus, its bordering nations, and Central Asia, and is prepared in the oven in individual crocks with a glazed interior. It is made with mutton and vegetables, infused with saffron water to add flavour and colour, all covered by a lump of fat, and cooked in a sealed crock. Piti is served in the crock, usually accompanied by an additional plate for "disassembling" the meat and the liquid part with vegetables, which may be eaten separately as the first and second (meat) course meal.
Chinese legend has it that the money tree is a type of holy tree that can bring money and fortune to the people, and that it is a symbol of affluence, nobility and auspiciousness. It can be traced back to primitive societies when the adoration of a holy tree was prevalent. Whilst Money trees may be derived from the Sun tree myth associated with paradise, the coins link paradise with a material bounty in this world. According to the existing historical narratives, the concept of the "money tree" is derived at the latest from the Han Dynasty. Cast-bronze money trees are a conspicuous feature of Han tombs in Sichuan.
Majapahit Terracotta is the terracotta art and craft dated from Majapahit era circa 13th to 15th century. Significant terracotta earthenware artifacts from this period were discovered in Trowulan, East Java.
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery.
Surrey whiteware or Surrey white ware, is a type of lead-glazed pottery produced in Britain from the 13th to the 16th centuries. The white-fired sandy earthenware was produced largely from kilns in Surrey and along the Surrey-Hampshire border. Surrey whitewares were the most commonly used pottery in London during the late medieval period. There are four classes of Surrey whiteware: Kingston-type, Coarse Border ware, Cheam whiteware and Tudor Green ware.
Border ware is a type of post-medieval British pottery commonly used in London during the sixteenth and seventeenth centuries. The lead-glazed, sandy earthenware was produced from kilns along the border between Hampshire and Surrey. There are two classes of Border ware, fine whitewares and fine redwares.