Tuesday in November | |
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Directed by | John Houseman |
Music by | Virgil Thomson |
Distributed by | Office of War Information |
Release date |
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Running time | 17 minutes |
Country | United States |
Language | English |
Tuesday in November was a propaganda short about the 1944 United States presidential election produced by the Office of War information for overseas distribution. It is meant to explain how the democratic process in America works.
The film begins with a small town schoolteacher who takes the day off to supervise the local election committee with representatives of the two major parties. Their first visitor is the local milkman. The camera stops at the booth curtains, because every election in America is secret, but then takes an "imaginary" look about what goes on inside the voting booth.
The film then follows standard civics book descriptions of the three branches of government, checks and balances, and the political parties. The narrator notes two previous war time elections, 1864 and 1916, and the vigorous debate over important issues that has gone on in the country for this contest.
The Academy Film Archive preserved Tuesday in November in 2007. The film is part of the Academy War Film Collection, one of the largest collections of World War II era short films held outside government archives. [1] [2]
The United States Information Agency (USIA), which operated from 1953 to 1999, was a United States agency devoted to "public diplomacy". In 1999, prior to the reorganization of intelligence agencies by President George W. Bush, President Bill Clinton assigned USIA's cultural exchange and non-broadcasting intelligence functions to the newly created Under Secretary of State for Public Diplomacy and Public Affairs at the U.S. Department of State. USIA's broadcasting functions were moved to the newly created Broadcasting Board of Governors. The agency was previously known overseas as the United States Information Service (USIS) of the U.S. Embassy; the current name, the Public Diplomacy and Public Affairs, is sometimes translated as the Public Relations and Cultural Exchange Agency.
Education for Death: The Making of the Nazi is an animated propaganda short film produced by Walt Disney Productions and released on January 15, 1943, by RKO Radio Pictures, directed by Clyde Geronimi and principally animated by Milt Kahl, Ward Kimball, Frank Thomas, and Bill Tytla. The short is based on the non-fiction book of the same name by American author Gregor Ziemer. The film features the story of Hans, a boy born and raised in Nazi Germany, his indoctrination in the Hitlerjugend, and his eventual march to war.
Richard Howard Stafford Crossman, sometimes known as Dick Crossman, was a British Labour Party politician. A university classics lecturer by profession, he was elected a Member of Parliament in 1945 and became a significant figure among the party's advocates of Zionism. He was a Bevanite on the left of the party, and a long-serving member of Labour's National Executive Committee (NEC) from 1952.
Charles Frederick Gurney Masterman PC was a British radical Liberal Party politician, intellectual and man of letters. He worked closely with such Liberal leaders as David Lloyd George and Winston Churchill in designing social welfare projects, including the National Insurance Act 1911. During the First World War he played a central role in the main government propaganda agency.
Hearts and Minds is a 1974 American documentary film about the Vietnam War directed by Peter Davis. The film's title is based on a quote from President Lyndon B. Johnson: "the ultimate victory will depend on the hearts and minds of the people who actually live out there". The movie was chosen as the winner of the Oscar for Best Documentary at the 47th Academy Awards presented in 1975.
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Gracias Amigos was a 1944 propaganda short produced by the Office of the Coordinator of Inter-American Affairs to educate the American public about the contributions of Latin America during World War II.
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Library of Congress is a 1945 American short documentary film about the Library of Congress, directed by Alexander Hammid, and produced by the Office of War Information. It was nominated for an Academy Award for Best Documentary Short.
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