Tuloni Biya | |
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Location(s) | Assam |
Country | India |
Tuloni biya, also referred to as Xoru Biya, Nua-tuloni, or Santi Biya, is a traditional Assamese Hindu ceremony that marks the attainment of puberty in girls [1] [2] and celebrates the girl's transition from childhood to womanhood. [3] [4] The Tuloni biya, which translates to "small wedding", [5] [6] is accompanied by a multitude of rituals and traditions, all rooted in the concepts of purity and separation. [7]
One theory is that the name comes from the Assamese words "tuli" (to lift or raise) and "biya" (marriage). This suggests that Tuloni Biya is a ceremony that marks the girl's transition from childhood to womanhood, and her readiness for marriage. [8]
The ceremony is typically held seven days after the girl's first menstruation. [9] The family of the girl sends out invitations to loved ones, inviting them to share their blessings and celebrate the beginning of her new life chapter. [7]
The girl is confined to a specific room for the first few days, with all other areas considered off-limits to her. On one day, the ladies of the community preparing for “Pani tula ritual” which means collecting the sacred water for the ceremonial bath, the girl is bathed in sandalwood, adorned in the traditional silk mekhela sador, complemented by the wearing of ornate jewelry for the wedding, and her hair is braided. [7] She is then seated on an elevated platform called the "Vivah Mandap," with family and friends surrounding her. [10]
A priest performs a puja, or religious ceremony, to invoke the blessings of the gods, and the girl is married to a banana tree in a mock wedding. [11] During this event, neighboring families' women gather to sing traditional folk songs, which convey specific teachings to the young girl. [9] The girl is then given gifts of money, jewelry, and clothing. [7]
Bihu is a set of three important cultural festivals unique to the Indian state of Assam – 'Rongali' or 'Bohag Bihu' observed in April, 'Kongali' or 'Kati Bihu' observed in October or November, and 'Bhogali' or 'Magh Bihu' observed in January. The festivals present an admixture of Tibeto-Burman, Austroasiatic and Indo-Aryan traditions entwined so intricately that it is impossible to separate them—festivals which are uniquely Assamese to which all communities of Assam had contributed elements. The Rongali Bihu is the most important of the three, celebrating spring festival. The Bhogali Bihu or the Magh Bihu is a harvest festival, with community feasts. The Kongali Bihu or the Kati Bihu is the sombre, thrifty one reflecting a season of short supplies and is an animistic festival.
The Navajo song ceremonial complex is a spiritual practice used by certain Navajo ceremonial people to restore and maintain balance and harmony in the lives of the people. One half of the ceremonial complex is the Blessing Way, while the other half is the Enemy Way.
Assamese cinema, is an Indian film industry of Assamese-language. It is based in Assam, India. The industry was born in 1935 when Jyoti Prasad Agarwala released his movie Joymoti. Since then the Assamese cinema has developed a slow-paced, sensitive style. In beginning the industry were called Jollywood, named for Agarwala's Jyoti Chitraban Film Studio.
A Vivaha Mandapa, also referred to as Kalyana Mandapa or simply Wedding mandapa is a mandapa (pavilion) temporarily erected for the purpose of a Hindu or Jain wedding. It is the term used for the wedding canopy in Dharmic religions. The main wedding ceremonies take place under this mandapa. Vivaha Mandapas have historically also been featured adjacent to Hindu temples to commemorate the wedding of Hindu deities, such as Rama and Sita.
Kalita is an ethnic group or a caste of Assamese Hindus belonging to the state of Assam in North East India. Kalita is a forward caste and belongs to General or Unreserved category. Kalita represents a category in the tribe-caste continuum of Assamese society that is placed between the Keot on one side and Ganak and Brahmin on the other. According to historians like S.L.Barua, Kalitas started migrating from North and East India to Assam during the 11th century rule of Dharmapal.
The seclusion of girls at puberty has been practised in societies around the world, especially prior to the early 20th century. In such cultures, girls' puberty held more significance than boys' due to menstruation, the girl's potential for giving birth, and widespread ideas of ritual purification related to the sacred power of blood. These societies practised various rites of passage, many of which lost their original forms or completely disappeared with the emergence of modern trends such as industrialization.
Half sari function or Langa Voni Telugu: లంగా ఓణి, Pavadai Dhavani Tamil: பாவாடை தாவணி, Langa Davani Kannada: ಲಂಗ ದಾವಣಿ. In South Indian Hindu tradition, the Ritu Kala Samskara ceremony or Ritushuddhi is a ceremony performed when a girl wears a sari for the first time because. It is the celebration of when a girl's rite of passage after menarche or period, and she is deemed a young woman both physically and spiritually. Langa voni is traditional clothing for unmarried girls in South India.
Ihi, Ehee is a ceremony in the Newar community in Nepal in which pre-adolescent girls are "married" to the Suvarna Kumar which is a symbol of the god Vishnu, ensuring that the girl becomes and remains fertile. It is believed that if the girl's husband dies later in her life, she is not considered a widow because she is married to Vishnu, and so already has a husband that is believed to be still alive. This was basically done to dodge the tradition of 'Sati Pratha', where after the husband dies, the widow sacrifices herself in the burning fire.
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Chandradhar Barua was a writer, poet, dramatist and lyricist from Assam of Jonaki Era, the age of romanticism of Assamese literature. Barua was born at Dergaon, Golaghat, Assam on 15 October 1878. He was second president of the Asam Sahitya Sabha in 1918 held at Goalpara. He was the founder secretary of Asam Sahitya Sabha Patrika, an official journal of the Asam Sahitya Sabha established at 1927 and held in that position till 1936. He also represented India at the Round Table Conference held at London in 1930.
Ananda Chandra Barua (1907–1983) was a writer, poet, playwright, translator, journalist and actor from Assam. He is popularly known as Bokulbonor Kobi in Assamese literacy society. He was honoured with, most notably the Padma Shri title and Sahitya Akademi award.
Rai Bahadur Surya Kumar Bhuyan MBE (1892–1964) was a writer, historian, educator, social activist, storyteller, essayist, professor and a poet from Assam. He has written many books on ancient history, stories, essays, biographies, etc. in the world of Assamese literature. He presided over the Asam Sahitya Sabha (1953) held at Shillong. He was the elected member of Rajya Sabha during 1952–53, and was awarded the Padma Shri by the Government of India in 1956.
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