Djoser was an ancient Egyptian pharaoh of the 3rd Dynasty during the Old Kingdom, and was the founder of that epoch. He is also known by his Hellenized names Tosorthros and Sesorthos. He was the son of King Khasekhemwy and Queen Nimaathap, but whether he was also the direct successor to their throne is unclear. Most Ramesside king lists identify a king named Nebka as preceding him, but there are difficulties in connecting that name with contemporary Horus names, so some Egyptologists question the received throne sequence. Djoser is known for his step pyramid, which is the earliest colossal stone building in ancient Egypt.
Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes. The ubiquity of such imagery and items indicates that the treatment of sexuality in ancient Rome was more relaxed than in current Western culture. However, much of what might strike modern viewers as erotic imagery, such as oversized phalluses, could arguably be fertility imagery. Depictions of the phallus, for example, could be used in gardens to encourage the production of fertile plants. This clash of cultures led to many erotic artefacts from Pompeii being locked away from the public for nearly 200 years.
The Book of the Dead is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom to around 50 BC. The original Egyptian name for the text, transliterated r(ꜣ)w n(y)w prt m hrw(w), is translated as Book of Coming Forth by Day or Book of Emerging Forth into the Light. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. In 1842, the Egyptologist Karl Richard Lepsius introduced for these texts the German name Todtenbuch, translated to English as 'Book of the Dead'.
The Elephantine Papyri and Ostraca consist of thousands of documents from the Egyptian border fortresses of Elephantine and Aswan, which yielded hundreds of papyri and ostraca in hieratic and demotic Egyptian, Aramaic, Koine Greek, Latin and Coptic, spanning a period of 100 years in the 5th to 4th centuries BCE. The documents include letters and legal contracts from family and other archives, and are thus an invaluable source of knowledge for scholars of varied disciplines such as epistolography, law, society, religion, language and onomastics. The Elephantine documents include letters and legal contracts from family and other archives: divorce documents, the manumission of slaves, and other business. The dry soil of Upper Egypt preserved the documents.
Erotic art is a broad field of the visual arts that includes any artistic work intended to evoke arousal. It usually depicts human nudity or sexual activity, and has included works in various visual mediums, including drawings, engravings, films, paintings, photographs, and sculptures. Some of the earliest known works of art include erotic themes, which have recurred with varying prominence in different societies throughout history. However, it has also been widely considered taboo, with either social norms or laws restricting its creation, distribution, and possession. This is particularly the case when it is deemed pornographic, immoral, or obscene.
The Turin King List, also known as the Turin Royal Canon, is an ancient Egyptian hieratic papyrus thought to date from the reign of Pharaoh Ramesses II, now in the Museo Egizio in Turin. The papyrus is the most extensive list available of kings compiled by the ancient Egyptians, and is the basis for most chronology before the reign of Ramesses II.
Usermaatre Heqamaatre Setepenamun Ramesses IV was the third pharaoh of the Twentieth Dynasty of the New Kingdom of Ancient Egypt. He was the second son of Ramesses III and became crown prince when his elder brother Amenherkhepshef died aged 15 in 1164 BC, when Ramesses was only 12 years old. His promotion to crown prince:
is suggested by his appearance in a scene of the festival of Min at the Ramesses III temple at Karnak, which may have been completed by Year 22 [of his father's reign].
Menmaatre Ramesses XI reigned from 1107 BC to 1078 BC or 1077 BC and was the tenth and final pharaoh of the Twentieth Dynasty of Egypt and as such, was the last king of the New Kingdom period. He ruled Egypt for at least 29 years although some Egyptologists think he could have ruled for as long as 30. The latter figure would be up to 2 years beyond this king's highest known date of Year 10 of the Whm Mswt era or Year 28 of his reign. One scholar, Ad Thijs, has suggested that Ramesses XI could even have reigned as long as 33 years.
The Eighth Dynasty of ancient Egypt is a poorly known and short-lived line of pharaohs reigning in rapid succession in the early 22nd century BC, likely with their seat of power in Memphis. The Eighth Dynasty held sway at a time referred to as the very end of the Old Kingdom or the beginning of the First Intermediate Period. The power of the pharaohs was waning while that of the provincial governors, known as nomarchs, was increasingly important, the Egyptian state having by then effectively turned into a feudal system. In spite of close relations between the Memphite kings and powerful nomarchs, notably in Coptos, the Eighth Dynasty was eventually overthrown by the nomarchs of Heracleopolis Magna, who founded the Ninth Dynasty. The Eighth Dynasty is sometimes combined with the preceding Seventh Dynasty, owing to the lack of archeological evidence for the latter which may be fictitious.
Usermaatre Setepenre Meryamun Ramesses VII was the sixth pharaoh of the 20th Dynasty of Ancient Egypt. He reigned from about 1136 to 1129 BC and was the son of Ramesses VI. Other dates for his reign are 1138–1131 BC. The Turin Accounting Papyrus 1907+1908 is dated to Year 7 III Shemu day 26 of his reign and has been reconstructed to show that 11 full years passed from Year 5 of Ramesses VI to Year 7 of his reign.
I Modi, also known as The Sixteen Pleasures or under the Latin title De omnibus Veneris Schematibus, is a famous erotic book of the Italian Renaissance that had engravings of sexual scenes. The engravings were created in a collaboration between Giulio Romano and Marcantonio Raimondi. They were thought to have been created around 1524 to 1527.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
The Turin Papyrus Map is an ancient Egyptian map, generally considered the oldest surviving map of topographical interest from the ancient world. It is drawn on a papyrus reportedly discovered at Deir el-Medina in Thebes, collected by Bernardino Drovetti in Egypt sometime before 1824 CE and now preserved in Turin's Museo Egizio. The map was drawn around 1150 BCE by the well-known Scribe-of-the-Tomb Amennakhte, son of Ipuy. It was prepared for Ramesses IV's quarrying expedition to the Wadi Hammamat in the Eastern Desert, which exposes Precambrian rocks of the Arabian-Nubian Shield. The purpose of the expedition was to obtain blocks of bekhen-stone to be used for statues of the king.
Khaba was a pharaoh of Ancient Egypt, active during the 3rd Dynasty of the Old Kingdom period. The exact time during which Khaba ruled is unknown but may have been around 2670 BC, and almost definitely towards the end of the dynasty.
The history of erotic depictions includes paintings, sculpture, photographs, dramatic arts, music and writings that show scenes of a sexual nature throughout time. They have been created by nearly every civilization, ancient and modern. Early cultures often associated the sexual act with supernatural forces and thus their religion is intertwined with such depictions. In Asian countries such as India, Nepal, Sri Lanka, Japan and China, representations of sex and erotic art have specific spiritual meanings within native religions. The ancient Greeks and Romans produced much art and decoration of an erotic nature, much of it integrated with their religious beliefs and cultural practices.
The Judicial Papyrus of Turin is a 12th-century BCE ancient Egyptian record of the trials held against conspirators plotting to assassinate Ramesses III in what is referred to as the "Harem conspiracy". The papyrus contains mostly summaries of the accusations, convictions and punishments meted out.
Sehetepibre Sewesekhtawy was an Egyptian pharaoh of the 13th Dynasty during the early Second Intermediate Period, possibly the fifth or tenth king of the Dynasty.
The Loyalist Teaching, or The Loyalist Instructions, is an ancient Egyptian text of the sebayt ('teaching') genre. It survives in part from a stela inscription of the mid Twelfth dynasty of Egypt. The whole text can be found in papyrus scrolls of the New Kingdom period. Its authorship is uncertain, although it has been suggested that it was written by the vizier Kairsu of the early Twelfth dynasty. The text emphasizes the virtues of loyalty to the ruling pharaoh and the responsibilities one must maintain for the sake of society.
In Ancient Egyptian religion, Medjed is a minor deity mentioned in certain copies of the Book of the Dead. While not much is known about the deity, his ghost-like depiction in the Greenfield papyrus has earned him popularity in modern Japanese culture, and he has appeared as a character in video games and anime.
In ancient Egypt, there is evidence of conspiracies within the royal palace to put the reigning monarch to death. Texts are generally silent on the subject of struggles for influence, but a few historical sources, either indirect or very eloquent, depict a royal family disunited and agitated by petty grudges. Highly polygamous, Pharaoh had numerous concubines living in the harem buildings. At certain points in history, women driven by ambition and jealousy formed cabals ready to sacrifice the general interest for the particular needs of princes and courtiers in need of recognition. In the most serious cases, these factions manifested themselves by fomenting conspiracies that threatened or even shortened the life of the sovereign – all to the hoped-for benefit of a secondary wife and her eldest son in competition with the more legitimate Great Royal Wife.
