Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Richard Dean Tuttle is an American postminimalist artist known for his small, casual, subtle, intimate works. His art makes use of scale and line. His works span a range of formats, from sculpture, painting, drawing, printmaking, and artist’s books to installation and furniture. He lives and works in New York City, Abiquiú, New Mexico, and Mount Desert, Maine.
Philip Martin Pearlstein was an American painter best known for Modernist Realist nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art.
Sylvia Sleigh was a Welsh-born naturalised American realist painter who lived and worked in New York City. She is known for her role in the feminist art movement and especially for reversing traditional gender roles in her paintings of nude men, often using conventional female poses from historical paintings by male artists like Diego Vélazquez, Titian, and Jean-Auguste-Dominique Ingres. Her most well-known subjects were art critics, feminist artists, and her husband, Lawrence Alloway.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Arline Fisch is an American artist and educator. She is known for her work as a metalsmith and jeweler, pioneering the use of textile processes from crochet, knitting, plaiting, and weaving in her work in metal. She developed groundbreaking techniques for incorporating metal wire and other materials into her jewelry.
An art blog is a common type of blog that comments on art. More recently, as with other types of blogs, some art blogs have taken on 'web 2.0' social networking features. Art blogs that adopt this sort of change can develop to become a source of information on art events, a way to share information and images, or virtual meeting ground.
Sharon Louden is an American abstract artist. Her paintings, drawings, animations, sculptures, and installations are often centered on lines or linear abstractions and their implied actual movement. Through her work, she creates what she calls "anthropomorphic individuals." Although abstract and formal, she feels they have human-like aspects within their minimal state, made of simple lines and gestures. In reference to her minimalist paintings, Louden has been called "the Robert Ryman of the 21st century."
Eric Aho is an American painter living in Vermont. DC Moore Gallery in New York City represents his work.
Sharon Hayes is an American multimedia artist. She came to prominence as an artist and an activist during the East Village scene in the early '90s. She primarily works with video, installation, and performance as her medium. Using multimedia, she "appropriates, rearranges, and remixes in order to revitalize spirits of dissent". Hayes's work addresses themes such as romantic love, activism, queer theory, and politics. She incorporates texts from found speeches, recordings, songs, letters, and her own writing into her practice that she describes as “a series of performatives rather than performance.”
Rebecca Morris is an abstract painter who is known for quirky, casualist compositions using grid-like structures. In 1994 she wrote Manifesto: For Abstractionists and Friends of the Non-Objective, a tongue-in-cheek but sincere response to contemporary criticism of abstract painting. She is currently a professor of painting and drawing at UCLA. Prior to that, she lectured at numerous colleges including Columbia University, Bard College, Pasadena City College, USC's School of Fine Arts, and the University of Chicago.
Beth Lipman is a contemporary artist working in glass. She is best known for her glass still-life compositions which reference the work of 16th- and 17th-century European painters.
Milton Resnick was an American artist noted for abstract paintings that coupled scale with density of incident. It was not uncommon for some of the largest paintings to weigh in excess three hundred pounds, almost all of it pigment. He had a long and varied career, lasting about sixty-five years. He produced at least eight hundred canvases and eight thousand works on paper and board.
Steffani Jemison is an American artist, writer, and educator. Her videos and multimedia projects explore the relationship between Black embodiment, sound cultures, and vernacular practices to modernism and conceptual art. Her work has been shown at the Museum of Modern Art, Brooklyn Museum, Guggenheim Museum, Whitney Museum, Stedelijk Museum Amsterdam, and other U.S. and international venues. She is based in Brooklyn, New York and is represented by Greene Naftali, New York and Annet Gelink, Amsterdam.
Leslie Wayne is a visual artist who lives and works in New York. Wayne is best known for her "highly dimensional paintings".
Danielle Dean is a British-American visual artist. She works in drawing, installation, performance and video. She has exhibited in London and in the United States; her work was included in an exhibition at the Hammer Museum focusing on new or under-recognized artists working in Los Angeles.
Clarity Haynes is a queer feminist American artist and writer. She currently lives and works in New York, NY. Haynes is best known for her unconventional painted portraits of torsos, focusing on queer, trans, cis female and nonbinary bodies. She is a former member of the tART Collective and the Corpus VI Collective.
Sharon Butler is an American artist and arts writer. She is known for teasing out ideas about contemporary abstraction in her art and writing, particularly a style she called "new casualism" in a 2011 essay. Butler uses process as metaphor and has said in artist's talks that she is keenly interested in creating paintings as documentation of her life. In a 2014 review in the Washington Post, art critic Michael Sullivan wrote that Butler "creates sketchy, thinly painted washes that hover between representation and abstraction.Though boasting such mechanistic titles as 'Tower Vents' and 'Turbine Study,' Butler’s dreamlike renderings, which use tape to only suggest the roughest outlines of architectural forms, feel like bittersweet homages to urban decay." Critic Thomas Micchelli proposed that Butler's work shares "Rauschenberg’s dissolution of the barriers between painting and sculpture," particularly where the canvases are "stapled almost willy-nilly to the front of the stretcher bars, which are visible along the edges of some of the works."
Judith Simonian is an American artist known for her montage-like paintings and early urban public art. She began her career as a significant participant in an emergent 1980s downtown Los Angeles art scene that spawned street art and performances, galleries and institutions such as Los Angeles Contemporary Exhibitions (LACE) and Los Angeles Institute of Contemporary Art (LAICA), before moving to New York City in 1985.
Medrie MacPhee is a Canadian-American painter based in New York City. She works in distinct painting and drawing series that have explored the juncture of abstraction and representation, relationships between architecture, machines, technology and human evolution, and states of flux and transformation. In the 1990s and 2000s, she gained attention for metaphorical paintings of industrial subjects and organic-machine and bio-technological forms. In later work, she explored architectural instability before turning to semiotically dense canvases combining compartments of color and collaged pieces of garments fit together like puzzles, which New York Times critic Roberta Smith described as "powerfully flat, more literal than abstract" with "an adamant, witty physicality."
