In ancient Celtic and Gallo-Roman religion, Cernunnos or Carnonos was a god depicted with antlers, seated cross-legged, and is associated with stags, horned serpents, dogs and bulls. He is usually shown holding or wearing a torc and sometimes holding a bag of coins and a cornucopia. Believed to have originally been a Celtic god, there are more than fifty depictions and inscriptions referring to him, mainly in the north-eastern region of Gaul. Cernunnos is also associated with the Wiccan Horned God in the modern religious tradition of Wicca, via the discredited Witch-cult hypothesis.
In Gallo-Roman religion, Rosmerta was a goddess of fertility and abundance, her attributes being those of plenty such as the cornucopia. Rosmerta is attested by statues and by inscriptions. In Gaul she was often depicted with the Roman god Mercury as her consort, but is sometimes found independently.
Alisanos was a local Gallo-Roman god worshipped in what is now the Côte-d'Or in Burgundy and at Aix-en-Provence.
Artio is a Celtic bear goddess. Evidence of her worship has notably been found at Bern in Switzerland. Her name is derived from the Gaulish word for 'bear', artos.
Belisama is a Celtic goddess. She was identified by Roman commentators with Minerva by interpretatio romana.
In Gallo-Roman religion, Damona was a goddess worshipped in Gaul as the consort of Apollo Borvo and of Apollo Moritasgus.
Esus, Hesus, or Aisus was a Brittonic and Gaulish god known from two monumental statues and a line in Lucan's Bellum civile.
Grannus was a Celtic deity of classical antiquity. He was regularly identified with Apollo as Apollo Grannus and frequently worshipped in conjunction with Sirona, and sometimes with Mars and other deities.
In Celtic polytheism, Sirona was a goddess worshipped predominantly in East Central Gaul and along the Danubian limes. A healing deity, she was associated with healing springs; her attributes were snakes and eggs. She was sometimes depicted with Apollo Grannus or Apollo Borvo. She was particularly worshipped by the Treveri in the Moselle Valley.
Lugus was a deity of the Celtic pantheon. His name is rarely directly attested in inscriptions, but his importance can be inferred from place names and ethnonyms, and his nature and attributes are deduced from the distinctive iconography of Gallo-Roman inscriptions to Mercury, who is widely believed to have been identified with Lugus, and from the quasi-mythological narratives involving his later cognates, Welsh Lleu Llaw Gyffes and Irish Lugh Lámhfhada.
Alise-Sainte-Reine (Alise-Ste-Reine) is a commune in the Côte-d'Or department in the Bourgogne-Franche-Comté region of eastern France.
Visucius was a Gallo-Roman god, usually identified with Mercury. He was worshipped primarily in the east of Gaul, around Trier and on the Rhine; his name is recorded on about ten dedicatory inscriptions. One such inscription has also been found in Bordeaux. Visucius is, along with Gebrinius and Cissonius, among the most common indigenous epithets of the Gaulish Mercury.
Moritasgus is a Celtic epithet for a healing god found in four inscriptions at Alesia. In two inscriptions, he is identified with the Greco-Roman god Apollo. His consort was the goddess Damona.
Bergusia is a Celtic goddess, consort of the god Ucuetis, and worshipped with him at Alesia in Burgundy. The divine couple are named on inscriptions of the Romano-Celtic period, and an image of a divine couple has been found on the same site, the male figure bearing a hammer, the female appearing as a goddess of prosperity. This image, if it is indeed of the two deities, may indicate that Ucuetis was a patron god of craftsmen. This may be confirmed by the discovery of an epigraphic dedication to the couple, inscribed on a bronze vase and found in the cellar of a huge building: rubbish found in this underground room consisted entirely of scraps of bronze and iron and appears to have been part of the stock of metalsmiths. It is possible that this room was a sanctuary to the local crafts-deities of Alesia, and the superstructure itself may have a craft hall for metalworkers.
Intarabus was a Gaulish god in the pantheon of the Treveri and some neighbouring peoples. His name is known from nine inscriptions from a relatively compact area in what are now Belgium, Luxembourg, western Germany and eastern France. He may have been the tutelary deity of one of the three pagi (subdivisions) of the Treveri. In most cases, Intarabus is invoked alone – without any synthesis to a Roman deity, and without accompanying female deities. However, one inscription invokes him as Mars Intarabus, noting that a fanum and simulacrum of this god had been restored at Trier. Meanwhile, another inscription from Mackwiller in Alsace gives Intarabus the epithet Narius. An inscription at Ernzen in Germany has his name as [In]tarabus, while another from Foy-Noville, invokes Entarabus in conjunction with the Genius Ollodagus.
In ancient Roman religion and myth, Mars was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him, and in October, which began the season for military campaigning and ended the season for farming.
The gods and goddesses of the pre-Christian Celtic peoples are known from a variety of sources, including ancient places of worship, statues, engravings, cult objects and place or personal names. The ancient Celts appear to have had a pantheon of deities comparable to others in Indo-European religion, each linked to aspects of life and the natural world. By a process of syncretism, after the Roman conquest of Celtic areas, these became associated with their Roman equivalents, and their worship continued until Christianization. Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period. More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, although all these works were produced well after Christianization.
In Gallo-Roman religion, Sequana is the goddess of the river Seine, particularly the springs at the source of the Seine, and the Gaulish tribe the Sequani. The springs, called the Fontes Sequanae, are located in a valley in the Châtillon Plateau, to the north-west of Dijon in Burgundy, and it was here, in the 2nd or 1st century BC, that a healing shrine was established. The sanctuary was later taken over by the Romans, who built two temples, a colonnaded precinct and other related structures centred on the spring and pool. Many dedications were made to Sequana at her temple, including a large pot inscribed with her name and filled with bronze and silver models of parts of human bodies to be cured by her. Wooden and stone images of limbs, internal organs, heads, and complete bodies were offered to her in the hope of a cure, as well as numerous coins and items of jewellery. Respiratory illnesses and eye diseases were common. Pilgrims were frequently depicted as carrying offerings to the goddess, including money, fruit, or a favorite pet dog or bird.
Celtic mythology is the body of myths belonging to the Celtic peoples. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples. They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology.
