Uhlakanyana

Last updated

Uhlakayana, also known as Hlakayana, is a trickster figure featured in Xhosa and Zulu mythologies. [1] [2]

Contents

Representation

In Xhosa mythology, Uhlakayana is depicted as a child who was born with supernatural powers, including being able to shapeshift into different forms, and often appeared as both male and female. [1] [3] However, in Zulu mythology, Uhlakayana is portrayed as a dwarf-like figure in the same category as Tikdoshe. Uhlakayana also tends to take actions based on their malevolent urges. [2] [3] This interpretation differs slightly in Xhosa mythology, where Uhlakayana’s intentions are described as neutral rather than intentionally malicious, though they are capable of great cruelty. [3] [4]

Legends

According to Xhosa myths, Uhlakayana was the child of a village chief’s wife, who was the last woman in her village to bear a child. Uhlakayana spoke to their mother before they were born, asking her to give birth to him. Since they were an infant, Uhlakayana had done many schemes against the villagers, such as pretending that dogs had eaten the meat that the village men had hunted, which led them to beat their wives and children—when in reality, Uhlakayana had stolen the meat. [1]

Many of Uhlakayana’s exploits involved tricking other characters for food. [1] [3] [4] In one story, their actions led to the death of an old woman, who ended up boiling herself alive. Unknowingly, her children who visited her house ended up eating the grandmother’s corpse. [1] [4] There had been stories where Uhlakayana was killed by the people they tricked, but the figure seemed to return to life in several of them. [1] [4]

See also

Related Research Articles

Anansi is an Akan folktale character and the god of stories, wisdom, knowledge, and trickery, most commonly depicted as a spider, in Akan religion. Taking the role of a trickster, he is also one of the most important characters of West African, African American and West Indian folklore. Originating in Ghana, these spider tales were transmitted to the Caribbean by way of the transatlantic slave trade. Anansi is best known for his ability to outsmart and triumph over more powerful opponents through his use of cunning, creativity and wit. Despite taking on a trickster role, Anansi is often portrayed as a protagonist due to his ability to transform his apparent weaknesses into virtues. He is among several West African tricksters including Br'er Rabbit and Leuk Rabbit, who have persisted in popular culture globally.

Nandi KaBhebhe was a daughter of Bhebhe, a past Elangeni chief and the mother of Shaka kaSenzangakhona, King of the Zulus.

<span class="mw-page-title-main">Shapeshifting</span> Ability to physically transform in mythology, folklore and speculative fiction

In mythology, folklore and speculative fiction, shape-shifting is the ability to physically transform oneself through an inherently superhuman ability, divine intervention, demonic manipulation, sorcery, spells or having inherited the ability. The idea of shape-shifting is in the oldest forms of totemism and shamanism, as well as the oldest existent literature and epic poems such as the Epic of Gilgamesh and the Iliad. The concept remains a common literary device in modern fantasy, children's literature and popular culture.

<span class="mw-page-title-main">Mfecane</span> 1815–1840 period of civil conflict in southern Africa

The Mfecane, also known by the Sesotho names Difaqane or Lifaqane is a historical period of heightened military conflict and migration associated with state formation and expansion in Southern Africa. The exact range of dates that comprise the Mfecane varies between sources. At its broadest the period lasted from the late eighteenth century to the mid-nineteenth century, but scholars often focus on an intensive period from the 1810s to the 1840s. The concept first emerged in the 1830s and blamed the disruption on the actions of Shaka Zulu, who was alleged to have waged near-genocidal wars that depopulated the land and sparked a chain reaction of violence as fleeing groups sought to conquer new lands. Since the later half of the 20th century, this interpretation has fallen out of favor among scholars due to a lack of historical evidence.

<span class="mw-page-title-main">La Llorona</span> Ghost legend in Latin American folklore

La Llorona is a Mexican vengeful ghost who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was cheating on her.

<span class="mw-page-title-main">Selkie</span> Mythological creature

Selkies are mythological creatures that can shapeshift between seal and human forms by removing or putting on their seal skin. They feature prominently in the oral traditions and mythology of various cultures, especially those of Celtic and Norse origin. The term “selkie” derives from the Scots word for “seal”, and is also spelled as silkies, sylkies, or selchies. Selkies are sometimes referred to as selkie folk, meaning 'seal folk'. Selkies are mainly associated with the Northern Isles of Scotland, where they are said to live as seals in the sea but shed their skin to become human on land.

Unkulunkulu (/uɲɠulun'ɠulu/), often formatted as uNkulunkulu, is a mythical ancestor, mythical predecessor group, or Supreme Creator in the language of the Zulu people. Originally a "first ancestor" figure, Unkulunkulu morphed into a creator god figure with the spread of Christianity.

<span class="mw-page-title-main">Raven Tales</span> Traditional creation stories of indigenous peoples of North America

Raven Tales are the traditional human and animal creation stories of the indigenous peoples of the Pacific Northwest Coast. They are also found among Athabaskan-speaking peoples and others. Raven stories exist in nearly all of the First Nations throughout the region but are most prominent in the tales of the Haida, Tsimshian, Tlingit and Tahltan people.

<span class="mw-page-title-main">Vusamazulu Credo Mutwa</span> South African traditional healer (1921–2020)

Vusamazulu Credo Mutwa was a Zulu sangoma from South Africa. He was known as an author of books that draw upon African mythology, traditional Zulu folklore, extraterrestrial encounters and his own personal encounters. His last work was a graphic novel called the Tree of Life Trilogy based on his writings of his most famous book, Indaba my Children. In 2018 he was honoured with an USIBA award presented by the South African Department of Arts and Culture, for his work in Indigenous Wisdom.

<span class="mw-page-title-main">Brazilian mythology</span>

Brazilian mythology is the subset of Brazilian folklore with cultural elements of diverse origin found in Brazil, comprising folk tales, traditions, characters and beliefs regarding places, people, and entities. The category was originally restricted to indigenous elements, but has been extended to include:

<span class="mw-page-title-main">Bantu peoples of South Africa</span> Ethnic descriptor in South Africa

South African Bantu-speaking peoples represent the overwhelming majority ethno-racial group of South Africans. Occasionally grouped as Bantu, the term itself is derived from the English word "people", common to many of the Bantu languages. The Oxford Dictionary of South African English describes "Bantu", when used in a contemporary usage and or racial context as "obsolescent and offensive", because of its strong association with the "white minority rule" with their apartheid system, however, Bantu is used without pejorative connotations in other parts of Africa and is still used in South Africa as the group term for the language family.

Spider Grandmother is an important figure in the mythology, oral traditions and folklore of many Native American cultures, especially in the Southwestern United States.

African-American folktales are the storytelling and oral history of enslaved African Americans during the 1700-1900s. These stories reveal life lessons, spiritual teachings, and cultural knowledge and wisdom for the African-American community which became part of their cultural heritage. During slavery, African-Americans created folk stories that spoke about the hardships of slavery and created folk spirits and heroes that were able to out wit and out smart their slaveholders and defeat their enemies. These folk stories gave hope to enslaved people that folk spirits will liberate them from slavery. Many folktales are unique to African-American culture, while others are influenced by African, European, and Native American tales.

<span class="mw-page-title-main">Xhosa people</span> Ethnic group in South Africa

The Xhosa people, or Xhosa-speaking people are a Nguni ethnic group whose traditional homeland is primarily the Cape Provinces of South Africa. They are the second largest ethnic group in Southern Africa and are native speakers of the IsiXhosa language.

<span class="mw-page-title-main">Trickster</span> Literary archetype

In mythology and the study of folklore and religion, a trickster is a character in a story who exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherwise disobey normal rules and defy conventional behavior.

<span class="mw-page-title-main">West African mythology</span> Body of mythology of the West African people

West African mythology is the body of myths of the people of West Africa. It consists of tales of various deities, beings, legendary creatures, heroes and folktales from various ethnic groups. Some of these myths traveled across the Atlantic during the period of the Trans-Atlantic slave trade to become part of Caribbean, Cuban and Brazilian mythology.

Coyote is an irresponsible and trouble-making character who is nevertheless one of the most important and revered characters in Navajo mythology. Even though Tó Neinilii is the Navajo god of rain, Coyote also has powers over rain. Coyote’s ceremonial name is Áłtsé hashké which means "first scolder". In Navajo tradition, Coyote appears in creation myths, teaching stories, and healing ceremonies.

<span class="mw-page-title-main">Agadzagadza</span> Mythological figure

Agadzagadza is a trickster figure from the mythology of the Bura people, one of the population groups of Nigeria. He is a male agama lizard and appears as part of an aetiological explanation for the origins of death in their culture.

The Cunning Servant is a comical Korean folktale about a cunning young servant who keeps tricking his master, even into marrying his master’s daughter, and ends up living happily ever after. As a socially underprivileged figure, the protagonist relies solely on his skills to turn the tables and achieve success, which tends to offer a sense of mental liberation from conventions and authority.

References

  1. 1 2 3 4 5 6 Lynch, Patricia Ann; Roberts, Jeremy (2010). African Mythology, A to Z. Infobase Publishing. p. 52. ISBN   978-1-4381-3133-7.
  2. 1 2 Sherman, Josepha (2015-03-26). Storytelling: An Encyclopedia of Mythology and Folklore. Routledge. p. 523. ISBN   978-1-317-45937-8.
  3. 1 2 3 4 Seal, Graham (2001). Encyclopedia of Folk Heroes. ABC-CLIO. p. 108. ISBN   978-1-57607-216-5.
  4. 1 2 3 4 Trickster Tales: Forty Folk Stories from Around the World. august house. 1996. pp. 28–29. ISBN   978-0-87483-450-5.