Ukrainian Night | |
---|---|
Artist | Arkhip Kuindzhi |
Year | 1876 |
Medium | oil on canvas |
Movement | Luminism |
Dimensions | 79 cm× 162 cm(31 in× 64 in) |
Location | Tretyakov Gallery, Moscow |
Ukrainian Night is an oil on canvas painting by Russian artist Arkhip Kuindzhi, from 1876. The painting is part of the collection of the Tretyakov Gallery, in Moscow (inv. 879). [1]
The painting Ukrainian Night was first shown in 1876 at the 5th exhibition of the Association of Traveling Art Exhibitions (Peredvizhniki) and was a great success there. [2] [3] It was also exhibited in the Russian Art Department at the 1878 Paris Exposition. In 1878 for this painting, along with the paintings On the Island of Valaam (1873, Tretyakov Gallery),Chumatsky tract in Mariupol (1875, Tretyakov Gallery) and Steppe (1875, Yaroslavl Art Museum), Kuindzhi was awarded the title of class artist of the 1st degree. [1]
This painting is considered a turning point in the artist's work. Starting with it, he moved away from the academic romanticism of his earlier works, and the exoticism of the image became a distinctive feature of his work. Most of the painting Ukrainian Night is painted in velvet blue-black tones, and only the light walls of the village mazanka houses in the right part of the painting shine brightly in the moonlight.
Writer Mikhail Nevedomsky, author of a biography of Kuindzhi, wrote: [2]
But the real triumph of Kuindzhi was his painting of 1876 - Ukrainian Night, which decorated, in the true sense of the word, the fifth traveling exhibition. It can be said that it was in this piece that Kuindzhi first found himself, became on his true path, revealed all the richness of his artistic individuality. It is with Ukrainian Night that we should mark the beginning of a mature period in the work of Kuindzhi....
And art historian Vladimir Petrov wrote so in his article dedicated to the 150th anniversary of the birth of Arkhip Kuindzhi: [3]
And in 1876 the painter showed himself an incomparable singer of the night steppe — the famous Ukrainian Night (GTG) appeared before the audience at the 5th Exhibition of the Peredvizhniki. The deep dark-blue sky studded with bright stars, white huts of a steppe village illuminated by moonlight, slender pyramidal poplars and a pond overgrown with reeds were painted by the artist with amazing boldness of light and color generalization and an unusual combination of "physiological" authenticity and true poetry of the image, making one not only marvel at the mastery of illusion, but also recall Pushkin's and Gogol's inspired descriptions of the "marvelous" Ukrainian night.
Ilya Yefimovich Repin was a Ukrainian-born Russian painter. He became one of the most renowned artists in Russia in the 19th century. His major works include Barge Haulers on the Volga (1873), Religious Procession in Kursk Province (1880–1883), Ivan the Terrible and His Son Ivan (1885); and Reply of the Zaporozhian Cossacks (1880–1891). He is also known for the revealing portraits he made of the leading Russian literary and artistic figures of his time, including Mikhail Glinka, Modest Mussorgsky, Pavel Tretyakov, and especially Leo Tolstoy, with whom he had a long friendship.
Ivan Konstantinovich Aivazovsky was a Russian Romantic painter who is considered one of the greatest masters of marine art. Baptized as Hovhannes Aivazian, he was born into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there.
Peredvizhniki, often called The Wanderers or The Itinerants in English, were a group of Russian realist artists who formed an artists' cooperative in protest of academic restrictions; it evolved into the Society for Travelling Art Exhibitions, in short Peredvizhniks, in 1870.
Arkhip Ivanovich Kuindzhi was a Russian landscape painter of Greek descent.
Viktor Mikhaylovich Vasnetsov was a Russian artist who specialised in mythological and historical subjects. He is considered a co-founder of Russian folklorist and romantic nationalistic painting, and a key figure in the Russian Revivalist movement.
Nikolay Nikanorovich Dubovskoy was a Russian landscape painter, associated with the Peredvizhniki. Together with Isaac Levitan, he helped create what came to be known as the "Landscape of Mood".
Konstantin Apollonovich Savitsky was a Russian realist painter born in the city of Taganrog in the village Frankovka or Baronovka, named after former governor Otto Pfeilizer-Frank. Today this area is occupied by the Taganrog Iron and Steel Factory TAGMET.
Konstantin Fyodorovich Bogaevsky was a Ukrainian and Russian painter from Crimea, notable for his Symbolist landscapes.
Alexey Petrovich Bogolyubov was a Russian landscape and seascape painter.
Mikhail Konstantinovich Clodt, Freiherr (Baron) von Jürgensburg was a Russian Realist painter.
The year 1927 was marked by many events that left an imprint on the history of Soviet and Russian Fine Arts.
The year 1928 was marked by many events that left an imprint on the history of Soviet and Russian Fine Arts.
Serhiy Svetoslavsky was a Ukrainian and Russian landscape painter, most notable for his cityscapes.
Anatoly Kaigorodov was a painter.
Aleksey Mikhailovich Korin was a Russian genre painter. He was a member of the Peredvizhniki and a professor at the Moscow School of Painting, Sculpture and Architecture.
Isaac Ilyich Levitan was a Russian classical landscape painter who advanced the genre of the "mood landscape".
Moonlit Night on the Dnieper or Moonlit Night on the Dnipro is an oil on canvas painting by Russian artist Arkhip Kuindzhi, from 1880.
Evening in Ukraine is a painting by artist Arkhip Kuindzhi, painted in 1878. The painting is part of the collection of the Russian Museum, in Saint Petersburg.
A Birch Grove is a landscape by the Russian artist Arkhip Kuindzhi (1842–1910), completed in 1879. It is kept in the State Tretyakov Gallery. The size of the painting is 97×181 cm. The canvas depicts birch trees growing in a sunny forest clearing. The unusual combinations of light and color and sharp contrast of sun and shadow create the impression of very bright sunlight. The upper part of the birches is not shown; only the trunks and small branches are visible, which stand out in light green against the background of the dark green forest. The composition is divided into two parts by a stream running through the middle.
Repair Work on the Railway is a painting by Russian artist Konstantin Savitsky (1844–1905), completed in 1874. It is held in the State Tretyakov Gallery in Moscow. The dimensions of the painting are 103 × 180.8 cm. The titles Railway Repair, Railway Workers and Repair on theRailway are also used.