| Uncle Tom and Little Eva | |
|---|---|
 | |
| Artist | Edwin Longsden Long |
| Year | 1866 |
| Location | Russell-Cotes Art Gallery & Museum, Bournemouth |
| 50°43′03″N1°52′15″W / 50.7176°N 1.8707°W | |
Uncle Tom and Little Eva is an oil on canvas painted by Edwin Longsden Long in 1866. [1] It depicts a scene from the novel Uncle Tom's Cabin . [2] The painting is kept at Russell-Cotes Art Gallery & Museum. [3]
Uncle Tom is the title character of Harriet Beecher Stowe's 1852 novel Uncle Tom's Cabin. The character was seen by many readers as a ground-breaking humanistic portrayal of a slave, one who uses nonresistance and gives his life to protect others who have escaped from slavery. However, the character also came to be seen as inexplicably kind to white slaveholders, especially based on his portrayal in pro-compassion dramatizations. This led to the use of Uncle Tom – sometimes shortened to just a Tom – as a derogatory epithet for an exceedingly subservient person or house negro, particularly one aware of his or her own lower-class racial status.
Uncle Tom's Cabin; or, Life Among the Lowly is an anti-slavery novel by American author Harriet Beecher Stowe. Published in two volumes in 1852, the novel had a profound effect on attitudes toward African Americans and slavery in the U.S., and is said to have "helped lay the groundwork for the [American] Civil War".
Harriet Elisabeth Beecher Stowe was an American author and abolitionist. She came from the religious Beecher family and became best known for her novel Uncle Tom's Cabin (1852), which depicts the harsh conditions experienced by enslaved African Americans. The book reached an audience of millions as a novel and play, and became influential in the United States and in Great Britain, energizing anti-slavery forces in the American North, while provoking widespread anger in the South. Stowe wrote 30 books, including novels, three travel memoirs, and collections of articles and letters. She was influential both for her writings as well as for her public stances and debates on social issues of the day.
A Key to Uncle Tom's Cabin is a book by American author Harriet Beecher Stowe. It was published to document the veracity of the depiction of slavery in Stowe's anti-slavery novel Uncle Tom's Cabin (1852). First published in 1853 by Jewett, Proctor & Worthington, the book also provides insights into Stowe's own views on slavery.
Anti-Tom literature consists of the 19th century pro-slavery novels and other literary works written in response to Harriet Beecher Stowe's Uncle Tom's Cabin. Also called plantation literature, these writings were generally written by authors from the Southern United States. Books in the genre attempted to show that slavery was beneficial to African Americans and that the evils of slavery as depicted in Stowe's book were overblown and incorrect.
Aunt Phillis's Cabin; or, Southern Life as It Is by Mary Henderson Eastman is a plantation fiction novel, and is perhaps the most read anti-Tom novel in American literature. It was published by Lippincott, Grambo & Co. of Philadelphia in 1852 as a response to Harriet Beecher Stowe's Uncle Tom's Cabin, published earlier that year. The novel sold 20,000–30,000 copies, far fewer than Stowe's novel, but still a strong commercial success and bestseller. Based on her growing up in Warrenton, Virginia, of an elite planter family, Eastman portrays plantation owners and slaves as mutually respectful, kind, and happy beings.
Charles Howland Hammatt Billings (1818–1874) was an artist and architect from Boston, Massachusetts.
Robert Seldon Duncanson was a 19th-century American landscapist of European and African ancestry. Inspired by famous American landscape artists like Thomas Cole, Duncanson created renowned landscape paintings and is considered a second generation Hudson River School artist. Duncanson spent the majority of his career in Cincinnati, Ohio and helped develop the Ohio River Valley landscape tradition. As a free black man in antebellum America, Duncanson engaged the abolitionist community in America and England to support and promote his work. Duncanson is considered the first African-American artist to be internationally known. He operated in the cultural circles of Cincinnati, Detroit, Montreal, and London. The primary art historical debate centered on Duncanson concerns the role that contemporary racial issues played in his work. Some art historians, like Joseph D. Ketner, believe that Duncanson used racial metaphors in his artwork, while others, like Margaret Rose Vendryes, discourage viewers from approaching his art with a racialized perspective.
Edward Winsor Kemble, usually cited as E. W. Kemble, and sometimes referred to incorrectly as Edward Windsor Kemble, was an American illustrator. He is known best for illustrating the first edition of Adventures of Huckleberry Finn and for his caricatures of African Americans.
David S. Reynolds is an American literary critic, biographer, and historian who has written about American literature and culture. He is the author or editor of fifteen books, on the Civil War era—including figures such as Walt Whitman, Abraham Lincoln, Herman Melville, Nathaniel Hawthorne, Edgar Allan Poe, Ralph Waldo Emerson, Henry David Thoreau, Emily Dickinson, Harriet Beecher Stowe, George Lippard, and John Brown. Reynolds has been awarded the Bancroft Prize, the Lincoln Prize, the Christian Gauss Award, the Ambassador Book Award, the Gustavus Myers Book Award, the John Hope Franklin Prize, and was a finalist for the National Book Critics Circle Award. He is a regular reviewer for The New York Times Book Review.
Antifanaticism: A Tale of the South is an 1853 plantation fiction novel by Martha Haines Butt.
Little Eva: The Flower of the South is an Anti-Tom children's book by American writer Philip J. Cozans. Although its publication date is unknown, scholars estimated the release was either in the 1850s or early 1860s. The book follows Little Eva, the daughter of a wealthy Alabama planter. She is characterized through her kindness toward slaves as she reads the Bible to them and teaches the alphabet to slave children. On her ninth birthday, Little Eva nearly drowns, but is rescued by a slave named Sam. Her parents free Sam who decides to remain with the family because he loves them.
The Josiah Henson Museum of African-Canadian History is an open-air museum in Dresden, Ontario, Canada, that documents the life of Josiah Henson, the history of slavery, and the Underground Railroad. The historic site is situated on the grounds of the former Dawn settlement established by Henson; a runaway slave, abolitionist, and minister. Through his autobiography, The Life of Josiah Henson, Formerly a Slave, Now an Inhabitant of Canada, as Narrated by Himself, he served as the inspiration for the title character in Harriet Beecher Stowe's Uncle Tom's Cabin.
Uncle Tom's Cabin was a 1918 American silent drama film directed by J. Searle Dawley, produced by Famous Players–Lasky Corporation and distributed by Paramount Pictures under the Famous Players–Lasky name. The film is based on Harriet Beecher Stowe's 1852 novel Uncle Tom's Cabin and George Aiken's eponymous play.
John Punchard Jewett (1814–1884) was a Boston publisher, best known for first publishing Uncle Tom's Cabin in book form in 1852. Jewett was a brother of librarian Charles Coffin Jewett.
Uncle Tom's Cabin is a 1910 American silent short drama produced by the Thanhouser Company. The film was adapted by from the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe. The plot of the Thanhouser production streamlined the actual story to portray the film over the course of a single reel. The film was released on July 26, 1910, on the same day that Vitagraph released the first reel of their own three reel version of Uncle Tom's Cabin. This prompted the Thanhouser Company to advertise against the Vitagraph film by referring to the other as being overly drawn out. The film garnered mixed, but mostly positive reception in trade publications. The film is presumed lost.
Patricia "Pat" Mainardi is a leading authority on nineteenth-century European art and European and American modernism, and a pioneering professor of women's studies.
Josepha Williams Douglas (1860–1938), also commonly known as Josepha Williams, was a physician and co-operator of the Marquette-Williams Sanitarium in Denver, Colorado. She was one of the first female doctors in the state. She, as well as her mother Mary Neosho Williams, purchased a number of tracts of land in the Evergreen, Colorado area, at least some of which were ultimately donated for the Evergreen Conference District. Douglas was the daughter of Civil War General Thomas Williams and wife of Canon Charles Winfred Douglas, a plainsong musical expert and Episcopalian priest.
Mary Henderson Eastman was an American historian and novelist who is noted for her works about Native American life. She was also an advocate of slavery in the United States. In response to Harriet Beecher Stowe's anti-slavery Uncle Tom's Cabin, Eastman defended Southern slaveholding society by writing Aunt Phillis's Cabin: or, Southern Life As It Is (1852), which earned her considerable fame. She was the wife of the American illustrator and army officer Seth Eastman.
Uncle Tom's Cabin is a 1903 American silent short drama directed by Edwin S. Porter and produced by the Edison Manufacturing Company. The film was adapted by the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe. The plot streamlined the actual story to portray the film over the course of 19 minutes. The film was released on 3 August 1903 at the Huber's Fourteenth Street Museum in New-York.
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