Marlon Williams, better known by his stage name Marley Marl, is an American DJ, record producer, rapper and record label founder, primarily operating in hip hop music. Marlon grew up in Queensbridge housing projects located in Queens New York. He became interested in music, by performing in local talent shows, during the early days of rap music.
Shawn Moltke better known by his stage name MC Shan, is an American hip hop and R&B recording artist.
Bob Marley and the Wailers were a Jamaican reggae band led by Bob Marley. It developed from the earlier ska vocal group, The Wailers, created by Peter Tosh, Marley and Bunny Wailer in 1963. By late 1963 singers Junior Braithwaite, Beverley Kelso, and Cherry Smith had joined on. By the early 1970s, Marley and Bunny Wailer had learned to play some instruments and brothers Aston "Family Man" Barrett (bass) and Carlton Barrett (drums), had joined the band. After Bunny Wailer and Peter Tosh left the band in 1974, Marley began touring with new band members as Bob Marley and the Wailers. His new backing band included the Barrett brothers, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The "I Threes", consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals.
the X-Ecutioners are a group of American hip hop DJs/turntablists from New York City, New York. The group formed in 1989, and currently consists of three DJs, including Total Eclipse, DJ Boogie Blind, DJ Precision. Original members of the group included Mista Sinista, Rob Swift, and Roc Raida.
Soul Revolution is an album by Bob Marley and the Wailers. It was produced by Lee "Scratch" Perry and the Wailers. A "dub" version with the vocals removed was released as Soul Revolution Part II. In 1988 both versions were released as one set.
Paid in Full is the debut album of American hip hop duo Eric B. & Rakim, released on July 7, 1987, by Island-subsidiary label 4th & B'way Records. The duo recorded the album at hip hop producer Marley Marl's home studio and Power Play Studios in New York City, following Rakim's response to Eric B.'s search for a rapper to complement his disc jockey work in 1985. The album peaked at number fifty-eight on the Billboard 200 chart and produced five singles: "Eric B. Is President", "I Ain't No Joke", "I Know You Got Soul", "Move the Crowd", and "Paid in Full".
Ooooooohhh... On the TLC Tip is the debut studio album by American girl group TLC. It was released on February 25, 1992, by LaFace Records. The title of the album comes from the last line of Left Eye's rap on "Ain't 2 Proud 2 Beg".
The Bridge Wars was a hip hop music rivalry during the mid-to-late 1980s and early 1990s, that arose from a dispute over the true birthplace of hip hop music and retaliation over the rejecting of a record for airplay. The Bridge Wars originally involved The South Bronx's Boogie Down Productions, led by KRS-One, and Marley Marl's Juice Crew, hailing from Queensbridge. KRS-One and Marley Marl have since officially retired the feud, with the release of their collaborative 2007 album Hip-Hop Lives.
Percy Lee Chapman, known by his stage name Tragedy Khadafi, is an American rapper and record producer. Chapman hails from the Queensbridge Housing Projects in Queens, New York City, who helped spawn other hip hop artists such as Mobb Deep, Capone-N-Noreaga, Nas and many others both through production and influence. His name is a reference to the former leader of Libya, Muammar Gaddafi. He was the first in the Queensbridge projects to create intelligent street music and is documented to be the first to use the phrase "Illmatic" in 1988 on a record called "The Rebel" from the Marley Marl album "In Control Volume 1" which was a huge inspiration and influence on fellow New York rapper Nas.
Rob Swift, is an American hip hop DJ and turntablist. He was an original member of the turntablist group The X-Ecutioners until 2004. He has also released numerous solo albums and collaborated with various artists, including Mike Patton, Patton's project Peeping Tom, Dan the Automator and Handsome Boy Modeling School, Lords of Acid, Portugal. The Man, and Herbie Hancock.
Wanted: Dead or Alive is the second album by the hip hop duo Kool G Rap & DJ Polo. The album was released a year after the duo's debut, Road to the Riches, and received greater acclaim from most music critics. The singles "Streets of New York" and "Erase Racism" received notable airplay on Yo! MTV Raps and the former is credited by Nas as being influential on his song "N.Y. State of Mind" from his critically acclaimed album Illmatic.
Likwidation is the third studio album by American hip hop group Tha Alkaholiks. It was released on August 26, 1997 via Loud Records. Recording sessions took place at Enterprise Studio in Burbank, California, at Yo Mama's House and at Sound Castle Recording Studios in Los Angeles. Production was primarily handled by member E-Swift, as well as Madlib, Easy Mo Bee, T-Smoov, and Marley Marl. It features guest appearances from Xzibit, Keith Murray, King Tee, Lootpack, Ol' Dirty Bastard, Phil da Agony, The WhoRidas, with cameos from DeBarge, LL Cool J and Nas. The album peaked at number 57 on the Billboard 200 and number 15 on Top R&B Albums. It's lead single, "Hip Hop Drunkies", became the group's biggest hit in 1997, peaking at #66 on the Billboard Hot 100 chart.
Robert Nesta Marley, was a Jamaican singer, songwriter, and musician. Considered one of the pioneers of reggae, his musical career was marked by fusing elements of reggae, ska, and rocksteady, as well as his distinctive vocal and songwriting style. Marley's contributions to music increased the visibility of Jamaican music worldwide, and made him a global figure in popular culture for over a decade. Over the course of his career Marley became known as a Rastafari icon, and he infused his music with a sense of spirituality. He is also considered a global symbol of Jamaican music and culture and identity, and was controversial in his outspoken support for the legalization of marijuana, while he also advocated for Pan-Africanism.
Hip Hop Lives is the collaborative album from rapper KRS-One and producer Marley Marl.
In Control, Volume 1 is an album by hip hop producer Marley Marl of the Juice Crew, released September 20, 1988 on Cold Chillin' Records. The album compiles ten studio recordings by Juice Crew members and artists affiliated with Marley Marl. It showcased his style of hip hop production and sampling at a time when he became one of the first super-producers in hip hop music. The album is broken down track-by-track by Marley Marl in Brian Coleman's book Check the Technique.
Soulful Fruit is the first album by the turntablist, Rob Swift. It was released on May 13, 1997, by Stones Throw Records and was produced by Rob Swift, Mista Sinista and Roc Raida. The album was a huge critical success, gaining many positive reviews. Soulful Fruit is regarded by many as one of the best turntablism albums ever made.
The Ablist is the second album by the turntablist Rob Swift. It was released on February 23, 1999, by Asphodel Records and was produced by Rob Swift and Dan The Automator. Like Swift's previous album, The Ablist received positive reviews. The rapper Pharoahe Monch makes an appearance.
Airwave Invasion is a compilation album by the turntablist Rob Swift featuring his X-Ecutioners bandmates, Roc Raida and Mista Sinista. It was released on June 8, 2001, by Triple Threat Records and was produced by the X-Ecutioners. The album combined The X-Ecutioners scratches and productions with classic R&B and jazz songs.
"Psycho" is the first single released from the Lords of the Underground's debut album, Here Come the Lords. Produced by Marley Marl with scratches by DJ Lord Jazz, "Psycho" became a minor hit, peaking at 17 on the Hot Rap Singles.
"The Symphony" is a rap song produced by Marley Marl featuring Juice Crew members Masta Ace, Kool G Rap, Craig G and Big Daddy Kane. The track appears on Marley Marl's 1988 Cold Chillin' Records release In Control, Volume 1. Rolling Stone ranked “The Symphony” the 48th greatest hip-hop song of all time, calling it “the first truly great posse cut.”
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