 Cover of the first edition | |
| Author | Susan Sontag |
|---|---|
| Language | English |
| Subject | Criticism |
| Publisher | Farrar, Straus and Giroux |
Publication date | 1980 |
| Publication place | United States |
| Media type | |
| Pages | 224 |
| ISBN | 978-0312420086 |
Under the Sign of Saturn is a collection of essays by Susan Sontag published in 1980. All of the essays originally appeared, in a different or abridged form, in The New York Review of Books except for "Approaching Artaud," which first appeared in The New Yorker .
David Bromwich of The New York Times wrote:
Susan Sontag's third book of essays has meditations on Antonin Artaud, Elias Canetti, Leni Riefenstahl, Walter Benjamin and Hans-Jurgen Syberberg's film about Hitler, along with brief eulogies for Paul Goodman and Roland Barthes. Her subjects bear witness to Miss Sontag's range as well as her diligence. She keeps up - appears, at times, to do the keeping-up for a whole generation - and has long been an effective publicist for the more imposing European offshoots of high modernism. The theater of cruelty, the death of "the author": From ground to summit, from oblivion to oblivion, she covers the big movements and ideas and then sends out her report, not without qualms. [1]
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
Roland Gérard Barthes was a French literary theorist, essayist, philosopher, critic, and semiotician. His work engaged in the analysis of a variety of sign systems, mainly derived from Western popular culture. His ideas explored a diverse range of fields and influenced the development of many schools of theory, including structuralism, anthropology, literary theory, and post-structuralism.
Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French artist who worked across a variety of media. He is best known for his writings, as well as his work in the theatre and cinema. Widely recognized as a major figure of the European avant-garde, he had a particularly strong influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican and Balinese practices.
Jean Baudrillard was a French sociologist and philosopher with an interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as hyperreality. Baudrillard wrote about diverse subjects, including consumerism, critique of economy, social history, aesthetics, Western foreign policy, and popular culture. Among his most well-known works are Seduction (1978), Simulacra and Simulation (1981), America (1986), and The Gulf War Did Not Take Place (1991). His work is frequently associated with postmodernism and specifically post-structuralism. Nevertheless, Baudrillard had also opposed post-structuralism, and had distanced himself from postmodernism.
Susan Lee Sontag was an American writer, critic, and public intellectual. She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp' ", in 1964. Her best-known works include the critical works Against Interpretation (1966), On Photography (1977), Illness as Metaphor (1978) and Regarding the Pain of Others (2003), as well as the fictional works The Way We Live Now (1986), The Volcano Lover (1992), and In America (1999).
Against Interpretation is a 1966 collection of essays by Susan Sontag. It includes some of Sontag's best-known works, including "Notes on 'Camp'", "On Style" and the eponymous essay "Against Interpretation." In the latter, Sontag argues that the new approach to criticism and aesthetics neglects the sensuous impact and novelty of art, instead fitting works into predetermined intellectual interpretations and emphasis on the "content" or "meaning" of a work. The book was a finalist for the Arts and Letters category of the National Book Award.
"The Death of the Author" is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes' essay argues against traditional literary criticism's practice of relying on the intentions and biography of an author to definitively explain the "ultimate meaning" of a text. Instead, the essay emphasizes the primacy of each individual reader's interpretation of the work over any "definitive" meaning intended by the author, a process in which subtle or unnoticed characteristics may be drawn out for new insight. The essay's first English-language publication was in the American journal Aspen, no. 5–6 in 1967; the French debut was in the magazine Manteia, no. 5 (1968). The essay later appeared in an anthology of Barthes' essays, Image-Music-Text (1977), a book that also included his "From Work to Text".
On Photography is a 1977 collection of essays by American writer Susan Sontag. The book originated from a series of essays Sontag published in the New York Review of Books between 1973 and 1977.
Hans-Jürgen Syberberg is a German film director, whose best known film is his lengthy feature Hitler: A Film from Germany.
Hitler: A Film from Germany, called Our Hitler in the US, is a 1977 film written, directed and narrated by Hans-Jürgen Syberberg, and produced by Bernd Eichinger. An co-production by West Germany, France and the United Kingdom, the film stars Heinz Schubert in a dual role, as Adolf Hitler and Heinrich Himmler. Along with Syberberg's characteristic and unusual motifs and style, it is notable for its 442-minute running time.
Where the Stress Falls, published in 2001, is the last collection of essays published by Susan Sontag before her death in 2004. The essays vary between her experiences in the theater to book reviews.
The subjectile is the theoretical base or material foregrounding of an artistic painting. Famously, the word was used by Jacques Derrida to describe the work of Antonin Artaud. The subjectile is seen as a concept, and not necessarily as the actual frame, canvas, or base layer of material used in a given work of art. The subjectile is a tool that can be employed to analyze art-objects in order to generate hypotheses concerning the relationship between subject and object in art.
Perry Meisel is an American writer and former Professor of English at New York University. He taught at New York University for over forty years prior to his retirement in 2016 and has written on literature, music, psychoanalysis, theory, and culture since the 1970s. His articles have appeared in The Village Voice, The New York Times Book Review, Partisan Review, October, The Nation, The Atlantic, and many other publications. His books include The Myth of Popular Culture from Dante to Dylan, The Literary Freud, The Cowboy and the Dandy, The Myth of the Modern, The Absent Father, and Thomas Hardy: The Return of the Repressed. He is co-editor, with Haun Saussy, of Ferdinand de Saussure's Course in General Linguistics, and co-editor, with Walter Kendrick, of Bloomsbury/Freud: The Letters of James and Alix Strachey, 1924–25. He is also editor of Freud: A Collection of Critical Essays. He received his B.A., M. Phil, and Ph.D. from Yale.
Helen Weaver was an American writer and translator. She translated over fifty books from French. Antonin Artaud: Selected Writings was a Finalist for the National Book Award in translation in 1977.
On the Fortunes and Misfortunes of Art in Post-War Germany is a 1990 book-length essay by the German writer and filmmaker Hans-Jürgen Syberberg.
Camp: Notes on Fashion was the 2019 high fashion art exhibition of the Anna Wintour Costume Center, a wing of the Metropolitan Museum of Art in New York that houses the collection of the Costume Institute.
The Lordly Hudson is a poem and 1962 book of collected poetry by Paul Goodman.
One Way Street is an anthology of brief meditations by Walter Benjamin collected and published as a book in 1928. The reflections composing its cycle were mostly written coterminously with the drafting phase of his doctoral thesis The Origin of German Tragic Drama, during his personally transformative though ultimately failed romance with Asja Lācis. Many of the pieces that were published individually prior to their appearance as a collection first ran as feuilleton in newspapers—a critical, artistic, sometimes purely humorous or bizarre space-filling feature of newspaper formats in Europe at the time.
On Women is a nonfiction book by Susan Sontag published in 2023. Sontag's second posthumously published essay collection after At the Same Time (2007), it was edited by her son David Rieff and features an introduction by Turkish-American writer Merve Emre. On Women includes essays and interviews with Sontag about feminism, beauty, aging, sexuality, and fascism.
At the Same Time: Essays and Speeches is a nonfiction book by Susan Sontag published in 2007 by Farrar, Straus and Giroux. Sontag's first posthumously published book, it was edited by her friend Paolo Dilonardo and her assistant Anne Jump and features a foreword by her son David Rieff. At the Same Time includes pieces on literature, language and politics, as well as five speeches and lectures given by Sontag towards the end of her life.
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