Maximilian Raoul Steiner was an Austrian-born American music composer for theatre and films, as well as a conductor. He was a child prodigy who conducted his first operetta when he was twelve and became a full-time professional, either composing, arranging, or conducting, when he was fifteen.
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack.
Score or scorer may refer to:
In modern usage, a melodrama is a dramatic work wherein the plot, which is typically sensational and designed to appeal strongly to the emotions, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue, which is often bombastic or excessively sentimental, rather than action. Characters are often drawn and may appear stereotyped. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented.
Foreshadowing is a literary device in which a writer gives an advance hint of what is to come later in the story. Foreshadowing often appears at the beginning of a story, or a chapter, and it helps the reader develop expectations about the upcoming events.
Background music refers to a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement. Listeners are uniquely subject to background music with no control over its volume and content. The range of responses created are of great variety, and even opposite, depending on numerous factors such as, setting, culture, audience, and even time of day.
Leroy Bernard Shield was an American film score and radio composer. He is best known for the themes and incidental music he wrote for the classic Hal Roach comedy short films of the 1920s–30s, including the Our Gang and Laurel and Hardy series.
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play A Midsummer Night's Dream. First in 1826, near the start of his career, he wrote a concert overture. Later, in 1842, only a few years before his death, he wrote incidental music for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous Wedding March.
The Symphony No. 3 in C major, Op. 52, by Jean Sibelius is a symphony in three movements composed in 1907. Coming between the romantic intensity of Sibelius's first two symphonies and the more austere complexity of his later symphonies, it is a good-natured, triumphal, and deceptively simple-sounding piece. The symphony's first performance was given by the Helsinki Philharmonic Society, conducted by the composer, on 25 September 1907. In the same concert, his suite from the incidental music to Belshazzar's Feast, Op. 51, was also performed for the first time. It is dedicated to the British composer Granville Bantock an early champion of his work in the UK.
Peter Howell is a musician and composer. He is best known for his work on Doctor Who as a member of the BBC Radiophonic Workshop.
Murray Jonathan Gold is an English composer for stage, film, and television and a dramatist for both theatre and radio. He is best known as the musical director and composer of the music for Doctor Who from 2005, until he stepped down in 2018 after the tenth series aired in 2017. He has been nominated for five BAFTAs.
The Godfather is the soundtrack from the film of the same name, released in 1972 by Paramount Records, and in 1991 on compact disc by MCA. Unless noted, the cues were composed by Nino Rota and conducted by Carlo Savina. The song "I Have but One Heart" is sung by Al Martino, who performed it in the film as character Johnny Fontane.
Johnny Hawksworth was a British bass player and composer who had lived and worked in Australia since 1984.
Pelléas et Mélisande, Op. 80 is a suite derived from incidental music by Gabriel Fauré for Maurice Maeterlinck's play of the same name. He was the first of four leading composers to write music inspired by Maeterlinck's drama. Debussy, Schoenberg and Sibelius followed in the first decade of the 20th century.
Paul Williams is an English composer and pianist.
John Leonard Morris was an American film, television, and Broadway composer, dance arranger, conductor, and trained concert pianist. He collaborated with filmmakers Mel Brooks and Gene Wilder.
Symphony No. 43 in E♭ major, Hoboken I/43, is a symphony by Joseph Haydn. Since the nineteenth century it has been referred to by the subtitle "Mercury". The source of the "Mercury" nickname remains unknown according to Matthew Rye. It could refer to its use as incidental music from some play or other given at Eszterháza, or it may not have appeared until the nineteenth century. It would certainly be wrong to impose any programmatic elements on to the abstract musical drama and search for a portrait of the gods’ winged messenger.
Robert Sharples was a British musical conductor, composer and bandleader, whose work encompassed films and well-known British television programmes in the 1960s and 1970s.
Shakespeare's Hamlet was the inspiration for two works by Pyotr Ilyich Tchaikovsky: the overture-fantasia Hamlet, Op. 67, and incidental music for the play, Op. 67a.
Diegetic music or source music is music in a drama that is part of the fictional setting and so, presumably, is heard by the characters. The term refers to diegesis, a style of storytelling.
