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Former name | Maltwood Art Gallery and Museum |
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Established | 1964 (collection established 1953 but with no permanent museum facility) |
Location | 630 Yates Street Victoria, British Columbia V8W 1K9 |
Coordinates | 48°25′36″N123°21′58″W / 48.42667°N 123.36611°W |
Type | Art galleries |
Collections | Indigenous art, art from the Pacific Northwest, contemporary art |
Director | Mary Jo Hughes |
Website | www |
The University of Victoria Legacy Art Galleries (Legacy) is the university's art museum in Victoria, British Columbia, Canada, responsible for the accessibility and stewardship of an art collection which consists of approximately 18,000 objects including Canadian, Indigenous and international historic and contemporary art. [1] Legacy activates the collection for research, teaching and learning for students, faculty and the general public through exhibitions, campus displays, publications, web-projects, public programs, and events—on site and through digital resources.
Legacy has three main sites for rotating exhibitions including the Legacy Art Gallery at 630 Yates Street in Downtown Victoria, on campus at the Legacy Maltwood in the Mearns Centre for Learning - McPherson Library, and in the First Peoples House. Additionally, more than 2000 works from the collection are on display in buildings across campus and in the community, [2] underlining the educational and community-building roles of art. The Legacy Downtown is also a site for public programs, and both university and community events. [3]
The "University of Victoria Art Collection" was established in 1953 with the purpose of furnishing buildings around campus with art. [4] The "Maltwood Art Gallery and Museum" was established in 1964 with a bequest from John and Katharine Maltwood that included their art collection and mansion, nicknamed the Thatch. [5] From this gift, the University of Victoria created a public art museum in the Thatch. The Maltwoods' original donation ranged from Chinese ceramics to textiles, rugs, seventeenth century English furniture, Canadian painting, and Katharine Maltwood's own sculptural works, paintings, and drawings. [6]
The University of Victoria Art Collection and the Maltwood Art Gallery and Museum were amalgamated in 1978. [4] At this time, a dedicated space for the collection was opened in the Jamie Cassels Centre (formerly University Centre) . [7]
In 2000, the gallery received a bequest from Michael C. Williams which included the donation of his extensive art collection and several downtown properties. [8] "University of Victoria Legacy Art Galleries" (sometimes shorted to the "Legacy") was created as an umbrella name. This umbrella term includes the "Maltwood Art Gallery and Museum", which continued to exist on campus, and the "Legacy Art Gallery and Café", which was created in one of the downtown buildings donated by Michael Williams. [5] The adoption of the umbrella term pays homage and recognizes the many donors that have contributed to the collection.
In 2011 the Maltwood Art Gallery and Museum moved from its location in the Jamie Cassels Centre to the lower level of the McPherson Library and was renamed the "Maltwood Gallery". [5] The Legacy Café and Art Gallery has also been renamed as "Legacy Downtown". Currently, the main exhibition spaces for the Legacy are the Legacy Downtown (located at the intersection of Yates and Broad streets), the Maltwood Gallery (on campus), and First Peoples House (on campus). [9]
The Legacy acquires most of the works in its collection through donations from benefactors. The two largest benefactors to the University of Victoria Art Collections are John & Katharine Maltwood and Michael C. Williams.
The Maltwood Collection is a subcategory of works owned by the University of Victoria Art Collections. [10] The original Maltwood collection was owned by John and Katharine Maltwood, global travellers who accumulated various items relating to their spiritual interests. [11] These pieces were displayed in their Victoria home, alongside Katharine's own works. The collection adheres to the couple's ideology of having nothing in their home that was not useful or beautiful. [12] Upon moving to Victoria, the Maltwoods decided to develop a museum to house their art, with the aim of one day donating it to the city. They purchased a former restaurant in the Royal Oak area of Victoria, British Columbia. Serving as a gallery and home, it was called The Thatch. [13] The couple's collection consisted of household items from various artistic periods, such as English Gothic furniture, furniture from the Tudor and Stuart periods, Oriental and Persian antique rugs and Oriental silk hanging scrolls, paintings from Paris, London, and Peiping, modern oil and watercolour paintings, Chinese and Middle Eastern ceramics and figurines, and Moslem pottery and metalwork, [14] in addition to Katharine Maltwood’s own works, writings, and journals. A library of art books referencing the Maltwoods' holdings accompanied the collection. [12]
The Maltwood Collection was generously donated to the University of Victoria Art Collections in 1964. It resided at The Thatch until 1977 when it moved to its current location in the University Centre at the University of Victoria. The Maltwood Art Museum and Gallery currently conserves the art objects from the donation, while the University of Victoria’s Special Collections conserves the Maltwoods’ personal letters, journals, and books, including Katharine's writing. [15]
Upon his passing in 2000, Michael Collard Williams bequeathed most of his estate to the University of Victoria. [16] Valued at $17 million, the donation marks the University of Victoria’s largest gift to date. The Williams Collection is made up of over 1100 art objects such as drawings, paintings, and sculptures that include contemporary and historical West Coast art, Aboriginal art, and antique works. [16]
Michael C. Williams moved to British Columbia in 1950, eventually settling in Victoria in 1958. In 1977, his attention was drawn to the city’s heritage, resulting in many building restoration projects in the downtown area. His first urban renewal was the Maynard Court area on Johnson Street, followed by the 1890s era Grand Central Hotel and Victoria Box and Paper Complex, [17] for which he was given the North American Award of Merit from New York’s Downtown Research and Development Centre. The Swans Hotel and Brew Pub is perhaps one of his better-known restorations, a beautiful street-side hotel that once served as a seed and fertilizer warehouse. [18] [19]
The University of Victoria received many of these properties through the Williams bequest. The Legacy Art Gallery and Café, located at 630 Yates St. in Victoria, was just one of these properties. The Legacy Gallery is a monument to Williams’s life and generosity, hosting rotating exhibits that draw from his collection and other University of Victoria Art Collections holdings. The Legacy Gallery also exhibits local and Canadian artists. The Swans Hotel and Brew Pub is another property owned by the University of Victoria. The "Art Hotel" was opened in 1987 as Williams's own exhibition space. The hotel still displays many works from the Williams collection year round in its many suites and public areas. [20]
Since 1964, the Legacy has presented over 500 exhibitions in a number of gallery spaces. [21] The exhibitions have drawn on the John and Katherine Maltwood Collection, the Michael C. Williams Collection, external collections, travelling exhibitions, faculty and student research projects, and the works of local and international artists. [21] The Legacy's current exhibition mandate focuses on exhibitions that focus on "issues that matter" including those that highlight diversity and reconciliation. [22]
The University of Victoria Art Collection was established in 1953 with the purpose of furnishing buildings around campus with art. [4] It was amalgamated into The Maltwood Art Gallery and Museum in 1964 with a bequest from Katharine and John Maltwood of their art collection and mansion. [5] The mansion was sold to create a dedicated gallery space on campus which opened in the University Centre in 1978. In 2000, the gallery received a bequest from Michael Williams which included the donation of his extensive art collection and several downtown properties. [8] University of Victoria Legacy Art Galleries (sometimes shorted to the Legacy) was created as an umbrella name. This umbrella term includes the Maltwood Art Gallery and Museum, which continued to exist on campus, and the Legacy Art Gallery and Café, which was created in one of the downtown buildings donated by Michael Williams. [5] The adoption of the umbrella term pays homage and recognizes the many donors that have contributed to the collection. In 2011 the Maltwood Art Gallery and Museum moved from its location in the University Centre to the lower level of the McPherson Library and was renamed the Maltwood Gallery. [5] The Legacy Café and Art Gallery has also been renamed as Legacy Downtown. Currently, the main exhibition spaces for the Legacy are the Legacy Downtown (located at the intersection of Yates and Broad streets), the Maltwood Gallery (on campus), and First People's House (on campus). [9]
The University of Victoria (UVic) is a public research university located in the municipalities of Oak Bay and Saanich, British Columbia, Canada. Established in 1903 as Victoria College, the institution was initially an affiliated college of McGill University until 1915. From 1921 to 1963, it functioned as an affiliate of the University of British Columbia. In 1963, the institution was reorganized into an independent university.
Katharine Emma Maltwood was a writer and artist on the esoteric and occult. Throughout her childhood, she was reared to be an artist. Her parents were progressive, and they pushed each of their children equally to achieve their potential. In her formative years of art education, her artistic inclinations drew her into the fashionable Arts and Crafts Movement. Maltwood matriculated at the Slade School of Fine Art, University College, London (1896–97). Here, she studied sculpture.
Noah Becker is an American and Canadian artist, writer, publisher of Whitehot Magazine of Contemporary Art, and jazz saxophonist who lives and works in New York City. He is a contributing writer for Art in America Magazine, Canadian Art Magazine and the Huffington Post.
Rona Jean Murray was a Canadian poet.
The Texas Fashion Collection is a non-profit organization dedicated to the preservation and documentation of historically significant fashion. It is operated by the University of North Texas through the College of Visual Arts and Design (CVAD) and housed on the UNT campus in Denton, Texas. The collection is an educational resource for students, researchers and the general public.
Samuel Maclure was a Canadian architect in British Columbia, Canada, from 1890 to 1920. He was born on 11 April 1860 in Sapperton, New Westminster, British Columbia, to John and Martha Maclure. He studied painting at the Spring Garden Institute in Philadelphia from 1884 to 1885, and he was a self-taught architect. He married Margaret Catherine (Daisy) Simpson, an accomplished pianist and portrait painter, on 10 August 1889.
The Samstag Museum of Art, also known as the Samstag Museum, was opened in October 2007 as the Anne & Gordon Samstag Museum of Art, in the Hawke Building of the CityWest campus of the University of South Australia (UniSA). The museum is named in honour of Anne & Gordon Samstag, "two distinguished American benefactors to Australian culture, whose remarkable bequest provides opportunities for Australian artists to study overseas."
Rick Rivet is a Sahtu–Métis painter living in Canada.
Patricia Martin Bates D.F.A. known as Pat Martin Bates is a Canadian artist and educator.
Eric Metcalfe D.F.A. is a Canadian visual and performance artist.
Patricia E. Bovey LL D. FRSA, FCMA has contributed to the Canadian cultural scene as an advocate, museologist, gallery director and curator, professor and as a member of the country’s highest legislative body the Senate. She is an art historian from Manitoba who is a champion of the visual arts.
Jennifer Watson is an Australian artist known for her paintings that combine text and images.
The Victoria Sketch Club is a Canadian arts organization, the oldest Canadian arts group west of Ontario.
Irene Stella Rolph Langdale was an English and Canadian artist. She was commonly referred to as Stella Langdale.
Joe Minter is an American sculptor based in Birmingham, Alabama. His African Village in America, on the southwest edge of Birmingham, is an ever-evolving art environment populated by sculptures he makes from scrap metal and found materials; its theme is recognition of African American history from the first arrivals of captured Africans to the present. Individual pieces from Minter's thirty-year project have been in major exhibitions in the United States and are in the permanent collections of the National Gallery of Art, the Smithsonian American Art Museum, and the Metropolitan Museum of Art, among others.
Stephen Wickham is an Australian photographer, painter and printmaker.
Mary Elizabeth Stormont was a British painter.
W. P. Weston, also known as William Percival (Percy) Weston, was a painter and printmaker, best known for his landscapes of British Columbia, and as a teacher.
Selwyn Peter Webb was a New Zealand art dealer and gallery director. He was a supporter and promoter of art, and particularly contemporary New Zealand art, for over sixty years. Webb's work spanned public art museums, publishing and the founding of the Peter Webb Galleries and Webb's auction house.
Kathryn Bridge is a Canadian writer, curator, archivist and historian who lives in Victoria, B.C. In 1978, she began to work at the British Columbia Archives where from 2012 to 2015 she was a Deputy Director. In 2017, she retired and was honoured as Curator Emerita.
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