Upstage | |
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Directed by | Monta Bell |
Written by | Lorna Moon (scenario) Joe Farnham (titles) |
Story by | Walter DeLeon |
Starring | Norma Shearer Oscar Shaw |
Cinematography | Gaetano Gaudio |
Edited by | Frank Sullivan |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 76 minutes |
Country | United States |
Languages | Silent English intertitles |
Upstage (also known as The Mask of Comedy) is a 1926 American silent romantic drama film directed by Monta Bell, starring Norma Shearer and New York musical comedy star Oscar Shaw. [1] [2]
Dolly (Norma Shearer) is a stagestruck girl whose career has begun to wane until she displays show-must-go-on courage by standing-in as target in a knife-throwing act.
Empty Hands is a 1924 American silent romantic drama film directed by Victor Fleming, and starring Jack Holt and Norma Shearer. The film was produced by the Famous Players–Lasky and distributed by Paramount Pictures.
Camille is a 1926 American silent film based on the play adaptation of La Dame aux Camélias by Alexandre Dumas, fils, first published in French as a novel in 1848 and as a play in 1852. Adapted by Fred de Gresac, George Marion Jr., Olga Printzlau, and Chandler Sprague, Camille was a directed by Fred Niblo and starred Norma Talmadge as Camille and Gilbert Roland as her lover, Armand. It was produced by the Norma Talmadge Film Corporation and released by First National Pictures. The film's score was composed by William Axt.
A Slave of Fashion is a 1925 American silent romantic comedy film directed by Hobart Henley. The film stars Norma Shearer and Lew Cody, with William Haines. A young Joan Crawford had an early uncredited role as a mannequin.
Norma Shearer (1902–1983) was a Canadian American film actress who was nominated five times for an Academy Award. She and her sister Athole were assisted in their pursuit of show business careers by their mother Edith Fisher Shearer. After amassing numerous letters of introduction from a variety of show business-related people in Canada, the trio relocated to New York, hoping to get into musical theatre.
The Sign on the Door is a 1921 American silent drama film starring Norma Talmadge and Lew Cody. The film was directed and written by Herbert Brenon, and based upon the 1919 play of the same name by Channing Pollock. A copy of this film is in the Library of Congress film archive.
Broken Barriers is a 1924 American silent drama film starring James Kirkwood, Norma Shearer, and Adolphe Menjou. Directed by Reginald Barker, the film is based upon the novel of the same name by Meredith Nicholson.
Private Lives is a 1931 American pre-Code comedy film directed by Sidney Franklin. The screenplay by Hanns Kräly and Richard Schayer is based on the 1930 play Private Lives by Noël Coward.
A Lady of Chance is a 1928 synchronized sound film directed by Robert Z. Leonard. While the film has no audible dialog, it was released with a synchronized musical score with singing and sound effects using both the sound-on-disc and sound-on-film process. The film is based upon the story "Little Angel" by Leroy Scott and is Norma Shearer's last silent film. Although the film was released with added dialogue scenes, Shearer had no lines. The film's copyright was renewed, so it did not enter the public domain until January 1, 2024.
Excuse Me is a 1925 American silent comedy film starring Norma Shearer and Conrad Nagel. It was directed by Alfred J. Goulding, and based on the 1911 play of the same name written by best-selling novelist Rupert Hughes. The comedy concerns naval officer Harry Mallory and his would-be bride Marjorie Newton who spend most of their time running up and down a train looking for a clergyman to marry them.
The Snob is a 1924 American silent drama film directed by Monta Bell. The film starred Norma Shearer and John Gilbert, together with Phyllis Haver, Conrad Nagel, and Hedda Hopper. The film was written by Monta Bell, and was based on the novel The Snob: The Story of a Marriage by Helen Reimensnyder Martin.
The Waning Sex is a 1926 American silent romantic comedy film directed by Robert Z. Leonard. Based on the 1923 play of the same name by Fanny and Frederic Hatton, the film starred Norma Shearer and Conrad Nagel.
The Demi-Bride is a 1927 American comedy film directed by Robert Z. Leonard, depicting the naughtiness synonymous with Paris at the time. The film is considered lost. A one minute fragment was shared by the Eye Filmmuseum.
Cradle Snatchers is a 1927 American silent comedy film directed by Howard Hawks. The picture is based on the 1925 Russell Medcraft and Norma Mitchell stage play of the same name that starred Mary Boland, Edna May Oliver, Raymond Hackett, Gene Raymond, and Humphrey Bogart.
The Actress is a lost 1928 American silent drama film produced and distributed by Metro-Goldwyn-Mayer. The film was directed by Sidney Franklin, and starred Norma Shearer.
The Wanters is a 1923 American silent society drama film produced by Louis B. Mayer, directed by John M. Stahl and distributed by Associated First National Pictures, which became First National Pictures in 1924. The film stars Marie Prevost, Robert Ellis, and Norma Shearer.
Man and Wife is a 1923 American silent domestic drama film starring Maurice Costello and a young Norma Shearer. It was directed by John L. McCutcheon, produced by an independent producer and released by second-tier Arrow Film Corporation.
Waking Up the Town is a 1925 American silent comedy film directed by James Cruze and written by Frank Condon and James Cruze. The film stars Jack Pickford, Claire McDowell, Alec B. Francis, Norma Shearer, and Herbert Prior. The film was released on April 14, 1925, by United Artists.
Lucretia Lombard, also known as Flaming Passion, is a 1923 American silent drama film directed by Jack Conway and produced and distributed by Warner Bros. Based upon the 1922 novel of the same name by Kathleen Norris, it stars Irene Rich, Monte Blue, and a young Norma Shearer, just prior to her signing with MGM.
Broadway After Dark is a 1924 American silent comedy film directed by Monta Bell and starring Adolphe Menjou, Norma Shearer, and Anna Q. Nilsson.
Rouged Lips is a 1923 American silent drama film directed by Harold M. Shaw and starring Viola Dana, Tom Moore, and Nola Luxford. It is based in the story Upstage by Rita Weiman which appeared in Cosmopolitan Magazine.