Lights of Old Broadway | |
---|---|
Directed by | Monta Bell |
Written by | Carey Wilson (adaptation & scenario) Joseph Farnham (intertitles) |
Based on | The Merry Wives of Gotham by Laurence Eyre |
Produced by | Cosmopolitan Productions |
Starring | Marion Davies Conrad Nagel |
Cinematography | Ira H. Morgan |
Edited by | Blanche Sewell |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
Lights of Old Broadway is a 1925 American silent drama film directed by Monta Bell, produced by William Randolph Hearst's Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. The film stars Marion Davies in a dual role and Conrad Nagel, and is an adaptation of the play The Merry Wives of Gotham by Laurence Eyre (USA). The film has color sequences using tinting, Technicolor, and the Handschiegl color process. [1] [2]
The play was produced on Broadway at Henry Miller's Theatre from January 16, 1924 to April 1924. Davies' role was played on the stage by actress Mary Ellis. [3]
As described in a film magazine review, [4] two young women, twins, whose mother dies while the family is en route from Ireland to the United States, are separated in New York City, Anne being adopted by a wealthy family and the other, Fely, by a poor family. Dirk, Anne's adopted brother, meets the poor sister, and love draws them together. The youth’s family objects to his romance, but are reconciled when the poor sister saves Dirk’s father from death, and the two are then wed. A subplot involves the coming of electricity to New York City.
In her 21st film, Marion Davies starred as twins separated at birth. The dark-haired girl is brought up in a wealthy home, while the blonde is brought up in the tenement slums and becomes a musical-comedy star. This MGM production saw Davies in the first of three teamings with Conrad Nagel and was also the first Davies production in which Louis B. Mayer and Irving Thalberg became involved. This was the first Davies film to use 2-strip Technicolor (which survives). The finale also includes the same hand-coloring technique (Handschiegl) that had been used in When Knighthood Was in Flower . The film was a big hit and resulted in a long-term contract with MGM. [5]
Prints of Lights of Old Broadway are preserved at the Library of Congress and UCLA Film and Television Archive. [6]
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Beverly of Graustark is a 1926 American silent romantic comedy film directed by Sidney Franklin and starring Marion Davies, Antonio Moreno, and Creighton Hale. The film's screenplay was written by Agnes Christine Johnston based on the novel by George Barr McCutcheon, and set in the fictional land of Graustark. The film features a final sequence in Technicolor. It was the first film by Sidney Franklin for MGM.
John Conrad Nagel was an American film, stage, television and radio actor. He was considered a famous matinée idol and leading man of the 1920s and 1930s. He was given an Honorary Academy Award in 1940, and three stars on the Hollywood Walk of Fame in 1960.
Quality Street is a 1927 American silent romance film directed by Sidney Franklin and starring Marion Davies, Conrad Nagel and Helen Jerome Eddy. Produced by Cosmopolitan Productions for release through MGM, it was based on the 1901 play of the same name by James M. Barrie. Prints of this film are preserved at the Library of Congress and in the Turner Archive.
Pretty Ladies is a 1925 American silent comedy drama film starring ZaSu Pitts and released by Metro-Goldwyn-Mayer. The film is a fictional recreation of the famed Ziegfeld Follies. Directed by Monta Bell, the film was written by Alice D. G. Miller and featured intertitles by Joseph Farnham. Pretty Ladies originally featured musical color sequences, some in two-color Technicolor. However, the color sequences are now considered lost.
The Merry Widow is a 1925 American silent romantic drama/black comedy film directed and written by Erich von Stroheim. Released by Metro-Goldwyn-Mayer, the film stars Mae Murray, John Gilbert, Roy D'Arcy, and Tully Marshall, with pre-fame uncredited appearances by Joan Crawford and Clark Gable.
Fool's Paradise is a 1921 American silent romance film directed by Cecil B. DeMille. The film stars Dorothy Dalton and Conrad Nagel. The film was based on the short story "Laurels and the Lady" by Leonard Merrick published in his 1908 collection The Man Who Understood Women. It was adapted for the screen by Sada Cowan and Beulah Marie Dix.
So This Is Marriage is a lost 1924 American silent drama film directed by Hobart Henley. The film was originally released with sequences filmed in the Technicolor 2-color process that depicted the story of David and Bathsheba from the Book of Samuel.
Lord Byron of Broadway (1930), also known as What Price Melody?, is an American Pre-Code musical drama film, directed by Harry Beaumont and William Nigh. It was based on a best selling book by Nell Martin, which "was widely praised by critics as an extremely true and amusing romance of stage life." It was filmed in black and white with two-color Technicolor sequences.
The Spanish Dancer is a 1923 American silent costume epic starring Pola Negri as a gypsy fortune teller, Antonio Moreno as a romantic count, and Wallace Beery as the king of Spain. The film was directed by Herbert Brenon and also features a five-year-old Anne Shirley, appearing under the name "Dawn O'Day." The film survives today.
Tess of the d'Urbervilles is a 1924 American silent drama film starring Blanche Sweet and Conrad Nagel. It was directed by Sweet's husband, Marshall Neilan. The film is the second motion picture adaptation of the 1891 novel by Thomas Hardy, which had been turned into a very successful 1897 play starring Mrs. Fiske. In 1913, Adolph Zukor enticed Mrs. Fiske to reprise her role in a film version which is now considered lost. The 1924 version is also considered lost.
Dance Madness is a 1926 American silent comedy film directed by Robert Z. Leonard based upon a script by Frederica Sagor. The film starred Claire Windsor, Conrad Nagel, and Hedda Hopper.
Cytherea is a 1924 American silent romantic drama film directed by George Fitzmaurice and starring Alma Rubens, Lewis Stone, Constance Bennett, and Norman Kerry. Based on the novel Cytherea, Goddess of Love, by Joseph Hergesheimer and was adapted for the screen by Frances Marion. Cytherea features two dream sequences filmed in an early version of the Technicolor color film process. The film is also known as The Forbidden Way.
The Heritage of the Desert is a 1924 American silent Western film directed by Irvin Willat and based on the novel of the same name by Zane Grey. It stars Bebe Daniels, Ernest Torrence, and Noah Beery. The film was released by Paramount Pictures with sequences filmed in an early Technicolor process.
The Fair Co-Ed, also known as The Varsity Girl, is a 1927 American silent film comedy starring Marion Davies and released through MGM. The film was produced by William Randolph Hearst, through Cosmopolitan Productions and directed by Sam Wood. The film was released in a sound version in 1928 with a synchronized musical score with sound effects.
Grumpy is a 1923 American silent comedy drama film distributed by Paramount Pictures. It is based on a 1913 Broadway play Grumpy by Horace Hodges and Thomas Wigney Percyval and starred English actor Cyril Maude. The director of this film is William C. deMille, brother of Cecil, and the star is Theodore Roberts. This film was remade by Paramount as an early sound film for Cyril Maude reprising his Broadway role.
To-Day is a 1917 silent film drama directed by Ralph Ince, who is also credited as the film's writer, and starring Florence Reed. A story about prostitution, this film is based on a 1913 stage play Today by George Broadhurst and Abraham S. Schomer and starred Emily Stevens which ran for an astounding 280 performances in eight months time. Actors Gus Weinburg and Alice Gale are the only actors in the film that appeared in the play. It is considered to be a lost film.
A Trip to Paramountown is a 1922 American short silent documentary film produced by Famous Players–Lasky and released through Paramount Pictures, to celebrate 10 years of Paramount's founding. The film runs about 20 minutes and features many personalities then under contract to Famous Players–Lasky and Paramount.
The Bride's Play is a 1922 American silent romance film produced by William Randolph Hearst as a starring vehicle for Marion Davies. It was directed by George Terwilliger and distributed by Paramount Pictures. It is an extant film that is preserved at the Library of Congress.
Lawful Larceny is a lost 1923 American silent drama film directed by Allan Dwan and written by John Lynch and Samuel Shipman. The film stars Hope Hampton, Conrad Nagel, Nita Naldi, Lew Cody, Russell Griffin, and Yvonne Hughes. The film was released on July 22, 1923, by Paramount Pictures.