| Uthman ibn Ibrahim | |
|---|---|
| Ruler of Transoxiana | |
 | |
| Reign | 1204 – 1212 |
| Predecessor | Ibrahim ibn Hussein |
| Died | 1212 Transoxiana |
| Dynasty | Karakhanid dynasty |
| Father | Ibrahim ibn Hussein |
| Religion | Sunni Islam |
Uthman ibn Ibrahim was a Karakhanid ruler in Transoxiana from 1204 to 1212. [5]
Uthman was the son of the Karakhanid Ibrahim ibn Hussein (1178-1202/1203). [6] According to Karev, Uthman came to power in 1202/1203. [6] His residence was in Samarkand. According to Aufi, who knew him personally, Uthman was a highly educated person. [7]
Uthman led a policy of maneuvering between the Qara Khitai and the Khwarezmshah Muhammad b. Tekish. He bore a high Turkic title (ulug sultan as-salatin). [8] However, Uthman soon went over to the side of the Qara Khitans. Later he entered into an alliance with Muhammad Khwarezmshah as a vassal of the latter. In 1209-10, coins were minted in the name of these rulers. After the recognition of the power of the Khwarezmshahs by Uthman, other Karakhanids who ruled in Ferghana followed his example. Uthman married the daughter of Khwarezmshah Muhammad b. Tekish and went to live in Khwarezm. He returned to Samarkand, accompanied by the Khwarezm military. Uthman was dissatisfied with the Khwarezmians and revolted in 1211. [9] In 1212 Muhammad b. Tekish invaded the Kara-Khanid Khanate, conquered Samarkand, and massacred the entire population. [9] Uthman was executed following Samarkand's downfall. [9] [8]
Samarkand or Samarqand is a city in southeastern Uzbekistan and among the oldest continuously inhabited cities in Central Asia. Samarkand is the capital of Samarqand Region and a district-level city, that includes the urban-type settlements Kimyogarlar, Farhod and Khishrav. With 551,700 inhabitants (2021), it is the third-largest city in Uzbekistan.
The Kara-Khanid Khanate, also known as the Karakhanids, Qarakhanids, Ilek Khanids or the Afrasiabids, was a Karluk Turkic khanate that ruled Central Asia from the 9th to the early 13th century. The dynastic names of Karakhanids and Ilek Khanids refer to royal titles with Kara Khagan being the most important Turkic title up until the end of the dynasty.
The Qara Khitai, or Kara Khitai, also known as the Western Liao, officially the Great Liao, was a dynastic regime based in Central Asia ruled by the Yelü clan of the Khitan people. Being a rump state of the Khitan-led Liao dynasty, Western Liao was culturally Sinicized to a large extent, especially among the elites consisting of Liao refugees.
Khwarazm or Chorasmia is a large oasis region on the Amu Darya river delta in western Central Asia, bordered on the north by the (former) Aral Sea, on the east by the Kyzylkum Desert, on the south by the Karakum Desert, and on the west by the Ustyurt Plateau. It was the center of the Iranian Khwarezmian civilization, and a series of kingdoms such as the Afrighid dynasty and the Anushtegin dynasty, whose capitals were Kath, Gurganj and—from the 16th century on—Khiva. Today Khwarazm belongs partly to Uzbekistan and partly to Turkmenistan.
The Anushtegin dynasty or Anushteginids, also known as the Khwarazmian dynasty was a Persianate Sunni Muslim dynasty of Turkic mamluk origin from the Bekdili clan of the Oghuz Turks. The Anushteginid dynasty ruled the Khwarazmian Empire, consisting in large parts of present-day Central Asia, Afghanistan and Iran in the approximate period of 1077 to 1231, first as vassals of the Seljuks and the Qara Khitai, and later as independent rulers, up until the Mongol conquest of the Khwarazmian Empire in the 13th century.
'Alā' al-Din Muhammad was the Shah of the Khwarazmian Empire from 1200 to 1220. His ancestor was Anushtegin Gharchai, a Turkic Ghulam who eventually became a viceroy of a small province named Khwarizm. He was subjected to the Mongol conquest of the Khwarazmian Empire, which resulted in the utter destruction of his empire.
The Samanid Empire was a Persianate Sunni Muslim empire, ruled by a dynasty of Iranian dehqan origin. The empire was centred in Khorasan and Transoxiana, at its greatest extent encompassing northeastern Iran and Central Asia, from 819 to 999.
Khwarazmshah was an ancient title used regularly by the rulers of the Central Asian region of Khwarazm starting from the Late Antiquity until the advent of the Mongols in the early 13th-century, after which it was used infrequently. There were a total of four families who ruled as Khwarazmshahs—the Afrighids (305–995), Ma'munids (995–1017), the line of Altuntash (1017–1041), and the most prominent ones, the Anushteginids (1097–1231). Like other contemporary Central Asian titles, such as Afshin and Ikhshid, the title of Khwarazmshah is of Iranian origin.
Shahāb-ud-Dawla Mawdūd, known as Mawdud of Ghazni, was a sultan of the Ghaznavids from 1041 – 1050. He seized the throne of the sultanate from his uncle, Muhammad of Ghazni, in revenge for the murder of his father, Mas'ud I of Ghazni. His brother Majdud in Lahore did not recognize him as sultan, but his sudden death paved the way for Mawdud to exercise control over the eastern portion of the Ghaznavid Empire.
Il-Arslan was the Shah of Khwarezm from 1156 until 1172. He was the son of Atsïz.
Kuchlug was a member of the Naiman tribe who became the last emperor of the Western Liao dynasty. The Naimans were defeated by Genghis Khan and he fled westward to the Qara Khitai, where he became an advisor to his future father-in-law Yelü Zhilugu. He later rebelled, usurped the throne and took control of the empire, putting an end to the rule of the House of Yelü. He was killed in 1218 by the Mongols and the domain of the Qara Khitai was absorbed into the Mongol Empire.
The Afrasiab murals, also called the Paintings of the Ambassadors, is a rare example of Sogdian art. It was discovered in 1965 when the local authorities decided to construct a road in the middle of Afrāsiāb mound, the old site of pre-Mongol Samarkand. It is now preserved in a special museum on the Afrāsiāb mound.
The Khwarazmian Empire, or simply Khwarazm, was a culturally Persianate, Sunni Muslim empire of Turkic mamluk origin. Khwarazmians ruled large parts of present-day Central Asia, Afghanistan, and Iran from 1077 to 1231; first as vassals of the Seljuk Empire and the Qara Khitai, and from circa 1190 as independent rulers up until the Mongol conquest in 1219–1221.
Central Asian art is visual art created in Central Asia, in areas corresponding to modern Kyrgyzstan, Kazakhstan, Uzbekistan, Turkmenistan, Tajikistan, Afghanistan, and parts of modern Mongolia, China and Russia. The art of ancient and medieval Central Asia reflects the rich history of this vast area, home to a huge variety of peoples, religions and ways of life. The artistic remains of the region show a remarkable combinations of influences that exemplify the multicultural nature of Central Asian society. The Silk Road transmission of art, Scythian art, Greco-Buddhist art, Serindian art and more recently Persianate culture, are all part of this complicated history.
The following is a timeline of the history of the city of Samarkand, Uzbekistan.
Ghiyath al-Din Mahmud, was Sultan of the Ghurid Empire from 1206 to 1212. He was son of Ghiyath al-Din Muhammad the nephew of Muhammad Ghuri whom he succeeded in 1206.
Ali ibn Hasan, also known as Harun Bughra Khan and better known as Ali-Tegin was a Karakhanid ruler in Transoxiana from 1020 to 1034 with a brief interruption in 1024/25.
Shams al-Mulk Nasr was a Karakhanid ruler in Transoxiana from 1068 to 1080. He was one of the greatest rulers of the dynasty.
Ibrahim ibn Hussein was a Karakhanid ruler in Transoxiana from 1178/1179 to 1202/1203.
The Battle of Andkhud, also spelt as Battle of Andkhui, alternatively known as the Catastrophe of Andkhud was fought in 1204 on the bank of river Oxus near Andkhoy in present-day Afghanistan. It was fought between the Ghurid forces of Muhammad of Ghor against the Qara Khitai forces led by Tayangu of Taraz. The battle ended in a complete rout of the Ghurids, although Muhammad of Ghor managed to escape the debacle after the intervention by Uthman of Qarakhanid.
'Uthman ibn Brahim (...) très probablement commanditaire des peintures de Samarkand"
The ceramics and monetary finds in the pavilion can be dated to no earlier than to the second half of the twelfth century, and more plausibly towards the end of that century. This is the only pavilion of those excavated that was decorated with paintings, which leave no doubt about the master of the place. (...) The whole artistic project was aimed at exalting the royal figure and the magnificence of his court. (...) the main scenes from the northern wall represents the ruler sitting cross-legged on a throne (see Figs 13, 14) (...) It was undoubtedly a private residence of the Qarakhanid ruler and his family and not a place for solemn receptions.
Peintures murales qui ornaient (...) la résidence privée des derniers souverains qarakhanides de Samarkande (fin du 12ième - début du 13ième siècle (...) le souverain assis, les jambes repliées sur le trône, tient une flèche, symbole du pouvoir (Fig.171).
We cannot exclude the possibility that this action was related to the dramatic events of the year 1212, when Samarqand was taken by the Khwarazmshah Muḥammad b. Tekish.