"Street Fighting Man" is a song by the English rock band the Rolling Stones, written by the songwriting team of Mick Jagger and Keith Richards. Considered one of the band's most popular and most controversial songs, it features Indian instrumentation contributed by Brian Jones, which has led to it being characterized as a raga rock song. It also features controversial and ambiguous lyrics about armed revolution. In the United States, it was released as a single in August 1968, while it was not released in the United Kingdom until four months later on the Beggars Banquet album, where it opened side two. The B-side of the American single featured "No Expectations", considered one of the final Stones tracks in which founding member Jones played a significant role in its construction.
"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by Rolling Stone magazine, the song was perceived by some as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums Aftermath (1966), Between the Buttons (1967) and especially Their Satanic Majesties Request (1967). One of the group's most popular and recognisable songs, it has been featured in films and covered by numerous performers, notably Thelma Houston, Aretha Franklin, Tina Turner, Peter Frampton, Johnny Winter, Leon Russell and Alex Chilton. To date, it is the band's most-performed song; they have played it over 1,100 times in concert.
Disraeli Gears is the second studio album by the British rock band Cream. It was released in November 1967 and reached No. 5 on the UK Albums Chart., and No. 1 on the Swedish and Finnish charts. The album was also No. 1 for two weeks on the Australian album chart and was listed as the No. 1 album of 1968 by Cash Box in the year-end album chart in the United States. The album features the singles "Strange Brew" and "Sunshine of Your Love", as well as their respective B-sides "Tales of Brave Ulysses" and "SWLABR".
The Sun Sessions is a compilation album by American singer Elvis Presley, issued by RCA Records in 1976. The album contains Presley's earliest commercial recordings, made in Memphis, Tennessee for Sun Records in 1954 and 1955. RCA issued the album in the UK in 1975 under the title The Sun Collection. The album features liner notes by Roy Carr of the New Musical Express. The Sun Sessions features most of the tracks Elvis recorded for Sun Records and produced by Sam Phillips, the head of Sun Studios. The Sun Sessions reached number two on the Billboard Country Albums and number 1 on the Cashbox Country Albums charts.
Vacation is the second studio album by American rock band the Go-Go's, released on July 20, 1982, by I.R.S. Records. The album reached number eight on the Billboard 200, and has been certified gold by the Recording Industry Association of America (RIAA). The title track reached number eight on the Billboard Hot 100.
Get Up with It is a compilation album by American jazz trumpeter, bandleader, and composer Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums Jack Johnson (1971) and On the Corner (1972). In The Rolling Stone Album Guide (2004), J. D. Considine described the compilation's music as "worldbeat fusion".
Menlove Ave. is a 1986 compilation album by English rock musician John Lennon. It is the second posthumous release of Lennon's music, having been recorded during the sessions for his albums Walls and Bridges and Rock 'n' Roll. Menlove Ave. was released under the supervision of Yoko Ono, Lennon's widow.
"Ruby Tuesday" is a song recorded by the Rolling Stones in 1966, released in January 1967. The song became the band's fourth number-one hit in the United States and reached number three in the United Kingdom as a double A-side with "Let's Spend the Night Together". The song was included in the American version of Between the Buttons.
Sucking in the Seventies is the sixth official compilation album by The Rolling Stones, released in 1981. Serving as the successor to 1975's Made in the Shade, it covers material from the recording sessions of It's Only Rock 'n Roll (1974), Black and Blue (1976), Some Girls (1978) and Emotional Rescue (1980). Deviating from the standard practice of "greatest hits" albums, it features a mix of hit songs, remixes, alternate takes of album tracks, B-sides, and live recordings.
Metamorphosis is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records after the band's departure from Decca and Klein. Released in 1975, Metamorphosis centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970.
"Gloria" is a rock song written by Northern Irish singer-songwriter Van Morrison, and originally recorded by Morrison's band Them in 1964. It was released as the B-side of "Baby, Please Don't Go". The song became a garage rock staple and a part of many rock bands' repertoires.
Best of B-Boy Records is a compilation album by Boogie Down Productions consisting of recordings for its first label, B-Boy Records. It is the final release to date by KRS-One under the Boogie Down Productions name. Best of B-Boy Records is essentially a repackaging of BDP's debut album Criminal Minded, with several b-sides and singles added.
"Time Is on My Side" is a song written by Jerry Ragovoy. First recorded by jazz trombonist Kai Winding and his orchestra in 1963, it was covered by both soul singer Irma Thomas and then later the Rolling Stones in 1964.
"She's a Rainbow" is a song by the Rolling Stones and was featured on their 1967 album Their Satanic Majesties Request. It has been called "the prettiest and most uncharacteristic song" that Mick Jagger and Keith Richards wrote for the Stones, although somewhat ambiguous in intention.
"We Got the Beat" is a song by the American rock band the Go-Go's, written by the group's lead guitarist and keyboardist Charlotte Caffey. The band first recorded the song in 1980 for a single on UK-based Stiff Records, and later rerecorded it for their debut album Beauty and the Beat on I.R.S. Records. The initial single release brought the Go-Go's underground credibility during their first UK tour and in the band's hometown of Los Angeles. The first version reached No. 35 on the U.S. Hot Dance Club Play chart due to its popularity in clubs as an import, and the second version was a top 10 hit in both the United States and Canada. It is considered a new wave classic hit, as well as being the Go-Go's' signature song. The song was named one of "The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll".
Greatest is a 1990 compilation album by the rock group The Go-Go's from California, United States. The record, which represents the first best-of album by the Go-Go's, includes most of the hits and stand-out tracks from the band's first three studio albums, 1981’s Beauty and the Beat, 1982’s Vacation, and 1984‘s Talk Show, only omitting three minor hit singles, "He's So Strange," "This Old Feeling" and "Yes or No".
Return to the Valley of the Go-Go's is the Go-Go's second compilation album, released in 1994. There were two versions of this compilation released: a single disc, and a double disc version. All recordings found on the single disc are identical to those on the double.
Rarities is the name of two separate and unrelated compilation albums by the English rock band the Beatles. The first was released in the United Kingdom in December 1978, while the second album was issued in the United States in March 1980.
"Dance Little Sister" is a song written by Mick Jagger and Keith Richards that was first released on the Rolling Stones 1974 album It's Only Rock 'n Roll. It was also released as the B-side of the Rolling Stones single "Ain't Too Proud to Beg" and on several of their compilation albums.
"Personality Crisis" is the lead track from the New York Dolls' self-titled debut album. It was written by Dolls lead singer David Johansen and guitarist Johnny Thunders. An early demo version of it appears on the 1981 collection Lipstick Killers – The Mercer Street Sessions 1972.
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