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"Va, dal furor portata", K. 21 / K6 19c, is an early concert aria in C major for tenor and orchestra by Wolfgang Amadeus Mozart. It was written 1765 in London during the Mozart family grand tour around Europe when Mozart was nine years old. The words are from Metastasio's Ezio , act 2, scene 4, by the character Massimo.
The work is scored for two oboes, two bassoons, two natural horns in C, strings and tenor.
Va, dal furor portata,
Palesa il tradimento;
Ma ti sovvenga ingrata,
Il traditor qual'è.
Scopri la frode ordita,
Ma pensa in quel momento,
Ch'io ti donai la vita,
Che tu la togli a me.
Go, transported by fury,
reveal the treachery;
but remember, ingrate,
who is the traitor.
Disclose the deception that was planned;
but at the moment consider
that I gave you life
and you take it from me.
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Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements. It was premiered by the Prague Italian opera at the National Theater, now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte".
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B♭2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.
Idomeneo, re di Creta ossia Ilia e Idamante is an Italian-language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.
"Vorrei spiegarvi, oh Dio!" is a soprano aria by Wolfgang Amadeus Mozart.
Ascanio in Alba, K. 111, is a pastoral opera in two parts by Wolfgang Amadeus Mozart to an Italian libretto by Giuseppe Parini. It was commissioned by the Empress Maria Theresa for the wedding of her son, Archduke Ferdinand Karl, to Maria Beatrice d'Este on 15 October 1771.
"Dove sono" is an aria in Italian for lyric soprano from the third act of Mozart's 1786 opera Le nozze di Figaro. Countess Almaviva laments, in an initial recitative, that her husband has become a philanderer, and that she must rely on assistance from her maid to manipulate him. In the aria, she calmly remembers moments of love, and hopes, with increasing agitation, that her persistence may make him love her again. It is frequently performed in recitals and featured in anthologies of vocal music for lyric soprano.
This is a complete list of recordings by the Los Angeles Philharmonic, shown alphabetically by conductor, and then by recording label.
"Or che il dover – Tali e cotanti sono", K. 36, is a concert aria in D major for tenor and orchestra by Wolfgang Amadeus Mozart.
"Ch'io mi scordi di te? ... Non temer, amato bene", K. 505, is a concert aria by Wolfgang Amadeus Mozart for soprano, piano obbligato and orchestra, composed in December 1786 in Vienna. It is often considered to be one of his greatest compositions in this genre.
Ezio is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's second setting of a libretto by the Italian poet Metastasio that was first performed in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day. The story is based on incidents from the lives of the 5th-century Roman emperor Valentinian III and his general Aetius. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1777 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.
Josef Triebensee (Trübensee) was a Bohemian composer and oboist.
K21 is a South Korean infantry fighting vehicle.
Richard Conrad was an American singer, voice teacher, and impresario whose voice at times inhabited both the tenor and baritone ranges. He sang in opera, cabaret and musicals. He is perhaps best known for his 1963 recorded collaboration with Joan Sutherland and Marilyn Horne, conducted by Richard Bonynge, known as The Age of Bel Canto.
"Popoli di Tessaglia! – Io non chiedo, eterni Dei" (K. 316/300b) is a recitative and aria for soprano and orchestra that Wolfgang Amadeus Mozart wrote for Aloysia Weber. It is famous for including two occurrences of a G6, i.e. the G above high C, or 1568 Hz by modern concert pitch – according to the Guinness Book of Records, the highest musical note ever scored for the human voice. (However, an A6 is scored in Ignaz Umlauf's Das Irrlicht, also sung by Aloysia Weber.)
"Ah! perfido", Op. 65, is a concert aria for soprano and orchestra by Ludwig van Beethoven. The dramatic scena begins with a recitative in C major, taken from Pietro Metastasio's Achille in Sciro. The aria "Per pietà, non dirmi addio" is set in the key of E-flat major, and its lyricist is anonymous. A performance takes about 14 minutes.
"Bella mia fiamma, addio", K. 528, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, composed in Prague in 1787. The text of this aria is taken from the 1772 opera Cerere placata, composed by Niccolò Jommelli with text by Michele Sarcone. The aria was published by Breitkopf & Härtel in 1881.
"Ah, lo previdi!” – “Ah, t’invola” – – “Misera!” – “Deh, non varcar", K. 272, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, one of Mozart's first large-scale operatic concert pieces.
"Non più. Tutto ascoltai...Non temer, amato bene", K. 490, is a concert aria by Wolfgang Amadeus Mozart for solo tenor and orchestra, composed in Vienna in 1786. Originally written for the tenor voice, the aria is mostly now performed by sopranos. The text of this aria is taken from Mozart's 1781 opera Idomeneo, by Giambattista Varesco. The aria was published by Breitkopf & Härtel in 1881.