Rifle is a home rule municipality in and the most populous community of Garfield County, Colorado, United States. The population was 10,437 at the 2020 census. Rifle is a regional center of the cattle ranching industry located along Interstate 70 and the Colorado River just east of the Roan Plateau, which dominates the western skyline of the town. The town was founded in 1882 by Abram Maxfield, and was incorporated in 1905 along Rifle Creek, near its mouth on the Colorado. The community takes its name from the creek.
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.
Cinéma vérité is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth.
The Gates were a group of gates comprising a site-specific work of art by Bulgarian artist Christo Yavacheff and French artist Jeanne-Claude, known jointly as Christo and Jeanne-Claude. The artists installed 7,503 vinyl "gates" along 23 miles (37 km) of pathways in Central Park in New York City. From each gate hung a panel of deep saffron-colored nylon fabric. The exhibit ran from February 12 through February 27, 2005.
Grey Gardens is a 1975 American documentary film by Albert and David Maysles. The film depicts the everyday lives of two reclusive, upper-class women, a mother and daughter both named Edith Beale, who lived in poverty at Grey Gardens, a derelict mansion at 3 West End Road in the wealthy Georgica Pond neighborhood of East Hampton, New York. The film was screened at the 1976 Cannes Film Festival but was not entered into the main competition.
Christo Vladimirov Javacheff (1935–2020) and Jeanne-Claude Denat de Guillebon (1935–2009), known as Christo and Jeanne-Claude, were artists noted for their large-scale, site-specific environmental installations, often large landmarks and landscape elements wrapped in fabric, including the Wrapped Reichstag, The Pont Neuf Wrapped, Running Fence in California, and The Gates in New York City's Central Park.
Albert Maysles and his brother David Maysles were an American documentary filmmaking team known for their work in the Direct Cinema style. Their best-known films include Salesman (1969), Gimme Shelter (1970) and Grey Gardens (1975).
Events from the year 1972 in art.
Events from the year 1935 in art.
Running Fence was an installation art piece by Christo and Jeanne-Claude, which was completed on September 10, 1976. The art installation was first conceived in 1972, but the actual project took more than four years to plan and build. After it was installed, the builders removed it 14 days later, leaving no visible trace behind.
Charlotte Zwerin was an American documentary film director and editor known for her work concerning artists and musicians. However, she is most known for her editing contributions to the direct cinema and cinéma vérité documentaries Salesman (1969), Gimme Shelter (1970), and Running Fence (1978) in which she was given co-director credits along with the two cinéma vérité pioneers Albert and David Maysles.
Christo's Valley Curtain is a 1974 American short documentary film directed by Albert and David Maysles, about Christo and Jeanne-Claude's Valley Curtain project.
Judy Hoffman is an American filmmaker and arts activist based in Chicago. She graduated from Northwestern University with a MFA and currently holds a faculty position at the University of Chicago. Hoffman has played a major role in the development of Kartemquin Films, a documentary filmmaking company founded in Chicago in 1966. Hoffman has worked with extensively with Kwakwaka’wakw, a First Nation in British Columbia, to produce films. Hoffman has brought activism to her films, and continues to show different facets of the city of Chicago.
L'Arc de Triomphe, Wrapped, known as "L'Arc de Triomphe Empaqueté" in French, was a temporary art installation by artists Christo and Jeanne-Claude where the Arc de Triomphe in Paris was wrapped in a silver-blue fabric and red rope for two weeks in 2021.
Wrapped Coast was a 1969 environmental artwork in which Christo and Jeanne-Claude wrapped a portion of Gadigal country's Little Bay in plastic fabric. It was funded by John Kaldor AO through Kaldor Public Art Projects.
Wrapped Reichstag, Project for Berlin is a 1995 environmental artwork by artists Christo and Jeanne-Claude included as the wrapped up Berlin Reichstag building in fabric.
The Pont Neuf Wrapped, Paris, 1975–1985 was a 1985 environmental artwork in which artists Christo and Jeanne-Claude wrapped the Pont Neuf in fabric. Planning for the project started in 1979. The artists put a model of the project in the window of La Samaritaine, a department store close to the bridge, in late 1981. Paris Mayor Jacques Chirac rejected the project in early 1982. An aide to the mayor snuck the permit approval into a pile of the mayor's papers, which he signed inadvertently in August 1984. When the mayor attempted to repeal the approval, Jeanne-Claude said she would show the press the letter as a symbol of his signature's worth, after which he dropped his case. In September 1985, the artists wrapped the bridge and its 44 streetlamps in a sandstone-colored fabric. The two-week installation attracted three million visitors. Artsy described the response as "sensational".
Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83 was a 1983 environmental artwork in which artists Christo and Jeanne-Claude surrounded an island archipelago in Miami with pink fabric.
The Umbrellas, Japan–USA, 1984–91 was a 1991 environmental artwork in which artists Christo and Jeanne-Claude erected yellow and blue umbrella structures in California and Japan, respectively. The 3,100-umbrella project cost US$26 million and attracted three million visitors. Christo closed the exhibition early after a woman was crushed by a windswept umbrella in California. Separately, a worker was killed during the deconstruction of the Japanese exhibit.
Over the River was an unrealized installation artwork by Christo and Jeanne-Claude that would have suspended silver fabric over six miles of Colorado's Arkansas River. Artsy described the work as the duo's most notable unrealized work.
