Venanzio da Camerino (active first half 16th century) was an Italian painter of the Renaissance period.
He was born apparently in Camerino. Little is known of his biography. He was influenced or trained with Luca Signorelli. Some of his works were collaborations with Piergentile da Matelica, including altarpieces including the altarpiece of St Anne in San Menardo of Arcevia, or the fresco depicting the Assumption of the Virgin in the Sanctuary of Santa Maria delle Macchie in Gagliole, and others in the church of San Francesco in Nocera Umbra. They also collaborated on the Madonna and Child between Saints Peter and Paul in the Pinacoteca of Macerata. [1]
Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci.
Camerino is a town in the province of Macerata, Marche, central-eastern Italy. It is located in the Apennines bordering Umbria, between the valleys of the rivers Potenza and Chienti, about 64 kilometres (40 mi) from Ancona.
Castelraimondo is a comune (municipality) in the Province of Macerata in the Italian region Marche, located about 60 kilometres (37 mi) southwest of Ancona and about 35 kilometres (22 mi) southwest of Macerata.
Ferraù Fenzoni was an Italian painter and draughtsman. He was a canvas and fresco painter of biblical and religious subjects who worked in a late Mannerist style. He trained and worked in Rome in his youth and later he worked on important commissions in Todi and his native Faenza. He is also called 'Ferraù da Faenza' and 'Il Faenzone' after his birthplace Faenza.
Martino di Bartolomeo or Martino di Bartolomeo di Biago was an Italian painter and manuscript illuminator active between 1389 and 1434. He was one of his generation's principal painters of the Sienese School. From specific aspects of his early style, he is believed to have trained in the studio of Taddeo di Bartolo. As a young man Martino collaborated with Giovanni di Pietro da Napoli in Pisa. The fresco cycle in the church of San Giovanni Battista di Cascina, outside Pisa, bears Martino’s signature, and the date 1398. He returned permanently to Siena in 1405; there he painted several prominent fresco cycles in the Duomo and the Palazzo Pubblico. Further official commissions for altarpieces and for polychromy of sculptures attest to his versatility and to his prestige as one of the city’s official artists.
Giovanni Boccati or Giovanni di Pier Matteo Boccati was an Italian painter.
Olivuccio Ceccarello di Ciccarello was an Italian painter. Little is known of his life. He was a native of Camerino and was active from 1388 until his death. In 2002 works formerly attributed to an obscure painter named Carlo da Camerino were re-attributed to Olivuccio di Ciccarello as it had become clear Carlo da Camerino had never existed.
Francesco Mancini was an Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani.
Giovanni Agostino da Lodi was an Italian painter who was active from c. 1495 to c. 1525.
Giovanni Angelo d'Antonio was an Italian Renaissance painter belonging to the Camerino school that also included Giovanni Boccati and Girolamo di Giovanni.
Orazio Orazi was an Italian priest and painter. He is best known for his depictions of sacred subjects for churches in the Province of Macerata.
Matteo da Gualdo or Matteo di Pietro di Ser Bernardo was an Italian painter, active in Gualdo Tadino, Nocera Umbra, and Assisi.
Durante Nobili was an Italian painter of the Renaissance period.
Nicola di Ulisse, also known as Nicola da Siena or Nicola di Ulisse da Siena was an Italian painter of the Umbro-Sienese school.
Giovanni Battista Razzani was an Italian painter of the Baroque period.
The Master of the Franciscan Crucifixes is the notname given to an Italian painter active in the 1260s and 1270s. The notname is based on a painted crucifix now in the Basilica of San Francesco d'Assisi, which was found to be connected stylistically with two painted crucifixes in Bologna and fragments of two paintings in the National Gallery of Art in Washington, D.C. The artist is presumed to have been Umbrian by origin and training.
San Giusto is a Romanesque-style, Roman Catholic church located in the frazione of San Maroto outside the town of Pievebovigliana, province of Macerata, region of Marche, Italy.
Piergentile da Matelica was an Italian painter of the Renaissance period.
The Museo Civico di Mondavio is a public museum and art gallery (pinacoteca) located on Piazza Matteotti 3, where it is housed in the medieval former Franciscan monastery in the town center of Mondavio, in the Province of Pesaro e Urbino in the Italian region Marche.