Venereum

Last updated
A venereum in the House of Sallust Venereum in the House of Sallust.jpg
A venereum in the House of Sallust

Venereum (after goddess Venus) was an element of ancient Roman private apartments found particularly in Pompeii. It was originally interpreted as a specialized apartment or room dedicated to sexual activities. [1] [2] One venereum was found in the House of Julia Felix and another one in the House of Sallust, both in Pompeii. [2] In the latter house, the venereum was a garden with several separate rooms. [2]

A Latin inscription in the House of Julia Felix reports that "on the estate of Julia Felix... a venereum", among other things, was "to be let for a term of five continuous years, from the first to the sixth of the Ides of August". [1] The accompanying abbreviation SQDLENC is conjectured to stand for "Si quis domi lenocinium exerceat ne conducito" ("Let no one apply who keeps a brothel"). [1] The venereum in the House of Sallustius included a bedchamber, a triclinium and a lararium .

Related Research Articles

<span class="mw-page-title-main">Erotic art in Pompeii and Herculaneum</span> Aspect of art in ancient Rome

Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes. The ubiquity of such imagery and items indicates that the treatment of sexuality in ancient Rome was more relaxed than in current Western culture. However, much of what might strike modern viewers as erotic imagery, such as oversized phalluses, could arguably be fertility imagery. Depictions of the phallus, for example, could be used in gardens to encourage the production of fertile plants. This clash of cultures led to many erotic artefacts from Pompeii being locked away from the public for nearly 200 years.

<i>Pompeii: The Last Day</i> British TV series or programme

Pompeii: The Last Day is a 2003 dramatized documentary that tells of the eruption of Mount Vesuvius towards the end of August, 79 AD. This eruption covered the Roman cities of Pompeii and Herculaneum in ash and pumice, killing a large number of people trapped between the volcano and the sea. The documentary, which portrays the different phases of the eruption, was directed by Peter Nicholson and written by Edward Canfor-Dumas.

<span class="mw-page-title-main">Lucius Caecilius Iucundus</span> 1st century CE Roman banker

Lucius Caecilius Iucundus was a banker who lived in the Roman town of Pompeii around AD 14–62. His house still stands and can be seen in the ruins of the city of Pompeii which remain after being partially destroyed by the eruption of Vesuvius in AD 79. The house is known both for its frescoes and for the trove of wax tablets discovered there in 1875, which gave scholars access to the records of Iucundus' banking operations.

<span class="mw-page-title-main">Antonius Felix</span> 1st century Roman politician and procurator of the Judea Province

Antonius Felix was the 4th Roman procurator of Judea Province in 52–60, in succession to Ventidius Cumanus. He appears in the New Testament, in the book of Acts, chapters 23 and 24, where the Apostle Paul is brought before him for a trial.

<i>The Last Days of Pompeii</i> 1834 novel by Edward Bulwer-Lytton

The Last Days of Pompeii is a novel written by Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79.

<span class="mw-page-title-main">Conservation issues of Pompeii and Herculaneum</span> Aspect of archaeology in Pompeii and Herculaneum

Pompeii and Herculaneum were once thriving towns, 2,000 years ago, in the Bay of Naples. Both cities have rich histories influenced by Greeks, Oscans, Etruscans, Samnites and finally the Romans. They are most renowned for their destruction: both were buried in the AD 79 eruption of Mount Vesuvius. For over 1,500 years, these cities were left in remarkable states of preservation underneath volcanic ash, mud and rubble. The eruption obliterated the towns but in doing so, was the cause of their longevity and survival over the centuries.

<span class="mw-page-title-main">House of Loreius Tiburtinus</span> Ancient Roman building in Pompei, Italy

The House of Loreius Tiburtinus is renowned for well-preserved art, mainly in wall-paintings as well as its large gardens.

<span class="mw-page-title-main">House of Menander</span> Building in Pompei, Italy

The House of Menander is one of the richest and most magnificent houses in ancient Pompeii in terms of architecture, decoration and contents, and covers a large area of about 1,800 square metres (19,000 sq ft) occupying most of its insula. Its quality means the owner must have been an aristocrat involved in politics, with great taste for art.

<span class="mw-page-title-main">House of Julia Felix</span> Large Roman villa in Pompeii

<span class="mw-page-title-main">Pompeii in popular culture</span>

The ancient Roman city of Pompeii has been frequently featured in literature and popular culture since its modern rediscovery. Pompeii was buried under 4 to 6 m of volcanic ash and pumice in the eruption of Mount Vesuvius in AD 79.

<span class="mw-page-title-main">House of the Surgeon</span>

The House of the Surgeon is one of the most famous houses in the ancient Roman city of Pompeii and is named after ancient surgical instruments that were found there. Along with the rest of the city, it was buried and largely preserved under 4 to 6 m of volcanic ash and pumice in the eruption of Mount Vesuvius in AD 79.

<span class="mw-page-title-main">Pompeii</span> Ancient Roman city near modern Naples, Italy

Pompeii was an ancient city located in what is now the comune of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area, was buried under 4 to 6 m of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD.

<span class="mw-page-title-main">Herculaneum</span> Roman town destroyed by eruption of Mount Vesuvius

Herculaneum was an ancient Roman town, located in the modern-day comune of Ercolano, Campania, Italy. Herculaneum was buried under volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD.

<i>The Last Days of Pompeii</i> (1959 film) 1959 film

The Last Days of Pompeii is a 1959 Eastmancolor sword and sandal action film starring Steve Reeves, Christine Kaufmann, and Fernando Rey and directed by Mario Bonnard and Sergio Leone. Bonnard, the original director, fell ill on the first day of shooting, so Leone and the scriptwriters finished the film.

<span class="mw-page-title-main">House of Sallust</span> Building in Pompei, Italy

The House of Sallust was an elite residence (domus) in the ancient Roman city of Pompeii and among the most sumptuous of the city.

<span class="mw-page-title-main">Eruption of Mount Vesuvius in 79 AD</span> Eruption of a stratovolcano in southern Italy during the Roman Empire

Of the many eruptions of Mount Vesuvius, a major stratovolcano in southern Italy, the best-known is its eruption in 79 AD, which was one of the deadliest.

<i>Tintinnabulum</i> (ancient Rome)

In ancient Rome, a tintinnabulum was a wind chime or assemblage of bells. A tintinnabulum often took the form of a bronze ithyphallic figure or of a fascinum, a magico-religious phallus thought to ward off the evil eye and bring good fortune and prosperity.

The conservation and restoration of Pompeian frescoes describes the activities, methods, and techniques that have historically been and are currently being used to care for the preserved remains of the frescoes from the archeological site of Pompeii, Italy. The ancient city of Pompeii is famously known for its demise in A.D. 79 after the fatal eruption of Mount Vesuvius wiped out the population and buried the city beneath layers of compact lava material. In 1738, King Charles III or Charles of Bourbon, began explorations in Portici, Resina, Castellammare di Stabia, a Civita, where it was believed that the ancient cities of Pompeii, Stabiae, and Herculaneum were buried beneath. The first phase of the excavations at Pompeii started in 1748, which led to the first conservation and restoration efforts of the frescoes since their burial, and in 1764, open-air excavations began at Pompeii. Pompeii has a long history of excavation and restoration that began without a strong foundation or strategy. After centuries of cronyism, recurring financial shortages, and on-again-off-again restoration, the city's frescoes and structures were left in poor condition. In 1997, Pompeii was added to the UNESCO List of World Heritage Sites.

<span class="mw-page-title-main">Foreign influences on Pompeii</span>

Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.

Umbricia Fortunata was a businesswoman known from the Roman city of Pompeii. She produced the popular seasoning garum, a fermented fish sauce.

References

  1. 1 2 3 Thomas Henry Dyer (1871). Pompeii: Its history, buildings, and antiquities. An account of the destruction of the city, with a full description of the remains, and of the recent excavations, and also an itinerary for visitors. Bell & Daldy. p. 69.
  2. 1 2 3 Eric Moormann (2015). Pompeii's Ashes: The Reception of the Cities Buried by Vesuvius in Literature, Music, and Drama. Walter de Gruyter GmbH & Co KG. p. 50. ISBN   978-1614518730.