Vera (Olivia) Weatherbie (1909-1977) was a Vancouver painter and one of the first graduates from the Vancouver School of Decorative Applied Art. [1] Weatherbie was known for her connections with the Group of Seven Painter, VSDAA faculty member, and co-founder of the British Columbia College of Arts, Frederick Varley. [2]
Weatherbie was born in 1909 in Vancouver and went to Britannia Secondary School. [3]
Weatherbie attended the Vancouver School of Decorative Applied Art, now Emily Carr University of Art and Design, from 1925 to 1929 with fellow painter and friend Irene Hoffar Reid. [4]
Weatherbie continued her education in 1932-1933 completing post-graduate studies at the Royal Academy of Arts in London where she expanded her skill in diffused light, muted color, and fractured surfaces. [5] Upon her return from London, Weatherbie took a position as a painting instructor at the British Columbia College of Arts in Vancouver. [6] The school was founded by Frederick Varley, Jock Macdonald and Harry Täuberwas. [6] Weatherbie worked at the British Columbia College of Arts until it closed due to financial troubles in 1935. [6]
Weatherbie was well known both as a model and muse for such artists as Frederick Varley and her spouse Harold Mortimer Lamb. Varley created a number of portraits of Weatherbie with one of his most celebrated paintings titled Vera (1931) becoming a part of the Masterpieces of Canadian art series postage stamps issued by Canada Post on May 6, 1994. [7]
While a student of Varley's at the School of Decorative and Applied Arts in Vancouver, Weatherbie was known for having taught Varley about auras. Harry Adaskin, a Canadian violinist and author, noted, "'Vera, who was involved in mystical speculation, taught Varley about auras: vibrations which surround all people revealing the true state of their emotions and spirit. These vibrations were depicted as colour by those spiritually ready to receive them." [8] [9]
Although Weatherbie has been considered underrated for her time, she did receive recognition for some of her work through awards and reception. [2] [10] Weatherbie was applauded for Portrait of F.H. Varley (1930, oil on canvas and board, 99.0 cm x 85.0 cm) for her ability to capture her subject. Blodwen Davies of the Toronto Star Weekly on January 21, 1931 stated, "Miss Weatherbie has attempted to paint not only a keenly discerning study of the face of the artist, but she has invaded the world of metaphysics in a daring effort to commit to paint the immaterial qualities of personality." [2] [10]
Weatherbie married Canadian artist Harold Mortimer Lamb on May 4, 1942. [4]
Weatherbie died at the age of sixty-seven in Burnaby, British Columbia. [6]
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
Emily Carr was a Canadian artist who was inspired by the monumental art and villages of the First Nations and the landscapes of British Columbia. She also was a vivid writer and chronicler of life in her surroundings, praised for her "complete candour" and "strong prose". Klee Wyck, her first book, published in 1941, won the Governor General's Literary Award for non-fiction and this book and others written by her or compiled from her writings later are still much in demand today.
Frederick Horsman Varley was a member of the Canadian Group of Seven.
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Lillian Irene Hoffar Reid was a Canadian painter. She was in the first graduating class, June 1929, at the Vancouver School of Decorative and Applied Art. She taught at the Vancouver School of Art from 1933 to 1937.
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