Verdussen was a dynasty of printers in Antwerp, starting with Hieronymus Verdussen I in the late sixteenth century, and ending around 1800. Many other printers in Antwerp were also related to the Verdussens through marriage. They specialized in religious works and works in Spanish,[1] but also published newspapers, almanachs, poetry, scientific works, .... By the end of the 17th century, they produced about 21% of the Spanish books printed in the Netherlands, and with 5 presses was second only to Moretus in Antwerp. In 1876, the Verdussenstraat (Verdussen Street) was named after the family in Antwerp.[2]
Titlepage of the Arte de ingenio by Baltasar Gracián (under the pseudonym Lorenzo Gracian), published by Hieronymus Verdussen III and Jan Baptist Verdussen in 1669
The place of the other Verdussen's (if any) in this tree is unknown. Whether the painters Peter Verdussen (1662-after 1710) and his son Jan Peter Verdussen (1700-1763) (both from Antwerp) were related to the printers is also unknown, Peter Verdussen may be the son of Jacob Verdussen, son of Willem Verdussen. Artus Quellinus, who sculpted the lion at the entrance of the publisher's shop, married Margaretha Verdussen (1613-1668) in 1640.
Hieronymus Verdussen
Title page of the Emblemata Horatiana by Otto van Veen, published in 1607
Hieronymus Verdussen I was the first of the Verdussen family to start printing in Antwerp, near the end of the sixteenth century. Born in 1552, he married in 1579 and died in 1635.[3] He started working as an apprentice to the bookseller and printer Hendrick Wouters. Hieronymus entered the Guild of Saint Luke, guild of artists and bookprinters, in 1590. He bought Petrus Phalesius the Younger's printing office "De Roode Leeu" in 1606. Nearly three hundred publications by him are known.
1593: H. Adriani, Legende der Mirakelen ons H. Jesu Ch. en zyn Heylighen, the oldest known work printed by a Verdussen
1607: Otto van Veen, Emblemata Horatiana (2 editions: 1607 and 1612; republished in Spanish by next generations of the Verdussens in 1672, 1682, 1701 and 1733)
1608: Otto van Veen, Amorum emblemata
1610: Pedro Teixeira, Relaciones del origen, descendencia y succession de los reyes de Persia y de Harmuz
1617: Ordonnantie ende Placcaet van de Ertz-Hertoghen, en Specificatie, two booklets concerning the henceforth accepted gold and silver coins: updates printed 1618, 1619
1625: Giuliano Bossi, Breve trattato d'alcune inventioni (2 editions)
1625: Anna Bijns, Den gheesteleycken nachtegael
1627: John Bromyarde, Promptuarium concionatorum, omnibus dominici gregis pastoribus
1627: Trajano Boccalini, Relationi politiche, published in collaboration with Willem Lesteens (1590-1661), Hieronymus' son-in-law, who was a member of the Guild of Saint Luke since 1612 and would also publish some books under his own name. His company was continued by his son-in-law Engelbert Gymnicus in 1662, but had nearly folded by 1669.
Son of Hieronymus I. Born in 1583, married in 1617, died in 1653. His name first appears on prints (as "Hieron. Verdussen, de Ionghe") in 1624. In 1630 he obtained an official monopoly on the printing of almanacs that was never enforced because of strongly organised opposition from other members of the printing trade.[4]
1650: the anonymous pamphlet "Protest van den Brabander, aen de lesers van 't Hollands praatje"
Willem Verdussen
Son of Hieronymus I. Born in 1592, married in 1616, and died in 1667. Mainly known as the printer of the Extraordinarissche Post-Tijdinghen from March or April 1635 on, as a successor to Abraham Verhoeven's Nieuwe Tijdinghen, the first newspaper in the Southern Netherlands. The Post-Tijdinghen ran at least until 1645,[5] but would continue under different titles until 1827.
1619, Johannes David Heemsen, Nederduytsche Poëmata
1627: Ghenuechelijcke ende recreatieve exempelen
Jakob Verdussen
Jakob Verdussen was the son of Willem Verdussen. He continued his newspaper publications (with varying titles) until 1695, when he sold his company to Hendrik Aertsens III.
Hieronymus Verdussen III and Jan Baptist Verdussen
Hieronymus III and Jan Baptist were sons of Hieronymus II. Hieronymus III was born in 1620, married in 1649, and again in 1652, entered the guild in 1657, and died in 1687. Jan Baptist was born in 1625 and died in 1689. They published some works separate, but many together, making it easier to group them together here.
1653: Processionale (reprint 1670, 1683)
1655: Diego de Saavedra Fajardo, Idea de un príncipe político cristiano, reprinted in 1659 and 1677, and included in a set of complete works by Saavedra in 1681
1659: Arnaud de la Porte, Den nieuwen Dictionaris oft Schadt der Duytse en Spaensche Talen (3 volumes)
1661: Thomas Aquinas, Commentaria in omnes D. Pauli Apostolis Epistolas
Son of Hieronymus III. Born 1650, entered the guild 1683, died 1717.
About 1700: Reynaert den Vos oft der Dieren Oordeel
1707-1730: Nieuwen almanach ofte aenwyser der daghen voor het jaer (continued by Martinus Verdussen)
1710: P. Suetmans, Het Brussels Moeselken pijpende verscheyden vermaeckelijcke liedekens
Hendrik and Cornelis Verdussen
The Pluto pigsty, illustration from the Obras of de Quevedo, published in 1699 by Hendrik and Cornelis Verdussen
Cousins of Jan Baptist Verdussen II. Hendrik was the second son of Hieronymus III, born in 1653, married in 1689, entered the guild in 1691 and died in 1721. Cornelis was born in 1661, entered the guild in 1692 and died in 1728. They printed many reprints of earlier Verdussen publications as well.
1688: Pierre-Paul Billet, Arte para aprender la Langua Francesca
Son of Hendrik Verdussen. Born in 1706, married 1730, died in 1748. He was the Grand Almoner of Antwerp in 1738.
Jan Baptist Verdussen III
Born in 1698. Alderman of Antwerp, member of the Académie impériale et royale des Sciences et Belles-Lettres de Bruxelles, and best known as a writer of history and a bibliophile. He wrote an Index chronologicus rerum Antverpiensium in 25 volumes, and an Index alphabeticus rerum Antverpiensium in 8 volumes. After his death in 1773, his library was sold in 1776: this contained next to a rich collection of works on national history and a number of incunables also a collection of prints of the works of Peter Paul Rubens, Anthony van Dyck, e.a.
Hieronymus Verdussen VI
The son of Hieronymus Verdussen V, entered the guild in 1717, died before 1779.
Martinus Verdussen
1730-1739: Nieuwen almanach ofte aenwyser der daghen voor het jaer (continuation of the yearly almanach published by Hieronymus IV)
Hieronymus Jan Verdussen, active around 1776, died in 1794.
1793-1794: Directorium Antverpiense: continued by his widow until 1797
Peter Antoon Verdussen
Son of Cornelis II, born in 1737, married in 1767, died in 1790. His widow continued the company until she sold the machines in 1834.
Jan Paul Verdussen
Son of Cornelis II, born in 1738, died without issue in 1803. Entered the guild in 1766, became dean of the guild in 1779. Alderman of Antwerp in 1790.
Hendrik Peter Verdussen
Hendrik Peter (or Henri Pierre, as he was also known) Verdussen was born in Antwerp on 14 August 1778 as the son of Peter Antoon. He worked in his youth in the publishing shop of his father. His library of over 6000 items was sold after his death in 1857, ending the history of the publishing house of Verdussen.
His brother Frans Antoon (1783-1850) was a member of Parliament, a Knight in the Order of Leopold, and a writer who was a leading member of the Flemish Movement around 1840. After the Belgian Revolution in 1830, he became Mayor of Antwerp for two days, and afterwards served as Alderman of the city.
Flemish literature is literature from Flanders, historically a region comprising parts of present-day Belgium, France and the Netherlands. Until the early 19th century, this literature was regarded as an integral part of Dutch literature. After Belgium became independent from the Netherlands in 1830, the term Flemish literature acquired a narrower meaning and refers to the Dutch-language literature produced in Belgium. It remains a part of Dutch-language literature.
Cornelis Floris or Cornelis (II) Floris De Vriendt was a Flemish sculptor, architect, draughtsman, medallist and designer of prints and luxury. He operated a large workshop in Antwerp from which he worked on many large construction projects in Flanders, Germany and Denmark. He was one of the designers of the Antwerp City Hall. He developed a new style, which was informed by Flemish traditions, the 16th century Italian renaissance and possibly the School of Fontainebleau. His innovations spread throughout Northern Europe where they had a major influence on the development of sculpture and architecture in the 16th and early 17th centuries.
Anna Bijns or Anna Byns was a Flemish poet who wrote in the Dutch language. She was an educator and the administrator of a primary school in Antwerp until the age of 80. Even while as a woman she was denied membership of a local chamber of rhetoric, she was able to publish her works and find widespread recognition for her literary talent among her contemporaries. She is the first author in Dutch-language literature who mainly owed her success to the recently invented printing press. Her works were reprinted multiple times during her lifetime. In the religious conflicts of her time she chose the side of the Catholic Church and expressed in her poems sharp criticism of the teachings of Martin Luther. She is also known for her verses criticising the institution of marriage.
Maurits Sabbe, born Maurice Charles Marie Guillaume Sabbe, was a Flemish man of letters and educator who became curator of the Plantin-Moretus Museum in Antwerp.
Tobias Verhaecht (1561–1631) was a painter from Antwerp in the Duchy of Brabant who primarily painted landscapes. His style was indebted to the mannerist world landscape developed by artists like Joachim Patinir and Pieter Bruegel the Elder. He was the first teacher of Pieter Paul Rubens.
Jan Wildens was a Flemish painter and draughtsman specializing in landscapes. His Realist landscapes show an eye for detail and have a serene character. He was a regular collaborator with Rubens and other leading Flemish Baroque painters of his generation in whose compositions he painted the landscapes.
Boetius à Bolswert was a Flemish engraver of Friesland origin. In his time the paintings of Peter Paul Rubens called forth new endeavours by engravers to imitate or reproduce the breadth, density of mass and dynamic illumination of those works. Boetius Bolswert was an important figure in this movement, not least because he was the elder brother and instructor of the engraver Schelte à Bolswert, whose reproductions of Rubens's landscapes were most highly esteemed in their own right.
Lucas de Wael was a Flemish painter, art dealer and merchant. He was born in Antwerp and worked for some time in Genoa in Italy before returning to Antwerp. Here he continued his artistic and commercial activities. He is known for his landscapes and genre scenes.
Jan Baptist Barbé or Jan-Baptist Barbé (1578–1649) was a Flemish engraver, publisher and art dealer active in Antwerp. He is known for his engravings after his own designs as well as for his reproductive engravings.
Het Gulden Cabinet vande Edel Vry Schilder-Const or The Golden Cabinet of the Noble Liberal Art of Painting is a book by the 17th-century Flemish notary and rederijker Cornelis de Bie published in Antwerp. Written in the Dutch language, it contains artist biographies and panegyrics with engraved portraits of 16th- and 17th-century artists, predominantly from the Habsburg Netherlands. The work is a very important source of information on the artists it describes. It formed the principal source of information for later art historians such as Arnold Houbraken and Jacob Campo Weyerman. It was published in 1662, although the work also mentions 1661 as date of publication.
Hendrik Hondius I was a Flemish-born and trained engraver, cartographer, and publisher who settled in the Dutch Republic in 1597.
Henry Jaye was an English Catholic exile in the Southern Netherlands. He became printer to the city of Mechelen.
Events from the 1580s in the Spanish Netherlands and Prince-bishopric of Liège.
Adrianus or Adriaan van Meerbeeck (1563–1627) was a writer and translator from Antwerp.
Johannes Cotovicus or Jan van Cootwijk was a 17th-century travel writer who wrote an account of a journey to Jerusalem and Syria. Cootwijk was a native of Utrecht and a Doctor of Laws. He travelled through much of western Europe before embarking on a pilgrimage to Jerusalem which he described in Itinerarium Hierosolymitanum et Syriacum. This was translated into Dutch by Adriaan van Meerbeeck under the title De loflycke reyse van Jerusalem ende Syrien.
Jan van Blitterswyck was a Carthusian writer and translator in the Spanish Netherlands.
Guiliam or Willem Lesteens (1590–1661), Latinized Gulielmus Lesteenius, was a printer and publisher in the city of Antwerp, in the Spanish Netherlands.
Jacob van Liesvelt or Jacob van Liesveldt, was a Flemish printer, publisher and bookseller. His printing press put out publications in a wide range of genres, including poetry by Anna Bijns, Roman Catholic literature, such as an anti-heresy decree, and publications that conflicted with Catholic teachings. He published the first complete Dutch translation of the Bible in 1526. It was largely based on Martin Luther's translation. He was eventually executed for publishing unauthorised versions of the Bible.
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